Wearing Cultural Styles in Japan
230 pages
English

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230 pages
English
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Description

This groundbreaking collection examines the regional dynamics of state societies, looking at how people use the concepts of urban and rural, traditional and modern, and industrial and agricultural to define their existence and the experience of living in contemporary Japanese society. The book focuses on the Tohoku (Northeast) region, which many Japanese consider rural, agrarian, undeveloped economically, and the epitome of the traditional way of life. While this stereotype overstates the case—the region is home to one of Japan's largest cities—most Japanese contrast Tohoku (everything traditional) with Tokyo (everything modern). However, the contributors show how various regional phenomena—internationalization, lacquerware production, farming, enka (modern Japanese ballads), women's roles, and professional dance —combine the traditional, the modern, and the global. Wearing Cultural Styles in Japan demonstrates that while people use the dichotomies of urban/rural and traditional/modern in order to define their experiences, these categories are no longer useful in analyzing contemporary Japan.
Illustrations
Acknowledgments

Part I. The Political Economy of Social Change in Tohoku Japan

1. The Practice of Tradition and Modernity in Contemporary Japan
John W. Traphagan and Christopher S. Thompson

2.The Social Impact of Rural–Urban Shift: Some Akita Examples
John A. Mock

3. Rice Revolutions and Farm Families in Tohoku: Why Is Farming Culturally Central and Economically Marginal?
William W. Kelly

Part II. Wearing Tradition and Wearing Modernity: Negotiating Paths of Social Change

4. Young Women Making Lives in Northeast Japan
Nancy R. Rosenberger

5. Negotiating Internationalization in Kitasawa
Tomoko Watanabe Traphagan

6. Preserving the Ochiai Deer Dance: Tradition and Continuity in a Tohoku Hamlet
Christopher S. Thompson

7. Heartbreak’s Destination: Tohoku in the Poetic Discourse of Enka
Debra J. Occhi

8. Tradition and Modernity Merged in Tsugaru Nuri Lacquerware: Perspectives of Preservation and Promotion, Production and Consumption
Anthony S. Rausch

9. Epilogue: Tohoku: A Place
L. Keith Brown

Contributors
Index

Sujets

Informations

Publié par
Date de parution 01 février 2012
Nombre de lectures 0
EAN13 9780791482100
Langue English
Poids de l'ouvrage 2 Mo

Informations légales : prix de location à la page 0,1648€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

Wearing Cultural Styles inJapan c o n c e p t s o ft r a d i t i o n a n d m o de r n i t yp r a c t i c ei n
christopher s.thom psonand john w.traphagan|editors
Wearing Cultural Styles in Japan
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Wearing Cultural Styles in Japan
Concepts of Tradition and Modernity in Practice
Edited by Christopher S. Thompson and John W. Traphagan
State University of New York Press
Published by State University of New York Press, Albany
© 2006 State University of New York
All rights reserved
Printed in the United States of America
No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher.
For information, address State University of New York Press, 194 Washington Avenue, Suite 305, Albany, NY 122102384
Production by Judith Block Marketing by Michael Campochiaro
Library of Congress CataloginginPublication Data
Wearing cultural styles in Japan : concepts of tradition and modernity in practice / edited by Christopher Thompson and John W. Traphagan. p. cm. Includes bibliographical references and index. ISBN 0791466973 (hardcover : alk. paper) 1. Japan—Social conditions—1945– 2. Japan—Civilization—1945– 3. Social change—Japan. 4. Culture and globalization—Japan. I. Thompson, Christopher, 1962– II. Traphagan, John W.
HN723.5.W43 2006 952.04—dc22
ISBN13: 9780791466971 (hardcover : alk. paper)
10 9 8 7 6 5 4 3 2 1
2005012104
In memory of
Jackson H. Bailey
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Illustrations
Acknowledgments
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Contents
Part I The Political Economy of Social Change in Tohoku Japan
The Practice of Tradition and Modernity in Contemporary Japan John W. Traphagan and Christopher S. Thompson
The Social Impact of Rural–Urban Shift: Some Akita Examples John A. Mock
Rice Revolutions and Farm Families in Tohoku: Why Is Farming Culturally Central and Economically Marginal? William W. Kelly
Part II Wearing Tradition and Wearing Modernity: Negotiating Paths of Social Change
Young Women Making Lives in Northeast Japan Nancy R. Rosenberger
Negotiating Internationalization in Kitasawa Tomoko Watanabe Traphagan
vii
ix
xi
2
25
47
76
96
viii
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Contributors
Name Index Subject Index
Contents
Preserving the Ochiai Deer Dance: Tradition and Continuity in a Tohoku Hamlet Christopher S. Thompson
Heartbreak’s Destination: Discourse ofEnka Debra J. Occhi
Tohoku in the Poetic
Tradition and Modernity Merged in Tsugaru Nuri Lacquerware: Perspectives of Preservation and Promotion, Production and Consumption Anthony S. Rausch
Epilogue: Tohoku: A Place L. Keith Brown
124
151
171
196
207
209 213
The Course of Shonai’s Two Twentieth-Century Rice Revolutions Breakdown of Registered Foreigners in Municipalities in Kitasawa Organized International Activities in Kitasawa Total Population of Ochiai Hamlet (1955–2002) – – Total Population of Towa-cho (1955–2002)
55
99 129 132
ix
5.2 6.1 6.2
100
2.1 2.2 2.3 2.4 2.5 3.1 3.2 5.1
27 27 28 28 33 51 53
101 136 136
1.1
6.1 6.2
16
Illustrations
5.1
Tables
3.1
Figures
Age Distributions for Iwate, Miyagi, and Akita Prefectures (2000) Population of Japan: Historic and Projected Japan and Akita: Percentage of 65Population Population of Akita: Historic and Projected Akita Population: Total and 65Five-Town Comparison The Shonai Area The Aka River Drainage Basin The Increase in Registered Foreign Guests in Kitasawa, 1989–2000 In a TypicalShishi OdoriPerformance . . . Its Ominous-Looking Animal Head . . .
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