Partition complète, Echo pour John Cage (2011), Fuchs, Armin

A r m i n F u c h s
Echo
for John Cage
(2011)
für Klarinette, Cello und AkkordeonECHO
for John Cage (2011)
Armin FuchsSpielpartitur
flexibel - vom Raum abhängig q = 60 #˙4 ∑ ∑ Ó ∑ w ˙ ÓKlarinette in B & 4 f f
sempre non vibr.w ww w? 4 ∑ ∑ ∑ ∑Cello 4 &f f
4 # ˙ # w w ˙Ó ˙ w bw b˙ Ó ∑ ∑& 4
Akkordeon P∏? 4 ∑ ∑ ∑ ∑ #w #w4 #w #w
˙
7 œ #˙bœ œbœ œ∑ ∑ ∑ Œ œ Ó& œœ œœ bœ
3 5π F
5
3∑ ∑ ∑ ∑ Œ Ó Ó ∑œ& ˙ ˙P b˙
7 ˙œ ˙œ ˙.∑ Ó Ó ∑ ∑ ∑ Ó& ˙∏ Pbœ b˙ #˙? #˙.∑ Ó Ó ∑ Ó ∑ Óbœ b˙
©Armin Fuchs#œ14 œœ œ Ó ∑ ∑ Ó ˙ ˙ Óœ& bœ#œ œ ˙ f p˙ w˙ w∑ ∑ ∑ ∑ Ó& wwf
14 # ˙ # w∑ ∑ ∑ Ó ˙ w ∑ ∑& Ff π? Ó ∑ ∑ Ó #˙ #˙ Ó#˙ #˙b˙. œ ˙ b˙ b˙
#˙˙ œœ21 bœœ bœ#œ œ #œ∑ Œ Ó bœ& œbœ œœœ bœ3
5F P
5 ˙ ? ˙∑ Œ ˙ œ b˙ Ó Ó Ó.& œ ˙ b˙
3P
21 ∑ ∑ ∑ ∑ Ó ∑& ˙˙F Pb˙. .œ ˙ b˙ b˙? ∑ Ó Ób˙. bœ b˙ ˙. ˙ ˙b˙˙˙ b ˙ ˙5
27 j bœœ. J.Ó œ Ó Ó Œ Ó ∑ Óœ.& b˙ œb˙ Ff p ∏ œ. œ? .∑ Ó Ó Œ Ó ∑ ÓJ#œ#˙#œ F∏pf
27 ˙. ˙˙. bœ b œ˙ œ∑ Œ Ó Œ Ó ∑ Ó& œ #œ. Jf p F∏ j? .∑ #œ Ó ∑ ∑ ∑ Ó#œ. bœ
3.˙
33 bœ UœJ .Œ ‰ Œ Œ Ó Œ ∑J bœ& < Î.¯ ˙ Ubœ? œ.œ Œ ‰ Œ Œ Ó Œ ∑&JJ Î˙.#˙33 j .# ˙œ # ˙ . U#œ # ˙.œœ.Œ ‰ Œ Œ Ó Œ ∑J& œœ œœœ Îœ <œ? œJ .Œ ‰ Œ ∑ ∑ ∑J
Dynamik phantasievoll frei!
Jeder Takt 3-5 Viertel lang.
Töne jeweils legato miteinander verbinden, wie EIN Instrument (nach Fermaten kurze Zäsur)!
Phrasen gut als Einheit gestalten - poco rubato ad lib.
37 bw w#w∑ ∑ ∑ ∑ ∑ ∑& #wF w w?∑ ∑ ∑ w ∑ ∑ ∑ ∑& F
37 ˙∑ ∑ ∑ ∑ ∑ ∑ ∑ Ó ∑& bww π ƒF U? ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑wbw bwb w
4
mostly piano, jeder Ton beginnt pp; ansonsten Dynamik phantasievoll frei;
jeder Takt 3-5 Viertel lang, überlappend zum nächsten (außer nach Fermaten).47 w ∑ ∑ ∑ ∑ ∑& w bw
? w∑ ∑ ∑ ∑ ∑ ∑w Uwbww w47 ∑ ∑ ∑ ∑ ∑& ∏ ƒ? w∑ ∑ ∑ ∑ ∑ ∑ bw# ww
wbw
55 #w∑ ∑ ∑ ∑ ∑&
#w #w? ∑ ∑ ∑ ∑ ∑bw∏
55 ∑ ∑ ∑ ∑ ∑ ∑ ∑& ww
bw? ∑ ∑ ∑ ∑ ∑ ∑ww
63 w∑ ∑ ∑ ∑ ∑ ∑ ∑& w
Uw? ∑ ∑ ∑ ∑ ∑ bw& w bww U ƒw
63 w∑ ∑ ∑ ∑ ∑ ∑ w ∑&
? ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑bwbw
5w
72 #wbw ∑ ∑ ∑ ∑ ∑& w
∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑& w
72 w w∑ ∑ ∑ ∑ ∑ ∑& wbw? ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
U #w ritard.w81 ∑ ∑ ∑ ∑ ∑ ∑&
bw?w∑ ∑ w ∑ ∑ ∑&
81 w∑ ∑ ∑ ∑ ∑ ∑& b wb w
? ∑ ∑ ∑ ∑ ∑ ∑ ∑ bw
w
a tempo w89 ∑ ∑ ∑ ∑ ∑ ∑& #w
vibr.w? ∑ ∑ ∑ ∑ ∑ ∑ &ww ƒw89 ∑ ∑ ∑ ∑ ∑ ∑ ∑& wU? ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
w#w
6cresc. tutti
98 ∑ ∑ ∑ ∑ ∑ ∑& bwbw
U ?∑ ∑ ∑ ∑ ∑ ∑w& wbw wU# w98 w ∑ ∑ ∑ ∑ ∑& wwbwπƒ π? ∑ ∑ ∑ w ˙ Ó ∑ ∑bw b˙ wu
106 ∑ ∑ ∑ w ∑ ∑& #w bw
w #w? #w ∑ ∑ ∑ ∑ ∑ ∑
106 U#w∑ ∑ ∑ ∑ ∑ ∑& w f#w? w∑ ∑ ∑ ∑ ∑ww
114 ∑ ∑ ∑ ∑ ∑w& wbwF U? ?∑ ∑ ∑ w ∑ ∑ ∑& wwF
114 bw∑ ∑ ∑ ∑ b w ∑ ∑& wwFb ww? ∑ ∑ ∑ ∑ ∑ ∑ wbw
7Adagio q = 40
122 U∑ ∑ ∑ ∑ ∑& #wbw bwP wU U˙? w∑ #w Ó ∑bw bw #wb w P
122 ∑ ∑ ∑ ∑ ∑& wwwP bw? ∑ ∑bw w w bw w
130 w ∑ ∑ ∑ ∑& bw wbww ˙ U U? ?Ó ww w &w w ww
130 U#w∑ ∑ ∑ ∑ ∑ ∑w&
U U#w b ww? w∑ ∑ ∑ ∑w bw
ritard.
138 Uw∑ bww& ww Uw? w bw bwb w
138 bw Ubwb w ∑& ww w? ∑ ∑ ∑ ∑wbw
8