"For me, literacy is … like trying to open a locked door with the wrong key … I don't always see the meaning at first and usually I have to have someone … let me in with their key. I tend to think that being in college is enough, but it still isn't going to guarantee higher literacy for me. It is something I am trying to grasp, but I am going about it slowly, simply because I am not so sure of how important it is to me." — Rachel
According to key literacy research, working-class students are far less likely to pursue higher literacy than their middle-class counterparts, yet there are countless examples of those who have defied the odds. In this thoughtful look at why some determinedly pursue higher literacy against all expectations and predictions, Donna Dunbar-Odom explores the complex relationships people have with literacy, paying particular attention to the relationship between literacy and class. She shares the personal and often poignant literacy narratives of writers, academics, and her own students to reveal a great deal about what motivates desire for higher literacy, as well as what gets in the way. Bringing together these reflections with current literacy, composition, and class theories, Dunbar-Odom provides a better understanding of how to tap that desire in writing classrooms. Ultimately, the author argues that teachers need to focus less attention on how students should read and more on why they might want to. Acknowledgments
1. Situating Literacy
2. Boundaries and Memories: Literacy Narrative as Genre
3. Identity, Class, and Higher Literacy: Theories of Literacy, Ways of Knowing
4. Metaphors We Write By
5. On the Bias: Literacies, Lived, Written, and Owned
6. Reading with Pleasure: What Oprah Can Teach Us about Literacy
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DunbarOdom Defying the Odds DEFYING THE ODDS
SUNY
Class and the Pursuit of Higher Literacy
Donna DunbarOdom
Defying the Odds
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Defying the Odds
Class and the Pursuit of Higher Literacy
Donna DunbarOdom
State University of New York Press
Publised by STATE UNIVERSITY OF NEW YORK PRESS ALBANY
No part of tis book may be used or reproduced in any manner watsoever witout written permission. No part of tis book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mecanical, potocopying, recording, or oterwise witout te prior permission in writing of te publiser.
For information, address State University of New York Press 194 Wasington Avenue, Suite 305, Albany, NY 12210-2384
Production by Ryan Hacker Marketing by Susan M. Petrie
Library of Congress CataloginginPublication Data
Dunbar-Odom, Donna. Defying te odds : class and te pursuit of iger literacy / Donna Dunbar-Odom. p. cm. Includes bibliograpical references and index. ISBN-13: 978-0-7914-6971-2 (ardcover : alk. paper) ISBN-13: 978-0-7914-6972-9 (pbk : alk. paper) 1. Literacy—Social aspects—United States. 2. Social classes—United States. I. Title.
LC151.D86 2007 302.2'244—dc22
10 9 8 7 6 5 4 3 2 1
2006007113
Acknowledgments
1. Situating Literacy
Contents
2. Boundaries and Memories: Literacy Narrative as Genre
3. Identity, Class, and Higer Literacy: heories of Literacy, Ways of Knowing
4. Metapors We Write By
5. On te Bias: Literacies, Lived, Written, and Owned
6. Reading wit Pleasure: Wat Opra Can Teac Us about Literacy Sponsorsip
Works Cited
Index
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Acknowledgments
T his book has deep roots. Of course, I cannot claim any grand epipanies, but I can recall a number of contributing moments. For example, te experience of working wit basic writing students at an open admissions university taugt me far more tan I was able to teac te students. hey taugt me about learning, certainly, but I also learned priceless lessons about pedagogy and politics. Anoter moment came at my first Conference on College Composition and Communication were I found myself attending a panel on basic writ-ing, listening to presentations by David Bartolomae and Mariolina Salvatori. Rarely can we say tat a conference panel as muc real effect on us, but tis one literally canged my life since I ended up going to te University of Pitts-burg for my doctorate. he work I did tere introduced me to ways of teac-ing and “ways of reading” tat ave saped me profoundly, and I am grateful. In particular, te Literacy and Pedagogy seminar wit Mariolina Salvatori and my fellow students is wereDefying te Oddsbegan to develop in earnest. Here at Texas A&M University-Commerce I ave been lucky once more to find myself working wit wonderful people: Bill Bolin, Liz Buckley, Gerald Ducovnay, and Dick Fulkerson ave been great colleagues. Sannon Carter read every word of tis manuscript more tan once and is an invaluable friend and colleague. I am also grateful to my students, particularly te following students wo generously allowed me to use excerpts from teir writing in tis project: Caterine Canzoneri, Kimberly Dunam, Marcus Lane, Micael, Nick Monday, and Julie Watson; Mark Abelson, Mallory Baptiste, Elissa Dan-iel, Roderigo Eceverria, Steve Huffer, Sean Kennedy, Axa Lima, Jackie Nen-ninger, Racel Nicols, Kim Paceco, and Evan Teer; and Scott Lancaster, Mike Marlow, Connie Meyer, Paul Mooney, and Terry Peterman. Two friendsips tat began at Pitt continue to sustain me now. Barbara McCarty and Ricard Miller make me tink and laug, and tey never let me forget wat is important about te work we do. At te same time tey accomplis some of te smartest work being done in te academy currently.
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Acknowledgments
SUNY Press as madeDefying te Oddsa real labor of love. I did not know it was possible for te production of a book to be so pleasurable and anxiety-free. My gratitude goes to James Peltz, Larin McLauglin, Ryan Hacker, Anne Valentine, herese Myers, and Ken Scrider. I would also like to tank te anonymous readers for teir tougtful and generous reviews. And I am grate-ful to Wendy Griffits at te Modern Art Museum of Fort Wort for er elp in allowing me to use an image of Anselm Kiefer’sBook wit Wingste for cover, a work tat as resonated powerfully for me since I first saw it. Finally, I want to tank Micael and Claire Odom. My real education began by watcing and learning from Mike ow to read wit rigor and plea-sure. I would not ave made it troug any level of college and beyond wit-out is intellectual and emotional support. He is my ally in every sense of te word. My education continues wit Claire wom I watc in awe as se moves troug te world wit intelligence, umor, and grace.
Chapter One
Situating Literacy
I n the Modern Art Museumof Fort Wort stands a lead sculpture, a giant open book wit enormous wings sprouting from eiter side, standing on an a tall pedestal. Anselm Kiefer’sBook wit Wingsoffers multiple readings: literacy promises to free us—te fligt of imagination, for example—but materiality can never be overcome. Kiefer’s coice of a medium is not accidental; e could ave produced te sculpture in aluminum or wood or even paper, so te coice of lead is significant. In oter words, literacy can only give us te illusion of freedom as we remain weigted, inexorably, to our material lives. We want to believe tat fligt or escape is available troug literacy, but wen we look up from te page, we are te same people in te same bodies in te same cir-cumstances. Yet literacy as ad enormous impact on individuals as publised testimonials attest. American culture, of course, invests eavily in te notion tat literacy will free us from poverty, from prejudice, from oppression. But te United States is not te only culture or cultural body to old to tis belief. he United Nations as produced researc tat maintains a nation must acieve a certain literacy level among its population before it can begin to rise economically. As Sylvia Scribner’s “Literacy in hree Metapors” sows, tese assumptions about literacy ave elped sape public policy: “In a contemporary framework, expansion of literacy skills is often viewed as a means for poor and politically powerless groups to claim teir place in te world” (75). Increased literacy is also assumed to be necessary for a person’s ability to tink abstractly. Scribner writes, “An individual wo is illiterate, a UNESCO (1972) publication states, is bound to concrete tinking and cannot learn new material” (77). Scribner’s