TO THINK LIKE GOD
256 pages
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256 pages
English

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This book is the scholarly & fully annotated edition of the award-winning The Illustrated To Think Like God. To Think Like God focuses on the emergence of philosophy as a speculative science, tracing its origins to the Greek colonies of Southern Italy, from the late 6th century to mid-5th century B.C. Special attention is paid to the sage Pythagoras and his movement, the poet Xenophanes of Colophon, and the lawmaker Parmenides of Elea. In their own ways, each thinker held that true insight, whether as wisdom or certainty, belonged not to mortal human beings but to the gods.The Pythagoreans sought to approach this otherwordly knowledge by studying numerical relationships, believing them to govern the universe, and that those who know the number of a thing know its true nature. Yet their quest was a hopeless one, bogged down by cultism, numerology, political conspiracies, bloody uprisings, and exile. Above all, number did not turn out as the most reliable of mediums; it was certainly not a key to the realm of the divine. Thus, their contributions to philosophy's inception, while much better-publicized, was not the most significant. That particular role was reserved for an unusual challenge and the elaborate reaction it provoked.

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Publié par
Date de parution 15 décembre 2004
Nombre de lectures 0
EAN13 9781930972445
Langue English

Informations légales : prix de location à la page 0,2078€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

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TO THINK LIKE GOD
TO THINK LIKE GOD
Pythagoras and Parmenides The Origins Of Philosophy

ARNOLD HERMANN
PARMENIDES PUBLISHING Las Vegas 89109 2004 by Parmenides Publishing
All rights reserved. Published 2004 Printed in the United States of America
ISBN: 1-930972-00-8
Publisher s Cataloging-In-Publication Data
Hermann, Arnold, 1953- To think like God : Pythagoras and Parmenides : the origins of philosophy / Arnold Hermann. p. : ill. ; cm. Includes bibliographical references and index. ISBN: 1-930972-00-8 1. Philosophy, Ancient. 2. Parmenides-Influence. 3. Pythagoras-Influence. 4. Xenophanes, ca. 580-ca. 478 B.C. -Influence. 5. Evidence. I. Title. B188.H47 2004 182
Excerpts from LORE AND SCIENCE IN ANCIENT PYTHAGOREANISM by Walter Burkert, translated by Edwin L. Minar, Jr., are reprinted throughout this work by permission of the publisher, Harvard University Press, Cambridge, Mass., Copyright 1972 by the President and Fellows of Harvard College. English edition translated, with revisions, from WEISHEIT UND WISSENSCHAFT: STUDIEN ZU PYTHAGORAS, PHILOLAOS UND PLATON, Copyright 1962 by Verlag Hans Carl, N rnberg.
www.tothinklikegod.com www.parmenides.com
Only a philosopher s mind grows wings, since its memory always keeps it as close as possible to those realities by being close to which the gods are divine.
-Plato, Phaedrus 249c
Contents
Preface
Acknowledgments
A Note on References, Translations, Citations, Notes, Bibliography, and Some Idiosyncrasies
Abbreviations
INTRODUCTION
I. PYTHAGORAS
The Search for a Way Out
One of the Oldest Questions: What Do All Things Have in Common?
The Seeker of Wisdom
Separating Pythagoreanism into Early, Middle, and Late Periods
The Search for Proof
Euphorbus Shield
Relying on Reasoning
A Science for the Intangible, Abstract
II. THE PYTHAGOREANS
Tradition Versus the Historical Account
Conflicting Reports and Forgeries
Almost No Mention of Pythagoras in Plato and Aristotle
The Main Sources of Pythagorean Lore
The Pythagorean Agenda
Croton before Pythagoras
The Lecturer and Miracle-Worker
The Four Speeches
Earth as a Prison
The Politics of Pythagoreanism
The Making of a Religious Political Conspiracy
Becoming a Member in the Pythagorean Society
Secrecy and Anti-Democracy
The Gods; and the Ruling of the Many by the Few
Signs of a Pythagorean Police State?
Beans and Politics
A Religious-Political-Economic Dictatorship?
War and Luxury
Sybaris-the Antipode of Pythagoreanism
The War
Why was Sybaris Destroyed?
The Revolts Against the Pythagorean Political Elite
The Growing Hatred of the Non-Pythagoreans
The First Revolt
Pythagoras Death
A Return to Power and the Second Revolt
The Gradual End of the Movement
Those Who Listen and Those Who Learn
A Split in the Order
The Listeners: Teaching by Passwords, Tokens, and Maxims
The Emergence of Scientist Pythagoreans
Hippasus, the All-around Thinker
Aristotle s Those Called Pythagoreans
III. IN WANT OF A MATHEMATICS FOR THE SOUL
The Source Code of the Universe
The Music of the Spheres
Conquering the Unlimited
The Sound of Order
Order and Proportion
Harmony and the Soul
Numerology-Deriving Philosophy from Number?
Confusing Numbers with Things and Things with Numbers
Number Symbolism
The Counter-Earth
IV. PYTHAGORIZING VERSUS PHILOSOPHIZING
Truth After Death?
An Exercise in Apprehending the True Nature of Things
Purification or Reasoning as a Way to Truth?
Calibrating the Ability to Reason
V. PARMENIDES
The Lawmaker
The Poet s Challenge and the Lawgiver s Response
Xenophanes and the Truth Available to Mortals
The Need for Reliable Criteria
The Senses, Reason, and Proof
Early Lawmaking and Analytic Problem Solving
The Ways of Proof and Disproof
VI. THE POEM OF PARMENIDES
A Quick Guide to the Poem s Ordering
The Poem, a Translation
The Proem
The Ways of Inquiry for Thinking
The Reliable or Evidential Account
DOXA-The Deceptive Order of Words, or the Plausible Ordering
VII. THE POEM S MOST DIFFICULT POINTS EXPLAINED
What Is the Significance of the Proem?
The Realm of the Nameless Goddess
The Curriculum
How Opinion Would Be Judged If Truth Did Not Exist
Dokimos-What is Genuinely Reliable Because Proven as Such
Doxa: the Positive Versus the Negative Read
A Call for a Unified Approach?
The Problem of Contradictory Formulas
A Unity of Formula
Esti or IS : The Parmenidean Object
Verb or Subject?
Way or Destination?
The Object of Judgment
The Naked IS
The IS as the Universe: An Old Misconception
The Dead World
A Fateful Misunderstanding?
Proving Motion Versus Proving a Proper Understanding of Motion
Julian Barbour s The End of Time
What Does the Concept of Truth Signify for Parmenides?
The Question of IS NOT
Doxa: Opinion or Appearance?
Are There Advantages to Rearranging the Fragments?
VIII. GUIDELINES FOR AN EVIDENTIAL ACCOUNT
Delimiting the Object of Judgment
Twelve Provisos for the Evidential Account
IX. METHODS OF PROOF AND DISPROOF
Like according to Like
The Way of the Daemon
Aiming for Conceptual Correspondence
A Unity of Corresponding Landmarks
What Do Falling Millet Seeds Have in Common?
Sufficient Reason, Contradiction, and Infinite Regress
Sufficient Reason
Contradiction
Infinite Regress
Summation of Parmenides Doctrine
X. IRRATIONALS AND THE PERFECT PREMISE
Philosophy: An Exercise in Infallibility
A Perfect Premise
To Drown in a Sea of Non-Identity
Irrationality and the Pythagorean Theorem
The Indirect Proof of Odd Being Even
XI. MIND AND UNIVERSE: TWO REALMS, TWO SEPARATE APPROACHES
Two Ways of Looking at Things
What We Think Fits with What We Think, but Not Necessarily with the Universe
Renouncing Thinking s Dependency upon Sense-Experience
APPENDIX
The Info to Certainty Sequence, Part I
The Info to Certainty Sequence, Part II
Subdivided Bibliography
Preface
The questions of how philosophy came about and why it began in preclassical Greece at exactly that particular place and time-and not earlier, later, somewhere else, or not at all-have an intrinsic relation to one of the most disarming arguments in Parmenides Poem (masked as a simple inquiry into the genesis of what is ), and they seem just as unsolvable: What necessity would have impelled it to grow later rather than earlier, if it began from nothing? (fr. 8.9-10) Still, philosophy s raison d tre has preoccupied my mind since the time I first picked up the works of Kant and Hegel in my later teens-admittedly, my earliest, rather clumsy encounters with the subject, and not the wisest choices for a novice. Nonetheless, how my own interest in philosophy came about, and why then and not at a different time, I can easily answer. While this interest did not begin from nothing, it was not stirred by a particular book, a moving lecture, or an inspiring professor, but by some very special music. The year was 1970. I was 17 years old, and I found myself at a summer rock festival, dragged there by friends who eventually had evaporated into the smothering crowd. Unwittingly thrust toward the stage, I was suddenly pummeled by the most complex, confounding, indeed kaleidoscopic sounds. The music was a magnetic vortex-everywhere, completely erratic, yet at the same time soothing, massive, collapsing, like a towering wall rushing to crush-but the ravaging blow never comes. The band, I soon learned, was called Van Der Graaf Generator, and its sound was produced by a stoical keyboard player operating some kind of hybrid mutated Hammond organ, the syncopated thunder of a sizable drum kit mastered by an intense-looking drummer, and surprisingly, a self-absorbed saxophone player who had wrapped himself in an array of saxophones of different shapes and sizes, gleaming in the light like a brass armor, and who was playing two of them at the same time! But most striking was the sudden appearance of a lone singer, his voice lashing out boldly through the noise, mercilessly slicing it like a jagged blade, commanding, overpowering, mercurial, like a burst of lighting in a midnight storm. And then the words (one can hardly call them lyrics) . . . he sang of fiery universes beyond the edge of thought; of vacant time, living antimatter, and the angst of hyperspace travelers above the speed of light; of thinking about thinking, and refugees from fate; of houses with walls but no doors, where only time can enter or escape; of killers, angels, acolytes, and the silence at humanity s end. The singer s name is Peter Hammill, and I consider him the greatest musical genius of my generation, a generation that was blessed with not a small number of geniuses. Peter is one of the most creative artists imaginable, with more than sixty records or CDs to date-yes, he is still very much active-and it is the only music, in my view, that really merits being called philosophical. I still listen to it today, and some of it played often in the background while I researched this work. In any case, Peter Hammill s influence was decisive in my desire to become a philosopher, which is why I need to pay tribute to him in this form.
As to the question of how or why philosophy came about when it did, this book is an attempt to shed a tentative if somewhat unorthodox light on the matter. I say tentative because no subject in philosophy can be deemed as categorically resolved, particularly not the manifold issues of ancient philosophy, which are further handicapped by a dearth of extant material. Nor has the evolution of To Think Like God been a straight development from A to B, instead encompassing a time span of some fifteen years or more. The somewhat impenetrable subject matter made the whole project more akin to a philosophical odyssey than a critical examination, which is very difficult to express as a linear narrative. Still, one of the functions of a preface is to

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