Cleopatra
192 pages
English

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192 pages
English

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Description

Escape into the ancient past with this spellbinding action-adventure tale from one of the masters of the genre, Henry Rider Haggard. This novel follows the exploits of Hamarchis, a brave fighter who is the last living descendant of a noble bloodline of holy men. On the orders of this mysterious group, Hamarchis must attempt to slay Cleopatra, who is regarded as a falsely enthroned imposter. Haggard fans will be pleasantly surprised by this unique departure from his more traditional action-adventure stories.

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Publié par
Date de parution 01 janvier 2012
Nombre de lectures 0
EAN13 9781775455257
Langue English

Informations légales : prix de location à la page 0,0134€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

CLEOPATRA
* * *
H. RIDER HAGGARD
 
*
Cleopatra First published in 1889 ISBN 978-1-77545-525-7 © 2012 The Floating Press and its licensors. All rights reserved. While every effort has been used to ensure the accuracy and reliability of the information contained in The Floating Press edition of this book, The Floating Press does not assume liability or responsibility for any errors or omissions in this book. The Floating Press does not accept responsibility for loss suffered as a result of reliance upon the accuracy or currency of information contained in this book. Do not use while operating a motor vehicle or heavy equipment. Many suitcases look alike. Visit www.thefloatingpress.com
Contents
*
Dedication Author's Note Introduction BOOK I Chapter I Chapter II Chapter III Chapter IV Chapter V Chapter VI Chapter VII BOOK II Chapter I Chapter II Chapter III Chapter IV Chapter V Chapter VI Chapter VII Chapter VIII Chapter IX Chapter X Chapter XI Chapter XII Chapter XIII Chapter XIV Chapter XV Chapter XVI BOOK III Chapter I Chapter II Chapter III Chapter IV Chapter V Chapter VI Chapter VII Chapter VIII Chapter IX Chapter X Endnotes
Dedication
*
My dear Mother,
I have for a long while hoped to be allowed to dedicate some bookof mine to you, and now I bring you this work, because whatever itsshortcomings, and whatever judgment may be passed upon it by yourselfand others, it is yet the one I should wish you to accept.
I trust that you will receive from my romance of "Cleopatra" some suchpleasure as lightened the labour of its building up; and that itmay convey to your mind a picture, however imperfect, of the old andmysterious Egypt in whose lost glories you are so deeply interested.
Your affectionate and dutiful Son,
H. Rider Haggard.
January 21, 1889.
Author's Note
*
The history of the ruin of Antony and Cleopatra must have struck manystudents of the records of their age as one of the most inexplicableof tragic tales. What malign influence and secret hates were at work,continually sapping their prosperity and blinding their judgment? Whydid Cleopatra fly at Actium, and why did Antony follow her, leaving hisfleet and army to destruction? An attempt is made in this romance tosuggest a possible answer to these and some other questions.
The reader is asked to bear in mind, however, that the story is told,not from the modern point of view, but as from the broken heart andwith the lips of an Egyptian patriot of royal blood; no merebeast-worshipper, but a priest instructed in the inmost mysteries, whobelieved firmly in the personal existence of the gods of Khem, in thepossibility of communion with them, and in the certainty of immortallife with its rewards and punishments; to whom also the bewildering andoften gross symbolism of the Osirian Faith was nothing but a veil wovento obscure secrets of the Sanctuary. Whatever proportion of truth theremay have been in their spiritual claims and imaginings, if indeed therewas any, such men as the Prince Harmachis have been told of in theannals of every great religion, and, as is shown by the testimony ofmonumental and sacred inscriptions, they were not unknown among theworshippers of the Egyptian Gods, and more especially of Isis.
Unfortunately it is scarcely possible to write a book of this nature andperiod without introducing a certain amount of illustrative matter, forby no other means can the long dead past be made to live again beforethe reader's eyes with all its accessories of faded pomp and forgottenmystery. To such students as seek a story only, and are not interestedin the faith, ceremonies, or customs of the Mother of Religion andCivilisation, ancient Egypt, it is, however, respectfully suggestedthat they should exercise the art of skipping, and open this tale at itsSecond Book.
That version of the death of Cleopatra has been preferred whichattributes her end to poison. According to Plutarch its actual manner isvery uncertain, though popular rumour ascribed it to the bite of an asp.She seems, however, to have carried out her design under the adviceof that shadowy personage, her physician, Olympus, and it is more thandoubtful if he would have resorted to such a fantastic and uncertainmethod of destroying life.
It may be mentioned that so late as the reign of Ptolemy Epiphanes,pretenders of native blood, one of whom was named Harmachis, are knownto have advanced their claims to the throne of Egypt. Moreover, therewas a book of prophecy current among the priesthood which declared thatafter the nations of the Greeks the God Harsefi would create the "chiefwho is to come." It will therefore be seen that, although it lackshistorical confirmation, the story of the great plot formed to stamp outthe dynasty of the Macedonian Lagidae and place Harmachis on the throneis not in itself improbable. Indeed, it is possible that many such plotswere entered into by Egyptian patriots during the long ages of theircountry's bondage. But ancient history tells us little of the abortivestruggles of a fallen race.
The Chant of Isis and the Song of Cleopatra, which appear in thesepages, are done into verse from the writer's prose by Mr. Andrew Lang,and the dirge sung by Charmion is translated by the same hand from theGreek of the Syrian Meleager.
Introduction
*
In the recesses of the desolate Libyan mountains that lie behind thetemple and city of Abydus, the supposed burying place of the holyOsiris, a tomb was recently discovered, among the contents of which werethe papyrus rolls whereupon this history is written. The tomb itself isspacious, but otherwise remarkable only for the depth of the shaft whichdescends vertically from the rock-hewn cave, that once served as themortuary chapel for the friends and relatives of the departed, to thecoffin-chamber beneath. This shaft is no less than eighty-nine feet indepth. The chamber at its foot was found to contain three coffins only,though it is large enough for many more. Two of these, which in allprobability inclosed the bodies of the High Priest, Amenemhat, and ofhis wife, father and mother of Harmachis, the hero of this history, theshameless Arabs who discovered them there and then broke up.
The Arabs broke the bodies up. With unhallowed hands they tore the holyAmenemhat and the frame of her who had, as it is written, been filledwith the spirit of the Hathors—tore them limb from limb, searching fortreasure amidst their bones—perhaps, as is their custom, selling thevery bones for a few piastres to the last ignorant tourist who cametheir way, seeking what he might destroy. For in Egypt the unhappy, theliving find their bread in the tombs of the great men who were beforethem.
But as it chanced, some little while afterwards, one who is known tothis writer, and a doctor by profession, passed up the Nile to Abydus,and became acquainted with the men who had done this thing. Theyrevealed to him the secret of the place, telling him that one coffinyet remained entombed. It seemed to be the coffin of a poor person,they said, and therefore, being pressed for time, they had left itunviolated. Moved by curiosity to explore the recesses of a tomb as yetunprofaned by tourists, my friend bribed the Arabs to show it to him.What ensued I will give in his own words, exactly as he wrote it to me:
"I slept that night near the Temple of Seti, and started before daybreakon the following morning. With me were a cross-eyed rascal namedAli—Ali Baba I named him—the man from whom I got the ring which I amsending you, and a small but choice assortment of his fellow thieves.Within an hour after sunrise we reached the valley where the tomb is. Itis a desolate place, into which the sun pours his scorching heat allthe long day through, till the huge brown rocks which are strewn aboutbecome so hot that one can scarcely bear to touch them, and the sandscorches the feet. It was already too hot to walk, so we rode ondonkeys, some way up the valley—where a vulture floating far in theblue overhead was the only other visitor—till we came to an enormousboulder polished by centuries of action of sun and sand. Here Alihalted, saying that the tomb was under the stone. Accordingly, wedismounted, and, leaving the donkeys in charge of a fellah boy, went upto the rock. Beneath it was a small hole, barely large enough for a manto creep through. Indeed it had been dug by jackals, for the doorway andsome part of the cave were entirely silted up, and it was by means ofthis jackal hole that the tomb had been discovered. Ali crept in on hishands and knees, and I followed, to find myself in a place cold afterthe hot outside air, and, in contrast with the light, filled with adazzling darkness. We lit our candles, and, the select body of thieveshaving arrived, I made an examination. We were in a cave the size ofa large room, and hollowed by hand, the further part of the cave beingalmost free from drift-dust. On the walls are religious paintings of theusual Ptolemaic character, and among them one of a majestic old man witha long white beard, who is seated in a carved chair holding a wand inhis hand. [1] Before him passes a procession of priests bearing sacredimages. In the right hand corner of the tomb is the shaft of themummy-pit, a square-mouthed well cut in the black rock. We had brought abeam of thorn-wood, and this was now laid across the pit and a ropemade fast to it. Then Ali—who, to do him justice, is a courageousthief—took hold of the rope, and, putting some candles into the breastof his robe, placed his bare feet against the smooth sides of the welland began to descent with great rapidity. Very soon he had vanished intoblackness, and the agitation of the cord alone told us that anything wasgoing on below. At last the rope ceased shaking and a faint shout camerumbling up the well, announcing Ali's safe arrival. Then, far below, atiny star of light appeared. He had lit the candle, thereby disturbinghundreds of bats that flitted up in an endless stream and as silently asspi

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