Partition complète et parties, Cantiga Mozárabe, Salzedo, Leonard

Leonard Salzedo

Description

Pratiquez la partition de morceau Cantiga Mozárabe partition complète et parties, Cantigas, par Salzedo, Leonard , Op. 79. Cette partition moderne dédiée aux instruments comme:

• hautbois d’amore (ou hautbois) et piano

Cette partition se constitue de plusieurs mouvements et est répertoriée dans les genres pour 2 musiciens, pour hautbois damore, piano, Cantigas, partitions pour hautbois, partitions pour piano, pour hautbois, piano, partitions pour hautbois damore
Retrouvez dans le même temps tout une collection de musique pour hautbois d’amore (ou hautbois) et piano sur YouScribe, dans la rubrique Partitions de musique variée.
Date composition: 1970
Rédacteur: Jennifer Paull
Edition: Amoris International. Edition AI SI 001.
Dédicace: For Jennifer Paull

Sujets

• Modernité
• Piano
• Oboe
• D'Amore

Informations

• Publié par: SALZEDO
• Nombre de lectures: 66
• Licence : En savoir +
  Paternité, pas de modification
• Langue: Français

Extrait

LEONARD SALZEDO







CANTIGA MOZARABE  
 
Opus 79 
 
 
 
Oboe d'amore (Oboe) and Piano











SI 001
Leonard Salzedo
(1921-2000)
Leonard Salzedo, the most Spanish of British composers, was born in London in
1921. He began the violin at the age of six and started to compose when he was
twelve.
He was awarded the Cobbett Prize (1942) after only two years as a student at the
Royal College of Music (London) for his first string quartet: he would eventually
compose ten. Again, during his studies, he was commissioned to write the score for a
ballet, The Fugitive (1944), which was performed more than four hundred times by
Ballet Rambert.
The most renowned of Salzedo’s seventeen ballet scores, The Witch Boy, received its
première in Amsterdam (1956). Since then, ballet companies around the world have
given in excess of three thousand performances in more than thirty-three countries.
The Witch Boy has featured on television in many of these including Germany, Japan
and New Zealand.
From 1947 - 1950 Leonard Salzedo was a member of the London Philharmonic
Orchestra. He then moved to the Royal Philharmonic Orchestra (until 1966). Its
illustrious conductor, Sir Thomas Beecham, gave the premières of two of Salzedo’s
compositions at the Royal Festival Hall. As well as playing violin in the orchestra,
Leonard Salzedo became his assistant conductor. In 1964 he joined the London
Soloists Ensemble and composed Concerto Fervido especially for it.
In 1967, Salzedo abandoned the violin to become Musical Director of Ballet Rambert
(now the Rambert Dance Company), a post he held until 1972. The same year, he
moved to Scottish Ballet as their Principal Conductor (-1974). He was later to
become Music Director of London City Ballet (1982 -1986).
Thereafter, until his death in May 2000, Leonard Salzedo devoted himself almost
entirely to prolific composition. Although performing continuously for many years, he
composed more than 160 works including two symphonies.
The opening six bar fanfare of his Divertimento for Three Trumpets and Three
Trombones (1959) was used by the BBC as the theme music for all Open University
educational programmes broadcast on radio and television (1970s -1990s). He
composed eighteen film scores including Hammer's ‘The Revenge of Frankenstein’
(1959).
Leonard Salzedo was a wine connoisseur and member of the Confrèrie des Chevaliers du
Sacavin, a Loire-based wine brotherhood with a London Chapter. For many years he
was their ‘Chef des Beaux Arts’ and wrote fanfares, which were performed at dinners
and inductions. Cantiga Mozárabe 
 
Opus 79 
 
Oboe d'amore (Oboe) and Piano

SI 001
Written in 1970 for Jennifer Paull, this piece tells the story of an exiled Sephardic
musician in mediæval Spain, whose soul is crying in anguish for his origins. The oboe
d'amore (oboe) and piano are independent of each other playing together, yet separated
in idiom, just as the musician in his land of circumstance, not choice.
I was inspired by the writings of King Alfonso X (Alfonso the Wise1221–1284) a
scholar, writer and composer. His instrumentation was influenced by contact with the
Moors and his familiarity with their instruments. I have painted this Arabian mood
with the timbre of the oboe d’amore (oboe). King Alfonso composed four hundred and
twenty cantigas (sacred songs) in honour of the Virgin Mary, which were mostly
written in the Galician language (the Cantigas de Santa Maria or Cantigas de Toledo).
Mozárabe refers to the period before 1492 when Spain was under Moorish rule. It was
during this era that Arabic Music brought most influence to bear upon native Spanish
Music.
Leonard Salzedo
1997

Cantiga Mozárabe 
 
Recorded by Jennifer Paull and Read Gainsford, Piano.
The Oboe d’amore Collection Volume II: SC VII.
www.amoris.com



Works by Leonard Salzedo published by Amoris International.

Iberian Improvisations SI 010
Quatro Canciónes Españolas SI 011
Sonata a Tré CM 001
 Bailables EN 001
Canto de la Sibila EN 003


Recorded by Jennifer Paull and The Amoris Consort.
The Consort Collection Volume I: CC VI.

www.amoris.com for Jennifer Paull 1
CANTIGA MOZÁRABE
Op.79
Leonard Salzedo
(1921-2000)
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