Jethro Tull’sThick as a BrickandA Passion Play
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Jethro Tull’sThick as a BrickandA Passion Play
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© 2013 by Timothy J. Smolko
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Library of Congress Cataloging-in-Publication Data
Smolko, Tim, author. Jethro Tull’s Thick as a brick and A passion play : inside two long songs / Tim Smolko. pages cm. – (Profiles in popular music) Includes bibliographical references and index. ISBN 978-0-253-01026-1 (cloth : alkaline paper) – ISBN 978-0-253-01031-5 (paperback : alkaline paper) – ISBN 978-0-253-01038-4 (ebook) 1. Jethro Tull (Musical group) 2. Rock music – England – 1971-1980 – History and criticism. 3. Progressive rock music. I. Title. II. Series: Profiles in popular music. ML421.J5S66 2013 782.42166092’2 – dc23
1 2 3 4 5 18 17 16 15 14 13
2013010486
Contents
•List of Illustrations
•Foreword by Adrian Stone-Mason
•Preface
•Acknowledgments
1 Life Is a Long Song: Providing a Context forThick as a BrickandA Passion Play
2 Galliards and Lute Songs: The Influence of Early Music in Jethro Tull
3 Geared toward the Exceptional Rather than the Average: The Album Cover and Lyrics ofThick as a Brick
4 The Music ofThick as a Brick:Form and Thematic Development
5 The Music ofThick as a Brick:Other Features
6The Château d’Isaster Tapesand the Album Cover and Lyrics ofA Passion Play
7 The Music ofA Passion Play
8Monty Python, Reception, and Live Versions
•Conclusions
•Epilogue: Whatever Happened to Gerald Bostock?
•Appendix 1. The Complete Lyrics toThick as a Brick
•Appendix 2. The Complete Lyrics toA Passion Play
•Appendix 3. Analysis of the Instrumental Passages
•Notes
•Bibliography
•Discography
•Videography
•Index
3.1. 3.2. 3.3. 3.4. 6.1. 6.2. 6.3. 6.4.
Illustrations
FIGURES
Cover ofThick as a Brick Comic on p. 7 of theSt. Cleve Chronicle Article on p. 8 of theSt. Cleve Chronicle Lyrics toThick as a Brickfrom theSt. Cleve Chronicle Front cover ofA Passion Play Back cover ofA Passion Play Inside gatefold ofA Passion Play Inside gatefold ofA Passion Playwith mock theater program
Example 4.1 Example 4.2 Example 4.3 Example 4.4 Example 4.5 Example 4.6 Example 4.7 Example 4.8 Example 4.9 Example 4.10 Example 4.11 Example 4.12 Example 4.13 Example 4.14 Example 7.1 Example 7.2
MUSICAL EXAMPLES
Thick as a Brick, melody in first A section of Vocal 1, 0:11 side 1 Thick as a Brick, melody in second A section of Vocal 1, 1:00 side 1 Thick as a Brick, Motive 1 Thick as a Brick, Motive 2 Thick as a Brickmeter, 0:48 side 2, Motive 2 in Thick as a Brick, Motive 2fortspinnungpassage, 18:42 side 2 Thick as a Brick, Motive 3 Thick as a Brick, Motive 3 on organ, 17:31 side 1 Thick as a Brick, Motive 4, 11:23 side 1 Thick as a Brick, Motive 2 interrupted by Motive 4, 19:46 side 2
Thick as a Brick, Motive 5, 16:35 side 1
Thick as a Brick, Motive 6
Thick as a Brick, Motive 6 layered onto Motive 2, 20:04 side 2
Thick as a Brick, Motive 7
A Passion Play, Overture Theme 1 A Passion Play, Overture Theme 2
Example 7.3 Example 7.4
Example 7.5 Example 7.6 Example 7.7 Example 7.8 Example 7.9 Example 7.10 Example 7.11 Example 7.12 Example 7.13
Table 4.1 Table 4.2 Table 4.3 Table 4.4 Table 4.5 Table 4.6 Table 4.7 Table 4.8 Table 4.9 Table 4.10 Table 4.11 Table
Johann Sebastian Bach,French Suite in E major BWV 815, “Gigue” Hector Berlioz,Symphonie Fantastique, “Dream of a Witches’ Sabbath,” mm 21– 25 “Neapolitan Tarantella,”Traditional A Passion Play, Motive 1: Heartbeat A Passion Play, Motive 2 A Passion Play, Motive 3 A Passion Play, Motive 4 A Passion Play, Motives 4 and 3 combined, 17:41–17:58, side 1
A Passion Play, Motive 5
A Passion Play, Story Theme 1
A Passion Play, Story Theme 2
Song forms inThick as a Brick
TABLES
Large-scale form ofThick as a Brick
Multiple climaxes inThick as a Brick
Vocal sections ofThick as a Brickwith local repetition
Appearances ofThick as a BrickMotive 1
Metrical progression from 16:18–17:41, side 1
Appearances ofThick as a BrickMotive 2
Appearances ofThick as a BrickMotive 3
Appearances ofThick as a BrickMotive 6
Appearances of allThick as a BrickMotives throughout side 1
Appearances of allThick as a BrickMotives throughout side 2
Instrumentation ofThick as a Brick
5.1 Table 5.2 Table 5.3 Table 5.4 Table 6.1 Table 6.2 Table 6.3 Table 6.4 Table 7.1 Table 7.2 Table 7.3 Table 7.4 Table 7.5 Table 7.6 Table 7.7 Table 7.8 Table 7.9 Table 7.10 Table 7.11 Table 7.12 Table 7.13 Table 7.14
Instrumentation legend ofThick as a Brick
Flute paired with other instruments inThick as a Brick
Chord progressions in the first eleven minutes ofThick as a Brick
Lyrics about the parallels between human and animal behavior
Lyrics about the theater as a conceit for human life
Settings of the four acts ofA Passion Play
Subtitles on the MFSL Gold CD release ofA Passion Play
Musical events in the Overture toA Passion Play
Song forms inA Passion Play
Large-scale form ofA Passion Play
Multiple climaxes inA Passion Play
Appearances ofA Passion PlayMotive 1
Appearances ofA Passion PlayMotive 2
Appearances ofA Passion PlayMotive 3
Appearances ofA Passion PlayMotive 4
Appearances ofA Passion PlayMotive 5
Appearances of the phrase “Passion Play”
Appearances of allA Passion Playmotives throughout side 1
Appearances of allA Passion Playmotives throughout side 2
Instrumentation ofA Passion Play
Instrumentation legend ofA Passion Play
Table 7.15
Table 8.1 Table 8.2 Table 8.3 Table 8.4
Appearances of the two themes in “The Story of the Hare Who Lost His Spectacles”
Form ofFlying Circusepisode: “How to Recognize Different Types of Trees from Quite a Long Way Away” Form ofThick as a Brick, Live at Madison Square Garden 1978 version
Form ofThick as a Brick, live “Out in the Green” Festival version (1986)
Form ofThick as a Brick, 25th Anniversary Box Set studio version (1992)