Partition complète, pour Other côté, Bitensky, Laurence Scott

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Partitions
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Description

Découvrez les partitions de la musique pour Other côté partition complète, pièces, de Bitensky, Laurence Scott. Cette partition de musique moderne dédiée aux instruments tels que:
  • Solo: trompette (C)orchestre: flûte
  • clarinette (B♭) + percussion (bongos
  • 2 cowbells
  • carillon
  • 2 gongs (haut
  • low)
  • marimba (medium mallets)
  • 2 suspended cymbales (petit
  • medium)
  • tambourin
  • triangle) + piano + violon
  • violoncelle

Cette partition se constitue de 1 mouvement et l'on retrouve ce genre de musique classifiée dans les genres
  • pièces
  • pour trompette, orchestre
  • partitions pour trompette
  • partitions pour orchestre
  • pour orchestre avec solistes

Découvrez en même temps d'autres musique pour 2 suspended cymbales (petit, clarinette (B♭) + percussion (bongos, 2 gongs (haut, triangle) + piano + violon, low), Solo: trompette (C)orchestre: flûte, marimba (medium mallets), medium), carillon, 2 cowbells, violoncelle, tambourin sur YouScribe, dans la rubrique Partitions de musique variée.
Date composition: 2003
Edition: Silly Black Dog Music
Durée / duration: 10 minutes

Sujets

Informations

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laurence
bitensky
the
other
side
for
trumpet
and
chamber
ensemble
/
flute,
clarinet,
violin,
cello,
percussion,
piano)the
other
side
































 

 
 
 laurence
bitensky

ca.
10’


Instrumentation


Flute 

Bb
Clarinet


Solo
C
Trumpet


Violin

Violoncello


Percussion:

Bongos,
2Cowbells
(high,
low),
Glockenspiel,
2
Gongs
(high,
low),
Marimba
(medium
mallets),
2d
Seuds
Cpyemnbals
(small,
medium),
Tambourine,

Triangle


Piano


SCORE
IN
C


Performance
notes



The
sections
marked
ad
libitum
should
be
played
freely.

It
is
often
the
case
that
one
of
the
instrumentalists,
usually
the
solo
trumpet,
performs

in
a
free,
unmetered
style
while
one
or
more
instruments
provides
a
metered
background
(as
in
rehearsal
12
to
17).

These
different

instrumental
strands
should
not
be
coordinated.

The
conductor
(or
one
of
the
instrumentalists
if
there
is
no
conductor)
should
give
a
cue
at
the

beginning
of
each
ad
libitum
section
and
at
rehearsal
letters
within
each
ab
libitum
section.

The
sections
marked
a
battuta
should
be
metered

(and
conducted
if
there
is
a
conductor).



© sillyblackdogmusic/2003
 The Other Side
Laurence Bitensky1q = c. 104 Ad libitumq = c. 69
6                          Flute 
sffzsffzsffz sfzsffz freely, improvisatory mf                                       Clarinet in Bb 
pocosffz sffz sffz f
1q = c. 104 Ad libitumq = c. 69  Trumpet in C 
                         Violin 
sffzsffzsffz sffz sfz
  Violoncello 
Marimba Small Sus. Cymb. (stick - dampen immediately)   To Bongos             Percussion       
sfz6sffzsffz sffz sffz mf
q = c. 104 Ad libitumq = c. 69 1           3                                     sfzsffzPiano mfff           
Ped. freely
© sillyblackdogmusic/20032
q = c. 104
 
Fl.  

Cl.  
q = c. 104 
Tpt  
 
Vln  
solo
poco accel.                                         Vc.    3  3
vigorously; freelyf 3 
Perc.  
q = c. 104
  
Pno
  3
A Battuta; Fast and funkyq = c. 1042    Fl. 
   Cl. 
A Battuta; Fast and funkyq = c. 1042    Tpt 
    Vln 
pizz.                 Vc.                            f
Bongos (hands) 3 3 3                             Perc.                    
f
A Battuta; Fast and funkyq = c. 1042 3
                                                                Pno non legato; poco marcatof                                                         
Ped. freely4
3   Fl. 
  Cl. 
3   Tpt 
solo       Vln  
6f
6                    Vc.                     
3 3 3                              Perc.                   
3 3                                                            Pno 3                                                   5
  Fl. 
 Cl. 
  Tpt 
                                      Vln   
6 6
3                Vc.             
3 3                      Perc.             
                                      
Pno 3                                  6
  Fl. 
 Cl. 
  Tpt 
                                      Vln   
6 6
3 arco sim. arco detache pizz. pizz.                 Vc.          
3 3                      Perc.             
3                                    Pno                                         7
4                                                        
Fl. 
f                                                       
Cl. 
f
4   Tpt 
                                                             Vln    
6 6 6
3 3arco sim. arco detache arco detachepizz. pizz. pizz.                         Vc.                 
3 3 3                            Perc.                   
4
3                                                       Pno                                                                   