Augmented Reality

Morey And Tinnell

Description

Augmented Reality: Innovative Perspectives Across Art, Industry, and Academia includes a mix of critical/theoretical essays from humanities scholars, augmented reality (AR) artwork (with accompanying reflections) by leading digital artists, and interviews with AR software developers and other industry insiders. Augmented Reality is used in the design of the printed book, effectively linking appropriate pages to relevant digital materials on the Web or physical spaces. Contributors bring critical reflection and artistic ingenuity into conversation with current design thinking and project development across the AR industry.

Informations

• Publié par: Parlor Press, LLC
• Date de parution: 01 octobre 2016
• Nombre de lectures: 1
• EAN13: 9781602355583
• Langue: English
• Poids de l'ouvrage: 6 Mo

Extrait

AUGMENTED REALITY Innovative Perspectives across Art, Industry, and Academia

Edited by Sean Morey and John Tinnell

AUGMENTED REALITY

How to Use This Book

Augmened Realiy: Innovaive Pespecives acoss A, Indusy, and Academiauses he augmened ealiy app Auasma o augmen he essays, ineviews, and ais saemens found houghou he book. To view hese augmens, follow hese seps 1. On you mobile device, download he Auasma app rom he iTunes Soe (fo iOS devices) o Google Play (fo Andoid devices). 2. In he Auasma app, seach foParlor Press. 3. Selec “Parlor Press’s Channel” in he Auasma app and hen “Follow.” 4. Images houghou he book have been augmened, so simply poin he Auasma app o scan hem and eveal he augmened ovelays. Each igge image capable of acivaing augmened conen will include he Auasma icon somewhee on he page.

http://apple.co/2aMHntFhttp://bit.ly/2axta3g

Scan his page o wach David Bowie - Heoes - Live Aid 1985

AUGMENTED REALITY

INNOVATIVE PERSPECTIVES ACROSS ART, INDUSTRY, AND ACADEMIA

Edited by Sean Morey and John Tinnell

Parlor Press Anderson, South Carolina www.parlorpress.com

Palo Pess LLC, Andeson, Souh Caolina, USA © 2017 by Palo Pess All ighs eseved. Pined in he Unied Saes of Ameica on acid-ree pape.

S A N 2 5 4 - 8 8 7 9

Libay of Congess Caaloging-in-Publicaion Daa on File

978-1-60235-556-9 (papeback) 978-1-60235-557-6 (hadcove) 978-1-60235-558-3 (pdf) 978-1-60235-559-0 (ePub) 978-1-60235-560-6 (iBook) 978-1-60235-561-3 (mobi)

Fis Ediion 1 2 3 4 5

Cedis Chape opene images ae rom Unsplash.com. Used by pemission. Fonispiece and book half ile NASA; Ch. 3 Mahew Bedfod; Ch. 4 Ksenia Kudelkina; Ch. 5 Sebasian Pichle; Ch. 6 Jeho Sebbings; Ch. 7 Kevin Young; Ch. 8 Topich; Ch. 9 Samuel Scim- shaw; Ch. 0 Pieick Le Cunff. Ch  Sceensho,Vanilla Sky(200). © Paamoun Picues. Ch. 2 Glenn Scofield Williams rom USA - Moun Hood ove Fo Vancouve (2008) CC 2.0 license.

Cove image Cesa Quineo, rom Unsplash.com. Used by pemission. Ineio design David Blakesley; Cove design Sean Moey

Palo Pess, LLC is an independen publishe of scholaly and ade iles in pin and muli- media fomas. This book is available in pape, cloh and eBook fomas rom Palo Pess on he Wold Wide Web a hp//www.palopess.com o hough online and bick-and-moa booksoes. Fo submission infomaion o o find ou abou Palo Pess publicaions, wie o Palo Pess, 3015 Backenbey Dive, Andeson, Souh Caolina, 29621, o email edio@ palopess.com.

Contents

Acknowledgments 1 in the Making Introduction: A Medium Sean Morey and John Tinnell

Part 1: Scholarly Articles 2 Designing, Arranging, and Assessing Augmented Places through Mobile Media Alignment Brett Oppegaard

3 Potential Panels: Toward a Theory of Augmented Comics Jason Helms

4 “Sergey Brin Is Batman”: Google Glass and the Rhetoric of Adoption in Popular Networked Culture Isabel Pedersen and Douglas Trueman

5 Life through the Screen: LocationBased Information and the Personalization of Space Jordan Frith

ix

3

27

47

65

83

6 “Augpunk”: Imagining Alternative Futures for Augmented Reality through Science Fiction 99 Joseph P. Weakland

7 Gathering Memories with Augmented Reality Jason Kalin

8 The Dream Deferred: Augmented Reality as Rhetorical Realism Scot Barnett

v

119

137

vi

9 SAZooAR,Ethea, and Computer Vision Steve Holmes

10 When Geolocation Meets Visualization Jason Farman

Part 2: Interviews

Interview 1: Sidney I. Dobrin Interview 2: Blair MacIntyre Interview 3: Christine Perey Interview 4: Jay Wright Interview 5: Maarten LensFitzgerald Interview 6: BC Biermann Part 3: Artwork BC Biermann Augmented Architecture [NYC + LA, 2012] Bowery Wall [NYC, 2012] Wynwood Walls @ Art Basel [Miami, 2012] Tamiko Thiel Shades of Absence [Venice, Istanbul, Brooklyn, Los Angeles, 2011]

Clouding Green [Singapore, 20122013] Reign of Gold [NYC, Berlin, Los Angeles, Sydney, Tampa, 2012] Jasmine Rain (Birdcage) [Cairo, Tunis, Beijing, Boston, NYC, 2011] Carnation Rain [Lisbon, 2011] Conor McGarrigle NAMAland [Dublin, 20102012] Walking Stories [Dundrum, 2011] Vineland [2013] Where’s Franco? [VENICE, 2011]

Contents

155

177

202 214 228 240 248 256

266 268 270

271 272 273 274 275

276 278 280 282

Contents

John Craig Freeman Orators, Rostrums, and Propaganda Stands [20122013] Flotsam & Jetsam [Singapore, Massachusetts, 2013] EEG AR: Things We Have Lost [Liverpool, 2013] Border Memorial: Frontera De Los Muertos [Arizona, 2012] Water wARs [Venice Biennial and Brooklyn, 2011] Tiananmen SquARed (Attributed to) 4 Gentlemen [Beijing, 2010] Peace Doors [Belfast, 2010] Bryan Leister Goldman Sachs (Giant Blood Sucking Vampire Squid) [Denver, 2012] Mood Analyticator [Denver, 2012] Mark Skwarek #arOCCUPYWALLSTREET [NYC, 2011] The Bottomless Pit [Zero1 Biennial, 2012] erasAR [USA, 2010]

Notes Bibliography Contributors Index

284 286 287 288 289 290 291

292 294

296 298 299

301 325 341 347

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Acknowledgments

e would like o hank David Blakesley fo suppoing ou pojec rom is W incepion and fo poviding det guidance houghou. This collecion cass a wide ange of wok and pespecives on a sill-emeging medium; as edios, we also waned o expeimen wih augmened ealiy as a publishing echnology in he pocess. We needed a bold publishe. David encouaged us o pusue ou boades vision, and he always supplied good ideas when we needed o adjus ou couse. We would also like o hank Sid Dobin, Lauie Gies, Jack Senne, and Geg Ulme fo consanly pushing us o hink deeply abou he heoical, aesheic, and hisoical faces of digial culue. John Caig Feeman’s involve- men in he collecion was boh essenial and caalyic; in addiion o suggesing layous fo he awok, he pu us in ouch wih seveal of he ohe aiss who conibued o his book. We ae gaeful o him, BC Biemann, Byan Leise, Cono McGaigle, Mak Skwaek, and Tamiko Thiel fo each poviding images of hei pioneeing awoks. Thanks o Sid Dobin fo his houghful esponses o ou quesions abou augmened ealiy and he fuue of highe educaion. Many hanks also o BC Biemann, Maaen Lens-Fizgeald, Blai MacInye, and Chisine Peey fo gaciously aking ime o alk wih us a he 2013 Souh by Souhwes Ineacive Fesival, and o Jay Wigh fo giving an exensive phone ineview. Tanscibing hese ineviews fo pin would have been inconceivable wihou Kim Tinnell’s help and he admiable aenion o deail. We would also like o hank he scholas who conibued hei essays o his volume Be Op- pegaad, Jason Helms, Isabel Pedesen, Douglas Tueman, Jodan Fih, Joseph Weakland, Jason Kalin, Sco Bane, Seve Holmes, and Jason Faman; we hope eades gain as much rom you insighs as we did. Finally, his one’s fo Aubey, Sofia, and Fishe augmening ealiy evey day.

ix