The Storm at Sea: Political Aesthetics in the Time of Shakespeare counters a tradition of cultural analysis that judges considerations of aesthetic autonomy in the early modern context to be either anachronistic or an index of political disengagement. Pye argues that for a post-theocratic era in which the mise-en-forme of the social domain itself was for the first time at stake, the problem of the aesthetic lay at the very core of the political; it is precisely through its engagement with the question of aesthetic autonomy that early modern works most profoundly explore their relation to matters of law, state, sovereignty, and political subjectivity.Pye establishes the significance of a "creationist" political aesthetic-at once a discrete historical category and a phenomenon that troubles our familiar forms of historical accounting-and suggests that the fate of such an aesthetic is intimately bound up with the emergence of modern conceptions of the political sphere.The Storm at Sea moves historically from Leonardo da Vinci to Thomas Hobbes; it focuses on Shakespeare and English drama, with chapters on Hamlet, Othello, A Winter's Tale, and The Tempest, as well as sustained readings of As You Like It, King Lear, Thomas Kyd's Spanish Tragedy, and Christopher Marlowe's Doctor Faustus. Engaging political thinkers such as Carl Schmitt, Giorgio Agamben, Claude Lefort, and Roberto Esposito, The Storm at Sea will be of interest to political theorists as well as to students of literary and visual theory.
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Fordam University Press also publises its books in a variety of electronic formats. Some content tat appears in print may not be available in electronic books. Visit us online at www.fordampress.com. Library of Congress Cataloging-in-Publication Data Pye, Cristoper, – he storm at sea : political aestetics in te time of Sakespeare / Cristoper Pye. — First edition. pages cm Includes bibliograpical references and index. ISBN ---- (ardback) — ISBN ---- (paper) . Sakespeare, William, –—Political and social views. . Politics and literature—Great Britain—History. . Aestetics—Political aspects. I. Title. PR.P .'—dc Printed in te United States of America First edition
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Contents
List of Figuresix Acknowledgmentsxi
Introduction . Early Modern Political Aestetics . Leonardo’s Hand: Mimesis, Sexuality, and te Polis . Sakespeare Distracted: Political Aestetics fromSpanis TragedytoHamlet . “To trow out our eyes for brave Otello” . Aestetics and Absolutism inhe Winter’s Tale . he Beating Mind:he Tempestin History . Hobbes and te Hydropobes: he Fate of te Aestetic in te Time of te State
Notes Bibliograpy Index
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Figures
. Leonardo da Vinci,Virgin and Cild wit St. Anne and Jon te Baptist. Leonardo da Vinci, fromLast Supper(detail) . Leonardo da Vinci,St. Jon te Baptist. Anonymous, after Leonardo,he Angel of te Annunciation. Giovanni Francesco Rustici,St. Jon te Baptist Preacing to a Levite and a Parasee. Leonardo da Vinci,St. Jon te Baptist/Baccus. Leonardo da Vinci, sketc,Virgin and Cild wit St. Anne and Jon te Baptist. Masaccio,Trinity. Rapael,Transfiguration. Bartolomeo della Gatta,Annunciation. Leonardo da Vinci,Madonna of te Rocks(Louvre, Paris) . Leonardo da Vinci,Madonna of te Rocks(National Gallery, London) . Leonardo da Vinci,Angel in te Fles. Leonardo da Vinci,Virgin and Cild wit St. Anne. Roger van der Weyden,Annunciation. Leonardo da Vinci,Deluge. Hobbes,Leviatan(Frontispiece)