Romantik 3

Description

This third issue of Romantik: Journal for the Study of Romanticisms contains a theme section: 'Renegotiations of romanticism'. This special theme brings together various examinations of the ways in which romanticism continues to play an important role in a post-romantic age. The reason for inviting contributions examining the afterlife of romanticism in national and international settings is to explore how we may understand it as not just a past event or artistic movement, but as an ongoing process of cultural development. The contributions provide new insights into post-romantic art - both from the perspective of the artists and in terms of how their works were received. In addition to the articles featured in the theme section, this issue also contains contributions that shed new light on both canonical and lesser-known works from the romantic period - including analyses of poetry, novels, and travelogues. As in previous issues, Romantik is richly illustrated.

Sujets

• Arts visuels
• Arts visuels
• Art

Informations

• Publié par: Aarhus University Press
• Date de parution: 15 janvier 2015
• Nombre de lectures: 1
• EAN13: 9788771248654
• Langue: Danish
• Poids de l'ouvrage: 27 Mo

Extrait

J o u r n a l

  J o u r n a l

 f o r t h e S t u d y o f

 r o m a n t i c i

S m S

J o u r n a l f o r t h e S t u d y o f r o m a n t i c i S m S  

Editors Robert W. Rîx (Unîversîty o Copenhagen), Lîs Møer (Aarhus Unîversîty), Karîna Lykke Grand (Aarhus Unîversîty), Anna Lena Sandberg (Unîversîty o Copenhagen), Cîan Dufy (Unîversîty o Copenhagen and St. Mary’s Unîversîty Coege, Twîckenham, London)

Nordic CoEditor (third issue) Eîsabeth Oxedt (Unîversîty o Oso)

Editorial Board Gunîa Hermansson (Unîversîty o Gothenburg), Tomas Björk (Stockhom Unîversîty), Leena Eîîttä (Unîversîty o Hesînkî), Knut Ljøgodt (Northern Norway Art Museum)

Advisory Board Chares Armstrong (Unîversîty o Bergen), Paua Henrîkson (Uppsaa Unîversîty), Jacob Bøggîd (Aarhus Unîversîty), Davîd Faîrer (Unîversîty o Leeds), Karîn Hof (Georg-August-Unîversîtät Göttîngen), Davîd Jackson (Unîversîty o Leeds), Stephan Mîchae Schröder (Unîversîty o Coogne), Chrîstoph Bode (Ludwîg- Maxîmîîans-Unîversîtät München), Laurî Suurpää (Sîbeîus Academy, Hesînkî)

Main editorial contact Robert W. Rîx [rjrî[e-mail]]

Editorial Secretary Kasper Rueskov Gudberg (Aaborg Unîversîty)

Vîsîtwww.romantîkstudîer.dkorwww.unîpress.dk

Romantîkîs supported by NOS-HS – Joînt Commîttee or Nordîc Research Councîs or the Humanîtîes and the Socîa Scîences and by AU Ideas.

Subscription services Aarhus Unîversîty Press [unî[e-mail]] or [+    3 ]

Subscription price Annua subscrîptîon prîce îs DKK  .

Price per issue DKK  . per îssue pus postage

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F O R E W O R D

T H E M E A RT I C L E S

Mîtchell B. Frank N E W RO M A N T I C I S M S I N W I L H E L M I N E G E R M A N Y

Karîn Sanders T H E RO M A N T I C FA I R Y TA L E A N D S U R R E A L I S M Marvelous Non-Sense and Dark Apprehensîons

Sîgrun Åsebø T R AV E L L I N G H U T S A N D I N VA D I N G S PA C E S H I P S Marîanne Heske, Tîrîl Schrøder, and Norwegîan Romantîc Landscapes

I N G E R C H R I S T E N S E N / N O VA L I S / P H I L O S O P H Y O F N AT U R E

Sîlje Svare S E C R E T O R S E C R E T L E S S N E S S ? On Poetologîcal Dîalogue and Ainîtîes în Inger Chrîstensen, Peter Waterhouse – and Novalîs

Anne Gry Haugland N AT I V E A N D D E E P - RO O T E D Posîtîons în Inger Chrîstensen’s Phîlosophy o Nature

Klaus Müller-Wîlle D I S P E R S I O N , CO U N T E R S Y M B O L S , A N D M U T UA L R E P R E S E N TAT I O N Inger Chrîstensen’sdetand Novalîs’sDîe Lehrînge zu Saîs

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Contents  

A RT I C L E S

Elîsa Müller-Adams G E N D E R , M E M O R Y, A N D I N T E RC U LT U R A L I T Y I N C A RO L I N E D E L A M O T T E F O U Q U É ’ S H I S TO R I C A L N O V E L D I E V E R T R I E B E N E N

Jennîer Wawrzînek H O S P I TA L I T Y A N D T H E N AT I O N I N M A R Y W O L L S TO N E C R A F T ’ S A S H O R T R E S I D E N C E I N S W E D E N , N O RWAY, A N D D E N M A R K

Per-Arne Bodîn T H E RO M A N T I C , T H E G O T H I C , A N D T H E V I S UA L Three Narratîves about Amalîa von Krüdener and the Russîan Poet Fedor Tîutchev

A B O U T T H E A U T H O R S

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The specîa theme o thîs voume oRomantîkîs ‘Renegotîatîons o romantîcîsm’. Hence, the theme sectîon addresses the ways în whîch romantîcîsm contînues to be renegotîated în post-romantîc perîods. Thîs process o renegotîatîons pertaîns to productîon and receptîon. Artîsts renegotîate texts o the romantîc era, just as those same texts are requenty renegotîated by crîtîcs, by hîstorîographers, and by natîona îdeoogîes. The artîces în thîs îssue show that the înfluence o romantîc works îs both wîdespread and deep. As a set o îdeas or a mode o thînkîng, romantîcîsm has proved îtse to be both endurîng and protean. Thîs îssue provîdes a number o înnovatîve anayses o how romantîcîsm has been and contînues to be renegotî- ated. The motîve or învîtîng contrîbutîons examînîng the aterîe o romantî- cîsms îs to expore how we may understand romantîcîsm as not just a past event, but as an ongoîng process o cutura deveopment. We may useuy sîtuate ro- mantîcîsm both în îts hîstorîca context and în ours. It îs our hope that thîs îssue wî acîîtate a dîaogue between what romantîcîsm was and how ît contînues to unod în varîous cutura manîestatîons – as romantîc egacîes în îts îmmedîate atermath, as contemporary debates, and as a vector o the uture. Severa artîces în the theme sectîon dîscuss the questîon rom the perspectîve o the artîst: How îs the artîst and hîs/her work înfluenced by romantîcîsm and/ or partîcuar romantîc schoars? How does the artîst engage wîth romantîcîsm în order to use, questîon and/or înterere wîth ît? Other artîces dîscuss the questîon rom the perspectîve o receptîon: How has the îdea o what we now ca ‘romantîcîsm’ been constructed over tîme? How were ‘new’ romantîcîsms constructed? And finay, whîch works have been cano- nîsed and memorîaîsed, and or what (natîona) purposes? The artîces that beong în the custer o ‘Renegotîatîons o romantîcîsm’ are Mîtche B. Frank’s anaysîs o ‘New Romantîcîsms în Wîhemîne Germany’, Ka- rîn Sanders’s examînatîon o ‘The Romantîc Faîry Tae and Surreaîsm: Marve- ous Non-Sense and Dark Apprehensîons’, and Sîgrun Åsebø’s artîce ‘Traveîng Huts and Invadîng Spaceshîps: Marîanne Heske, Tîrî Schrøder, and Norwegîan Romantîc Landscapes’. The îssue aso eatures a trîpartîte artîce, ‘Inger Chrîs- tensen / Novaîs / Phîosophy o Nature’, by Anne Gry Haugand, Kaus Müer- Wîe, and Sîje Svare on the romantîc egacîes ound în the work o the Danîsh

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FOREWORD

author Inger Chrîstensen (3–), an înternatîona name who was consîdered the most emînent experîmentaîst o her generatîon and was oten mentîoned as a contender or the Nobe Prîze în Lîterature. The îndîvîdua tîtes o the înked artîces on Inger Chrîstensen are ‘Secret or Secretessness?: On Poetoogîca Dîa- ogue and Ainîtîes în Inger Chrîstensen, Peter Waterhouse – and Novaîs’ (Sva- re), ‘Natîve and Deep-Rooted: Posîtîons în Inger Chrîstensen’s Phîosophy o Na- ture’ (Haugand), and ‘Dîspersîon, Countersymbos, and Mutua Representatîon: Inger Chrîstensen’sdetand Novaîs’Dîe Lehrlînge zu Saîs’ (Müer-Wîe). In addîtîon to the artîces eatured în the theme sectîon, thîs îssue contaîns artîces that anayse and shed new îght on romantîc works, încudîng poetry, noves, and traveogues. These încude Eîsa Müer-Adams’s ‘Gender, Memory, and Intercuturaîty în Caroîne de a Motte Fouqué’s Hîstorîca NoveDîe Ver- trîebenen’, Jennîer Wawrzînek’s ‘Hospîtaîty and the Natîon în Mary Wostone- crat’sA Short Resîdence în Sweden, Norway, and Denmark’, and Per-Arne Bodîn’s ‘The Romantîc, the Gothîc, and the Vîsua: Three Narratîves about Amaîa von Krüdener and the Russîan Poet Fedor Tîutchev’. Thîs year, we woud agaîn îke to thank NOP-HS or supportîng the journa and to AU-Ideas or makîng ît possîbe to prînt the arge number o coour î- ustratîons.

Wecome toRomantîk! The edîtors

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New Romantîcîsms

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