This groundbreaking book is an elegant exploration of the Upanisads, often considered the fountainhead of the rich, varied philosophical tradition in India. The Upanisads, in addition to their philosophical content, have a number of sections that contain narratives and dialogues—a literary dimension largely ignored by the Indian philosophical tradition, as well as by modern scholars. Brian Black draws attention to these literary elements and demonstrates that they are fundamental to understanding the philosophical claims of the text.
Focusing on the Upanisadic notion of the self (ātman), the book is organized into four main sections that feature a lesson taught by a brahmin teacher to a brahmin student, debates between brahmins, discussions between brahmins and kings, and conversations between brahmins and women. These dialogical situations feature dramatic elements that bring attention to both the participants and the social contexts of Upanisadic philosophy, characterizing philosophy as something achieved through discussion and debate. In addition to making a number of innovative arguments, the author also guides the reader through these profound and engaging texts, offering ways of reading the Upanisads that make them more understandable and accessible. Acknowledgments Abbreviations
Introduction
Opening statement What are the Upanisads? The self, life, death, and immortality The historical and social context Characterizing the self Literary characters The social conditions of knowledge Mystery or mystique: The character of knowledge
1. Teachers and students: The emergence of teaching as an object of discourse
Introduction Sandilya and the teaching of atman and brahman Sandilya: From ritualist to teacher Uddalaka Aruni and the teaching of tat tvam asi Uddalaka and Svetaketu: Acting out the upanayana Indra as the persistent student Narada and Sanatkumara: Knowledge of atman as more important than the Vedas Naciketas and the initiation of an Upanishadic brahmin The graduation of a brahmin student in the Taittiriya Upanisad Satyakama and the beginnings of a brahmin hagiography Conclusion
2. Debates between brahmins: The competitive dynamics of the brahmodya
Introduction The brahmodya and the sacrifice Uddalaka Aruni and the brahmodya in the Satapatha Brahmana Yajnavalkya and the philosophical tournament Yajnavalkya’s interlocutors: The social and political implications of debate Yajnavalkya and the tactics of debate Losing face or losing one’s head? The motif of head shattering Upanishadic teachings and material wealth Yajnavalkya and renunciation The life story of Yajnavalkya Conclusion
3. Kings and brahmins: The political dimensions of the Upanisads
Introduction The myth of ksatriya authorship Janaka and Yajnavalkya: Negotiating the brahmin’s position in the court Janaka and Yajnavalkya in the Brhadaranyaka Upanisad Kings as teachers: Asvapati teaches a group of brahmin householders Uddalaka Aruni and Svetaketu: Instructions for how to seek patronage Conflicting agendas for how kings should teach brahmins Upanishadic knowledge as a political discourse The battle of the pranas as a political metaphor Pravahana and the teaching of the five fires Conclusion
4. Brahmins and women: Subjectivity and gender construction in the Upanisads
Introduction The gender of the self: Atman and the male body The self, virility, and immortality Yajnavalkya and Satyakama: Competing ideals of male subjectivi
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Extrait
The Character of the Self in Ancient India Priests, Kings, and Women in the Early Upaniɉads
Brian Black
The Character of the Self in Ancient India
SUNY Series in Hindu Studies Wendy Doniger, editor
The Character of the Self in Ancient India
Priest, Kings, and Women in the Early Upaniƒads
Brian Black
State University of New York Press
Cover art:Kedara Ragini, artist unknown, from the Manley Ragamala folio, The British Museum. Used by permission of the British Museum.
Published by State University of New York Press, Albany
No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher.
For information, contact State University of New York Press, Albany, NY www.sunypress.edu
Production, Judith Block Marketing, Anne M. Valentine
Library of Congress CataloginginPublication Data
Black, Brian, 1970– The character of the self in ancient India : priests, kings, and women in the early Upanisads / Brian Black. p. cm. — (SUNY series in Hindu studies) Includes bibliographical references and index. ISBN-13: 978-0-7914-7013-8 (hardcover : alk. paper) 1. Upanishads—Criticism, interpretation, etc. 2. Hindu literature, Sanskrit—History and criticism. 3. Character in literature. 4. Self in literature. I. Title. II. Series.
BL1124.57.B63 2007 294.5’9218—dc22
10 9 8 7 6 5 4 3 2 1
2006013430
In memory of my father, Jerry Black, my most inspirational dialogical companion
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ACKNOWLEDGMENTS
ABBREVIATIONS
Contents
INTRODUCTION Opening statement What are the Upani∑ads? The self, life, death, and immortality The historical and social context Characterizing the self Literary characters The social conditions of knowledge Mystery or mystique: The character of knowledge
CHAPTER ONE Teachers and students: The emergence of teaching as an object of discourse Introduction Íåˆ∂ilya and the teaching ofåtmanandbrahman Íåˆ∂ilya: From ritualist to teacher Uddålaka ≈ruˆi and the teaching oftat tvam asi Uddålaka and Ívetaketu: Acting out theupanayana Indra as the persistent student Nårada and Sanatkumåra: Knowledge ofåtman as more important than the Vedas Naciketas and the initiation of an Upanishadic brahmin The graduation of a brahmin student in theTaittir¥ya Upaniƒad Satyakåma and the beginnings of a brahmin hagiography Conclusion
xi
xiii
1 1 3 7 12 16 19 22 24
29 29 30 33 36 38 41
44 46
50 53 57
viii
Contents
CHAPTER TWO Debates between brahmins: The competitive dynamics of the brahmodya Introduction Thebrahmodyathe sacrifice and Uddålaka ≈ruˆi and thebrahmodya in theÍatapatha Bråhma£a Yåjñavalkya and the philosophical tournament Yåjñavalkya’s interlocutors: The social and political implications of debate Yåjñavalkya and the tactics of debate Losing face or losing one’s head? The motif of head shattering Upanishadic teachings and material wealth Yåjñavalkya and renunciation The life story of Yåjñavalkya Conclusion
CHAPTER THREE Kings and brahmins: The political dimensions of the Upani∑ads Introduction The myth ofkƒatriya authorship Janaka and Yåjñavalkya: Negotiating the brahmin’s position in the court Janaka and Yåjñavalkya in theB®hadåra£yaka Upaniƒad Kings as teachers: Aßvapati teaches a group of brahmin householders Uddålaka ≈ruˆi and Ívetaketu: Instructions for how to seek patronage Conflicting agendas for how kings should teach brahmins Upanishadic knowledge as a political discourse The battle of theprå£ås as a political metaphor Pravåhaˆa and the teaching of the five fires Conclusion
CHAPTER FOUR Brahmins and women: Subjectivity and gender construction in the Upani∑ads Introduction The gender of the self:‹tman and the male body The self, virility, and immortality
59 59 60
63 67
70 74
80 88 92 96 98
101 101 103
105 110
112
114 117 119 121 124 129
133 133 135 141
Contents
Yåjñavalkya and Satyakåma: Competing ideals of male subjectivity The myth of recovering an authentic female voice Gårg¥: The debating tactics of a female philosopher Women andgandharvas: The lack of authority for female speakers The ambiguities of Satyakåma’s mother and wife Maitrey¥ and Kåtyåyan¥: Knowledge ofåtman versus str¥prajñå Conclusion