Storm at Sea
271 pages
English

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271 pages
English
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Description

The Storm at Sea: Political Aesthetics in the Time of Shakespeare counters a tradition of cultural analysis that judges considerations of aesthetic autonomy in the early modern context to be either anachronistic or an index of political disengagement. Pye argues that for a post-theocratic era in which the mise-en-forme of the social domain itself was for the first time at stake, the problem of the aesthetic lay at the very core of the political; it is precisely through its engagement with the question of aesthetic autonomy that early modern works most profoundly explore their relation to matters of law, state, sovereignty, and political subjectivity.Pye establishes the significance of a "creationist" political aesthetic-at once a discrete historical category and a phenomenon that troubles our familiar forms of historical accounting-and suggests that the fate of such an aesthetic is intimately bound up with the emergence of modern conceptions of the political sphere.The Storm at Sea moves historically from Leonardo da Vinci to Thomas Hobbes; it focuses on Shakespeare and English drama, with chapters on Hamlet, Othello, A Winter's Tale, and The Tempest, as well as sustained readings of As You Like It, King Lear, Thomas Kyd's Spanish Tragedy, and Christopher Marlowe's Doctor Faustus. Engaging political thinkers such as Carl Schmitt, Giorgio Agamben, Claude Lefort, and Roberto Esposito, The Storm at Sea will be of interest to political theorists as well as to students of literary and visual theory.

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Informations

Publié par
Date de parution 02 mars 2015
Nombre de lectures 0
EAN13 9780823265077
Langue English
Poids de l'ouvrage 4 Mo

Informations légales : prix de location à la page 0,1200€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

T h e S t o r m a t S e a
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The Storm at Sea
                                        
             
Fordam University Press New York 
Copyrigt ©  Fordam University Press All rigts reserved. No part of tis publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mecanical, potocopy, recording, or any oter—except for brief quotations in printed reviews, witout te prior permission of te publiser. Fordam University Press as no responsibility for te persistence or accuracy of URLs for external or tird-party Internet websites referred to in tis publication and does not guarantee tat any content on suc websites is, or will remain, accurate or appropriate.
Fordam University Press also publises its books in a variety of electronic formats. Some content tat appears in print may not be available in electronic books. Visit us online at www.fordampress.com. Library of Congress Cataloging-in-Publication Data Pye, Cristoper, –  he storm at sea : political aestetics in te time of Sakespeare / Cristoper Pye. — First edition.  pages cm  Includes bibliograpical references and index.  ISBN ---- (ardback) — ISBN ---- (paper)  . Sakespeare, William, –—Political and social views. . Politics and literature—Great Britain—History. . Aestetics—Political aspects. I. Title.  PR.P   .'—dc   Printed in te United States of America         First edition
For Renna
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Contents
List of Figuresix Acknowledgmentsxi
Introduction  . Early Modern Political Aestetics . Leonardo’s Hand: Mimesis, Sexuality, and te Polis  . Sakespeare Distracted: Political Aestetics fromSpanis TragedytoHamlet  . “To trow out our eyes for brave Otello”  . Aestetics and Absolutism inhe Winter’s Tale  . he Beating Mind:he Tempestin History . Hobbes and te Hydropobes: he Fate of te Aestetic in te Time of te State 
Notes Bibliograpy Index
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Figures
. Leonardo da Vinci,Virgin and Cild wit St. Anne and Jon te Baptist. Leonardo da Vinci, fromLast Supper(detail) . Leonardo da Vinci,St. Jon te Baptist. Anonymous, after Leonardo,he Angel of te Annunciation. Giovanni Francesco Rustici,St. Jon te Baptist Preacing to a Levite and a Parasee. Leonardo da Vinci,St. Jon te Baptist/Baccus. Leonardo da Vinci, sketc,Virgin and Cild wit St. Anne and Jon te Baptist. Masaccio,Trinity. Rapael,Transfiguration. Bartolomeo della Gatta,Annunciation. Leonardo da Vinci,Madonna of te Rocks(Louvre, Paris) . Leonardo da Vinci,Madonna of te Rocks(National Gallery, London) . Leonardo da Vinci,Angel in te Fles. Leonardo da Vinci,Virgin and Cild wit St. Anne. Roger van der Weyden,Annunciation. Leonardo da Vinci,Deluge. Hobbes,Leviatan(Frontispiece)
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