This landmark book reveals the structure of Rumī's thirteenth-century classic, the Mathnawī. A beloved collection of 25,000 picturesque, alliterative verses full of anecdotes and parables on what appear to be loosely connected themes, the Mathnawī presents itself as spontaneous and unplanned. However, as Seyed Ghahreman Safavi and Simon Weightman demonstrate, the work has a sophisticated design that deliberately hides the spiritual so that readers, as seekers, have to find it for themselves—it is not only about spiritual training, it is spiritual training. Along with a full synoptic reading of the whole of Book One, the authors provide material on Rumī's life, his religious position, and his literary antecedents. Safavi and Weightman have provided readers, students, and scholars with a valuable resource: the guide that they wished they had had prior to their own reading of this great spiritual classic. Foreword by Professor Seyyed Hossein Nasr Preface
Introduction
1. Contextualizing the Mathnawī
Mawlānā’s Life—An Outline Mawlānā’s Religious Outlook Mawlānā’s Literary Antecedents
2. Reading the Mathnawī
The Mathnawī as Given The Question of Structure Some Further Considerations Synoptic Reading and the Principles of Parallelism and Chiasmus Rhetorical Latency Two Iranian Exemplars The Synoptic Reading of Book One of the Mathnawī
3. A Synoptic Reading of Book One of the Mathnawī
4. Book One as a Whole and as a Part
The Synoptic Analysis of Book One as a Whole The Rationale of Book One as a Whole The Linear and the Nonlinear Ordering of Book One Book One as a Part
5. Conclusion
How Mawlānā Composed the Mathnawī Mawlānā’s Hidden Organization as the Writer’s Plan Th e Design of the Mathnawī Finale
Informations légales : prix de location à la page 0,1648€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.
Extrait
Hυ ȹ̘Ѽɕ 4ɴɕɜȨȃǸȵ ȐɕȨȝȽ
READING THE4ǸɜȣȽǸɬ̘ ѮBOOK ONE
Seyed Ghahreman Safavi and Simon Weightman
Foreword by Seyyed Hossein Nasr
This page intentionally left blank.
Ru¯m¯’s Mystical Design
SUNY serîes în ïsam
Seyyed Hosseîn Nasr, edîtor
Ru¯m¯’s Mystical Design
Readîng teMatnawī, Book One
SEYED GHAHREMAN SAFAVï AND SïMON WEïGHTMAN
FOREWORD BY SEYYED HOSSEïN NASR
Pubîsed by State Unîversîty o New York Press, Abany
No part o tîs book may be used or reproduced în any manner watsoever wîtout wrîtten permîssîon. No part o tîs book may be stored în a retrîeva system or transmîtted în any orm or by any means încudîng eectronîc, eectrostatîc, magnetîc tape, mecanîca, potocopyîng, recordîng, or oterwîse wîtout te prîor permîssîon în wrîtîng o te pubîser.
For înormatîon, contact State Unîversîty o New York Press, Abany, NY www.sunypress.edu
Productîon by Cateen Coîns Marketîng by Mîcae Campocîaro
Library of Congress CataloginginPublication Data
Saavî, Seyed Gareman. Rumî’s mystîca desîgn : readîng te Matnawî, book one / Seyed Gareman Saavî and Sîmon Weîgtman ; oreword by Seyyed Hosseîn Nasr. p. cm. — (SUNY serîes în ïsam) ïncudes bîbîograpîca reerences and îndex. ïSBN 978-1-4384-2795-9 (ardcover : ak. paper) ïSBN 978-1-4384-2796-6 (pbk. : ak. paper) 1. Jaā a-Dīn Rūmī, Mauana, 1207–1273. Masnavī. 2. Sui poetry, Persîan— Hîstory and crîtîcîsm. ï. Weîgtman, S. C. R. ïï. Tîte. PK6481.M9S228 2009 891'.5511—dc22 2008051943
10 9 8 7 6 5 4 3 2 1
Contents
Foreword by Professor Seyyed Hossein NasrPrefaceIntroduction
¯ Chapter Two: Reading theMATHNAWI heMatnawīGîven as he Questîon o Structure Some Furter Consîderatîons Synoptîc Readîng and te Prîncîpes o Paraeîsm and Cîasmus Retorîca atency Two ïranîan Exempars he Synoptîc Readîng o Book One o teMatnawī
Chapter Three: A Synoptic Reading of Book One ¯ of theMATHNAWI
Chapter Four: Book One as a Whole and as a Part he Synoptîc Anaysîs o Book One as a Woe he Ratîonae o Book One as a Woe
vîî xîîî 1
13 13 26 30
39 39 40 43 46 54 55 59
63
201 201 207
vî
Contents
he înear and te Nonînear Orderîng o Book One Book One as a Part
Chapter Five: Conclusion How Mawānā Composed teMatnawī Mawānā’s Hîdden Organîzatîon as te Wrîter’s Pan he Desîgn o teMatnawī Fînae
NotesGlossarySelect BibliographyIndex
212 214
219 219 220 225 232
235 243 249 255
Foreword
PROFESSOR SEYYED HOSSEïN NASR
ït îs ardy conceîvabe tat ater centurîes o study o teMatnawīo Jaa a-Dîn Rūmī, tîs most amous work o mystîca poetry în te Persîan anguage, ît coud stî be possîbe to make a new dîscovery o suc împort and dîmen-sîon concernîng Rūmī’s masterpîece as one inds în tîs book. hîs dîscovery îs notîng ess tan te unveîîng o te genera structure o te Matnawī to wîc tere îs no reerence în earîer studîes o tîs bîbe o Suism. he book marks, tereore, a major event în te study o Suī îterature în genera and o Rūmī în partîcuar. ït îs our own beîe tat sometîng as essentîa as te întrîcate structure o teMatnawīcoud not ave been totay unknown to te notabe autorîtîes o te text o teMatnawī over te ages but tat tîs structure was never dîvuged în detaî în wrîtîng. We reca a comment once made to us by a Persîan master wo was known as te greatest autorîty on teMatnawī în îs day, tat îs, te ate Hadî Ha’îrî. He was suc an autorîty on te subject tat scoars as ceebrated as Badî‘ a-Zaman Furuzanar, Jaa Huma’î, and ‘Aama Ja‘arî woud come to îm to ask about partîcuary dîIcut passages o Rūmī. Aqa-yî Ha’îrî once tod us, “Do not tînk tat te ‘body’ o te Matnawīno order ( as nizam). Rater, ît îs [te poet] Nîzamî wo created te structured body înto wîc Rūmī breated te spîrît (ru) to create te Matnawī.” On readîng te present work, one becomes remînded o tîs sayîng o our od teacer. ït îs înterestîng to note tat te autors o tîs book reer to te eatures o paraeîsm and cîasmus present în Nîzamî’s poetry. Peraps Aqa-yî Ha’îrî was audîng to te înner structure o teMatnawī as reveaed uy or te irst tîme în tîs book. ïn any case te present study îs te irst to ave descrîbed tîs structure wît carîty or Book ï o tîs monumenta work wîe poîntîng to te presence o tîs structure în te oter ive Books.
vîî
vîîî
Foreword
One mîgt ask, î over te centurîes tîs structure ad remaîned îdden, ow dîd readers beneit rom teMatnawīand wy as tîs work been ed as te greatest opus o Sui poetry. he answer îs tat teMatnawīîs repete wît te deepest meanîng at a eves ecoîng te Nobe Qur’an and one can derîve îmmensurabe beneit rom ît even î one does not ave a pîcture o te structure o te work as a woe în one’s mînd. et us start wît a sînge verse. here îs many a sînge verse o teMatnawīwîc îs împregnated wît te deepest meanîng, reveaîng a proound metapysîca trut or contaînîng precîous practîca advîce. Some o tese verses ave become proverbîa în te Persîan anguage as or exampe te we-known verse rom te story o Moses and te Seperd were God admonîses Moses în tese terms:
hou ast come to brîng about unîon, hou ast not come to cause separatîon.
hen tere are custers o verses tat togeter express în te prooundest manner some spîrîtua reaîty as în sectîons o te exordîum ornay-nama o teMatnawīte reaîty o ove. Ater tese two stages comes a woe about story suc as tat o te Kîng and te Save gîr were te woe story relects proound spîrîtua essons couced în te orm o narratîve. Over te centurîes Persîan speakers, as we as tose readîng teMatnawīîn oter anguages rom Turkîs to Engîs, ave beneited îmmensey rom te content o te work on tese eves. But or neary a o tem te work as a woe as appeared as a rambîng coectîon o narratîves îke a vast ocean înto wîc one must dîve deepy în order to dîscover te precîous pears contaîned tereîn. At ast tîs book makes possîbe te apprecîatîon o te work on one more eve and tat îs te eve o te tota structure o eac Book and o te Matnawīas a woe, wîtout tîs dîscovery în any way dîmînîsîng rom te supreme sîgnîicance o understandîng te text on te eve o a sînge verse, a custer o verses or a sînge narratîve or story. To enabe us to understand te tota structure o te work, te autors învîte us to read ît synoptîcay, meanîng togeter as a woe rater tan separatey în înear but dîsconnected successîon, and tat means to read con-scîousy wît te vîsîon o te woe în mînd. he autors în act remînd us tat synoptîc în Greek as te meanîng o oîstîc conscîousness. ïn treatîng te text as a woe te autors are abe to revea a remarkaby ordered struc-ture based on paraeîsm and cîasmus as one aso inds în certaîn books o te Hebrew Bîbe suc as te Book o Numbers as we as în te Avesta, în Homer and wîtîn te ïsamîc tradîtîon în Nîzamî. To brîng out te structure