Partition , partie II - pour Civil , partie; ou pour luth made easy, Musick’s Monument, ou A Remembrancer of pour Best Practical Musick

Thomas Mace

Description

Travaillez la partition de la musique Musick’s Monument, ou A Remembrancer of pour Best Practical Musick , partie II - pour Civil , partie; ou pour luth made easy, Music théorie, fruit du travail de Mace, Thomas. La partition de musique baroque dédiée aux instruments suivants: Music théorie
La partition aborde une variété de mouvements: 3 parties et est répertoriée dans les genres

• Music théorie
• écrits
• Organology
• méthodes
• leçons
• études
• Performance pratique
• pour 1 voix
• pour voix non accompagnées
• partitions pour voix
• pour luth
• partitions pour luth
• pour 1 musicien
• pour viole de gambe
• partitions pour viole de gambe
• langue anglaise

Visualisez encore tout une collection de musique pour Music théorie sur YouScribe, dans la rubrique Partitions de musique baroque.
Date composition: 1671-76
Rédacteur: First edition
Edition: London: T. Ratcliffe & N. Thompson, 1676.

Sujets

• Baroque
• Théorie
• Multiple signal classification
• Mace

Informations

• Publié par: MACE0
• Nombre de lectures: 65
• Licence : Libre de droits
• Langue: English
• Poids de l'ouvrage: 11 Mo

Extrait

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-The CIVILSeconds and Tart :
OR,
The madeLUTE Eafie.
Recreative PraeludiumA to This Whrl^
of the LnjTE-'PA\r.
BEING
between theA "Dialogue JHJTHO^ arid
The complainingHisL'-UTE : Lute
Wrongsfadly of Its Great and Injuries,
fomething Kemark^bkWith Jidjoyning, in Reference
Languageto the MVSICK,of
W" "TUat maj^sAuthor. Thee Sad , m^fit fo"Jr
Noble Friend,
As Thou wert with Sot-if (w
rows) near Thy End ?
Whath the myCaufe^ Dear.Renowned-Lutc;^
Thou art late Silent, and Mute?foof fo
inThou Publick now appearfeldofn dofk j
Thou art Melancholly grown //eir.too
Lute. What needyou <i/J^Thefe Queftiofts tphy *tps ?fo
Since 'tis too obvlousyz*** All ilien to know.
The World isgrown Slight full New Fangles,fo ; of
theirAnd tah^s ChiefDelight in Jangles
:JingleWith Fiddle-Noifes Pipes^ ofBartholmew,
Lij^e whichthofe Country-Wives huy^ Gay andNew,
To their Little Childrenpleafe when they Cry :
mah^s meThis and Sighfit thus Mournfully.
Author. Alsis my tooDear I fenpble Idm
thy Grief Therefore IJuft hither cameOf J
F to:
(^^IVr^Iudiumto Thislf^orJ^.34
To Comfort Thee, pojjibly I mightyif
And let meanThee hiiow^ I todo thee Right.
Lute. HoTP can that Fame ha^ mebe^fince Cry'd down
?With That Fools-Bolt,Vm out of Fafliion grown
Author. Fear it not Tletak^^Thou for fuch a Courfc\
do not doubt^ Thee Fiiends to mah^.J many
Lute. 7 doubt it much^ al vphy\for fever Keafons
Tm Injur'd not with biit^One, Many a Lye :
Befide^s^ Vm Tortur'd much jv/^/^ Fumbling-Fools,
And oft Abus'd by Bunglers, and Their Tools.
Author, 'this is which martAll Iknow^audconfefs'd.
Thdn Thou canji with what Thouji faid before,fay^
here's nought1 thy Concern but I it hnow^of
And can 'jpie Foefoon Thy Friend out from Thy
7hou mayU not Defpair I doiThus Defpair, Lute,
Old Dowland he is Dead tooR. Johnfon\ ,
Two Famous •,Men Great Mafters in My Artj
In each o/'Them more than Part,I had One
Or or were notTwo, Three They Slngle-Soul'd,^
¥ Some *Asmoji our are^ and too too Bold.Upftarts
man Gotiere^^^" Them, that Famqmthin Com- ^f*^^
pofeis of Did mah^ me Gratefull in each Noble Ear
j
^'^
^^' thatHe's lihewife gone: I me much Ifear
not hut p^ortly tooAm Long-liv'd, fhall Dye.
Author. Chear Soul Andh^ow thatBrave ! fomduf^
Tet Living, who Thee will tahefuch Care, (therefor are
That Thou be ReftorM Thy former Glory,fhalt
beAnd Eterni'z'd to Eternal Story.
Lute. I h^ow I ha've Friends which yet dofome Live,
But are canFew, fcarcely make me Thrive :fo
My Friend He's The only ManRogers,Jo.
Fame HeH doOf ; me All theGood he can :
But Hegrows Old now has not long toflayi ;
And when He's gone, go Hang my felf I may
^pon the where liB^Willows, or Ielfe
And there may long enough Harfg, I wifi^fo
"Ere any comeTakeme down. Author. Come^ forbear
Such Penfive Thoughts ^Thefe Thy Fear,j Cafl off
'And know^ theirAll Things Revolution hai^e
,
*The Great Creator, He This Order ga'ue
To; : ; ^
ThisiVor^Tr^ludium tofiA 3^
' his Worh^mtn Nature, that he JhouldTo Chief
^ Things in Turn and FoldAU This fame manner
* Korpn^%)pon that Wheel which ever turns them
' One while they're another while they're Down :Up,
' your'Tis now Lot to he Below^^« fee^
' you again as Certainly.ButUp Jhall
Lute, Comfort. Au. Doubt it notfoufpeak^fome fayJ ^
fure, as Night is to the DayIt isfo j
worthcan ne're decay,True
muchLu. I'm Refrefh'd my Heartyou hugely Chears\
Butyet methinj^s I ha<ve littlefome Fear,
'mongH all theBecaufe Books fundry Arts,of
There's not One ^ookyet writ my Deferts,of
both Full andWhich gi'ves Certain Rules whereby
To he to PofterityAflifting
'Tvs true^*tisJn my Beloved Art. Auth. fo
Now better Comfort,^o«for Your Jhall k»ow^
Yours, Vie notyet Name^There is a Friend of
'j'very Ready to doThefameforIf
hath intended beItAndfully fiall
Print ; the which e*re longFut into you I :fee
This your Comfort tah^. Lu. muchTm ifor RevivM
oris made, yet to be Contriv'dBut It ?
'Tis almoji wholly made^ nearAuth. andfo done
near theAs is the Day, fetting Sun.of
joy, I ioy Chear upLute. I ; my Grieved Hearty
DroopingAnd all my Spirits, come bear a Part
in^nitsyourfehes ChearfulnefsandMirth,
That oflonging Day our New-Birth*Tet for
Chorus,
inWe All Unite and Mirth,Jojn Joyful!
AndLong ThatGood Dayfor our New-Birthof 3
which we'l inIn Triumph, Harmonious Chear,
keep ThatAnd JUBILE-DAY Year Tear.after
The Language Mufick confirmed,of
Reader, you h^oW^mufh theBEloved Lutes
Language.That Speak ereyou\ LUTES could could fo
5
hasThere been TimeswhenThey haz/e been
an^DISCOURSERS unto King Qyeen
2F To: ;
^Ti^ludium to This Work^atJ3^
Nobles, andthe Higheft PeersTo j
EarsAnd Free Accefs had to Their
Familiarly a Dayfcarce pafs'd
5
not would fayJhey woitld Hear rvhat Lute i
But at Night, in Their Bed,fure though
Iheyd faid.Liften well what then She
She has Difcourfesycj fublime,
No Language yet in TimeAny
Had Words fufiicient to define
Her Choice Divine.Expreflions fo
Her MatterV High Concern,fuchof
No Common Folks can It difcern i
'Twos ne'er intended theKudcfor
And Boifterous-Churlilli-Multitude
But Thofefor Choice-Refined-Spirits
Which Heav'nly-Raptures oft Inherits.
' 'Tis asfttejifure fijch Theyfor
' Who '•,Contemplate andUzWy Pray
''Who hai>e their Souls Divinely Bent
' .*with HeartsTo Serve their God, Intent
' Such Students as Thefe be can Spell
' Her •,meaning out and can tellyoft
* By Her Infpiring-Influence,
* What is Her Choice Intelligence :
* Tet want they Words to exprefsfor
' Such as polT'efsRaptures dothJhe
""
heir }sAJ mds withall and niah^s Them
-^ be
' L?% Men '-,Infpir'd, through Harmonic
' This is no Fi61:ion, but well known
' To Some, though tonot Every one.
Thevarious But you doubt This, you mayif ojf
Co^pder well All men how TheyofRlei?^^
Are Endowedfe'z/eral ways bs
-J fame
As 'twere Cut out Myfteriefor
Others again^ Hugely Dull,fo
Ihat nought comesArt near theirof Skull 5
Tet He who e're had Ripeft Wit,
And made the Ufe ofHigheft It
In Arts that e're was h^own e'v'n; He
Came O^ovt knowing Myfterieof
InTim iVork^,toTr^U4dmmcL/f 37
He had his Bound^In General :
fomid:Limiration/wre HeMh
though moji hh didY.y.cc\\And ih'.
yet to Spellhi Chiefefl: Knowledge ;
Hemuji again ', and thatHe JJjew
•
that beIs lon'rant in mofi: Things
'very attain fo High,And fnv
jiufid1o under This Myfterie.
Tet that may appear moreplain^It
injiance againTie toyou once
In one Comparifon, which You
not deny^ bnt 'tisWill True.fay
The Laii-He who confiders atid wellRight
p!;uage of
How Beafts^wc/ Birds their Stories tell Birds and
''
Beafts.To One another Certainly,
yet jioAnd Words f/j^^y/'^^i^ Plainly
j
Lan-The
But by That is givnLanguage which ofguage
Nature,In (^by Decree Heav'n) Nature*from
UnderftandThey undotihtedly
others]Each Speech, as well weas
our ownX)o Words, which we do fay,
by Experience yon may:Af fee
regard withIfyoiil ftedfafi: EyeS,
intoAnd dive fuch Mvfteries.
I thatTon find Nothing's Plainer then
ThatBRUTES have Speech as well as MEN.
little tiltherA f fill Vie go
And what. fpeah^of I cannotknow
5
do believe />Tet to be fo^
doubtAnd not but you I do too.fo
h^wConfider that The Lan-Spirits ufe
guage of^Though not by Words) tofor infufe
Spirits.
Their Meanings to each other fo^
That Each, Each others Meanings h^ow.
Though Words%Men a Language be^
Tet fomething elfe we may wellfee
l)'>es do the Office ofthefame^
notBut a. Word, or Letter N^we.
mayWhy not Lute then Tell to me, The
CoEfequence.Whoknow Her Hidden( My fterie}
$uch)
IVork^(^ to ThisTr^hidimn3^
Stories as ISuch Underftand,
inThough Them are at a ftand,fome
to the Couchant therein^As Scnce
Being fleas'd withThat fweet Dinchiefly
Which Gratefull is to th* Outward Sence,
wants th*But Inward Intelligence.
To clear this by Comparifon,
hereAptnefs Tie gi'veyoK One.In
TheCompa- h^oxvn even'Tis in Divinity,
Iifon made
theThere lies felf-fameMyftery j
good from
outward manyDivinity. The Meanings k^ow
0th* Texts oth' and can jherpScripture,
By words fignificantly good,
properThe Meaning underflood
orThis That they I tellDifcourfeOf ;
According to Right Reafon well.
' Tet beyondThis a lyes^Secret
* Htdfrom all outward Ears and Eyes
j
' And!s only to the Inward Sence
' Divineferceii/d^ by Influence.
' True Divines can tell^This^ furely
'Who by Experience hj^ow it well 5
' There is an Inward