Adcock, C. Marcel Duchamp's Notes from the Large Glass: An N ...

Description

Adcock, C. Marcel Duchamp's Notes from the Large Glass: An N ...

Sujets

• Philosophie et théologie

Informations

• Publié par: agupewyz
• Nombre de lectures: 122
• Langue: English

Extrait

Bibliography

Where an entry has not been mentioned in the text, I have included a brief summary of its subject. References for

journals and magazines are listed in the following format: volume (where relevant) / issue number, date.

Adcock, C. Alberti, L.-B. Alpers, S. Arnheim, R. Atkinson, D.

Bachelard, G. Bakhtin, M. Baltrusaitis, J. Banfield, A. Barthes, R. Bellour, R. Benjamin, W. Bensmaïa, R.

Marcel Duchamp’s Notes from the Large Glass: An N-

dimensional analysisMichigan: UMI Research Press 1983.

On Painting(trans. Grayson, C.), Harmondsworth: Penguin

1991 (1435). The Art of DescribingHarmondsworth: Penguin 1989 (1983). Art and Visual Perception, A Psychology of the Creative Eye Berkeley: University of California Press 1974. ‘Hitchcock’s Techniques Tell Rear Window Story’,American Cinematographer71/1, January 1990, pp34-40: discussion of cinematographic techniques inRear Window.

The Poetics of SpaceBoston: Beacon Press 1969: discussion of the spatial origins of the poetic image. Bakhtinian Thought: An introductory reader(ed. Dentith, S.), London: Routledge 1995. The Dialogic Imagination(trans. & eds. Emerson, C. & Holquist, M.), Austin: University of Austin Press 1982. Anamorphic ArtCambridge: Chadwyck-Healey 1977.

‘L’Imparfait de l’Objectif: the Imperfect of the Object Glass’, Camera Obscura24, 1990, pp64-87: discussion of the notion of photography, subjectivity and photographic tense with observations on Barthes’Camera Lucida. Camera Lucida(trans. Howard, R.), London: Cape 1982.

Image, Music, Text(trans. & ed. Heath, S.), London:

Fontana 1977. The Rustle of LanguageOxford: Blackwell 1986. ‘The Film Stilled’,Camera Obscura24 1990, pp98-123: brings Barthes’ discussions of obvious/obtuse meaning to bear on the film still andLa Jetée. ‘The Storyteller’,IlluminationsLondon: Fontana 1993 (1973), pp83-107. ‘From the Photogram to the Pictogram: On Chris Marker’sLa Jetée’,Camera Obscura24 1990, pp138-161: discussion of the role of the dissolve inLa Jetée.

(cc) BY-NC-ND | Tim O’RileyRepresenting Illusions: space, narrative and the spectator

PhD, Chelsea College of Art & Design, 1998.

147