Partition complète, That Was Then, Salamon, Sean Michael

Sean Michael Salamon

Description

Jouez la partition de musique That Was Then partition complète, pièces, par Salamon, Sean Michael. Cette partition moderne écrite pour les instruments tels que: Pipe orgue
La partition compte différents mouvements: 3 movements, Introduction (Cityscape), choral Variations (Apologies), Fugue (Going Ahead) et l'on retrouve ce genre de musique répertoriée dans les genres

• pièces
• pour orgue
• partitions pour orgue
• pour 1 musicien
• pour 2 violons, viole de gambe, violoncelle (arr)
• pour 4 musiciens
• partitions pour violon
• partitions pour viole de gambe
• partitions pour violoncelle
• partitions corde ensemble

Obtenez dans le même temps tout une collection de musique pour Pipe orgue sur YouScribe, dans la catégorie Partitions de musique variée.
Date composition: November 2011
Edition: Sean Michael Salamon
Durée / duration: 9-10 minutes
Dédicace: For Joey Fala

Sujets

• Modernité
• Orgue
• Pipe
• Gatomon

Informations

• Publié par: SALAMON
• Nombre de lectures: 20
• Licence : En savoir +
  Paternité, pas de modification
• Langue: Français
• Poids de l'ouvrage: 2 Mo

Extrait

Sean Michael Salamon

That Was Then, This is Now  

 Suit efor Stirn

November 2011

 gQ

     

uartet

 

      tahTsaW                  s hi Nishe T Tn, roS etf S iu wo     t      arteg Qutrin noitcudortnI .I     I ) pecaysit(C   noit(  slopAeigo CI.raho Vleiaar G(iogna ehda )     s)    III. Fugue  

 

That Was Then, This is Now is in three diverse movements; the second two are rigorously structured and the first is not. Its name asserts a new freshness and inventiveness of style, and sets a buoyant, light-hearted tone. The Introduction is meant to be just that: an informal greeting. However, beneath the sudden changes and playful rhythms, there is foreshadowing—unbeknownst to the listener,the Fugue’s subject is stated eight times. The brash harmonies in this movement are All-American, and the shifting grooves suggest the sounds of a bustling city. The Chorale Variations are a diverse set of four, and are based on an original cantus firmus which is altered only in the third variation, in which it is inverted. Otherwise, it is preserved. The main distinction between the variations is their highly different characters. The final Fugue is constructed on a highly chromatic theme whose solid rhythms lend the movement a very “Germanic” feel. Throughout the fugue, thetheme is inverted, reversed, and rhythmically transformed, often at the same time.Its name is humorously taken from Glenn Gould’s fugue,So You Want to Write a Fugue, in which the voices proudly declare, “You’ve got the nerve to write a fugue—   so go ahead!”   —Sean Michael Salamon