Partition complète, pour Sacrifice, An Opera in Three Acts, Converse, Frederick Shepherd

Frederick Shepherd Converse

Description

Pratiquez la partition de musique pour Sacrifice partition complète, opéras, fruit du travail de Converse, Frederick Shepherd , Op. 27. La partition early 20th century célèbre dédiée aux instruments comme: solistes vocaux, orchestre, chœur
La partition est constituée d'une variété de mouvements: 3 Acts et l'on retrouve ce genre de musique répertoriée dans les genres Stage travaux, pour voix, chœur mixte, orchestre, partitions pour voix, partitions pour orchestre, langue anglaise, partitions chœur mixte, pour voix et chœur avec orchestre, opéras
Travaillez en même temps tout une collection de musique pour solistes vocaux, orchestre, chœur sur YouScribe, dans la catégorie Partitions du début des années 20.
Date composition: 1910
Edition: New York: The H. W. Gray Company, 1910. Plate G 99.
Libbretiste: Converse — bookJohn Albert Macy (1877-1932) — lyrics
Dédicace: To My Wife

Sujets

• 20th century
• Orchestre
• Choeur
• Soliste
• Converse

Informations

• Publié par: CONVERSE
• Nombre de lectures: 58
• Licence : Libre de droits
• Langue: English
• Poids de l'ouvrage: 13 Mo

Extrait

HE SACRIFICE
FREDERICK S. CONVERSE
OPUS 27
AN OPERA IN THREE ACTS
NEW YORK .-. THE H. W. GRAY COMPANY
SOLE AGENTS FOR
NOVELLO &- CO., Ltd.
C<iplirislU,l910, hy The H. IV. CrayComplyTO MY WIFE
THE SACRIFICE
AN OPERA
IN THREE ACTS
TEXT AND MUSIC
BY
FREDERICK S. CONVERSE
OPUS 27
LYRICS BY
JOHN MACY
VOCAL SCORE
PRICE, 3.00
.-.YORK THE H. W. GRAY COMPANYNEW
SOLE AGENTS FOP.
&NOVELLO CO., Ltd.
CofyriglU. by The H. W. Gray Company1910,Library, Univ. of
North Carolina
THE SACRIFICE
^A^ OPERA IN 3 ACTS
CHARACTERS
___.--_-CHONITA, A Young SopranoMexican Lady---------CAPTAIN BURTON, An American Officer BaritoneBERNAL, A Mexican Officer Teno,
.TOMASA, An Old Indian Servant Contralto-------PABLO, Bernal's Servant Tomasa Baritoneand Son of----------PADRE GABRIEL, A Mexican Priest BassCORPORAL TOM FLYNN, An American Soldier BassLITTLE JACK. An .Anerican Soldier Baritone---------MARIANNA, A Young Indian Servant Soprano
- - . - .MAGDELENA, An Indian Girl
- - - - . - - -A GYPSY GIRL, Mezzo-Soprano
SENORA ANAYA, Aunt of Chonita
AMERICAN AND MEXICAN SOLDIERS AND SPANISH AND INDIAN GIRLS
1846.Time.
Place. Southern California.
SCENES
Garden of SenoraACT I. Anaya's house ; afternoon.
ACT II. Interior of a Mission Church ; the following day.
ACT III. Bedchamber in Senora Anaya's house ; eady morning of the third day.THE SACRIFICE
ACT I
SeiioraGarden of Anaya's house, in the hills, overlooking a Mission.
On the right is the main body of the house, which is one story high, built of whitewashed adobe, and
roofed with red tiles, in Spanish fashion.
At the back a wing, or ell, of the across its end being hidden inhouse extends part way the stage,
shrubbery, which continues towards the left and merges into a grove of olive trees. At the edge of the olive
grove, down stage, is an arbor seat, overshadowed by climbing roses and jasmine.
In the center of the stage, well forward, is a round, white well, or fountain, before which stands a low
divan, and a small table upon which are flowers and an open book.
Extending around the walls of the house is a broad, low verandah, overgrown with flowering plants.
There is a door, up stage at the right, opening from the main house onto the verandah, from which steps lead
down into the garden. There is also a door at back leading from the ell of the house into the garden.the
Beyond the garden is seen a radiant valley, stretching away to the distant sea, and on an elevation about
half a mile away the buildings and orchards of a Mission are plainly visible.
The whole scene is pervaded by an atmosphere of tropical luxuriance.
As the curtain rises, Chonita is seen half reclining upon the divan, singing, and accompanying her song
upon the guitar. Her loose black hair falls in rich folds over the end of the couch, and Tomasa, sitting upon
the ground, lazily arranges it, fondling its glossy strands.—
THE SACRIFICE
I, SCENE I. CHONITA, TOMASAACT
F. H.CONVERSE, Op.27
i\julf'iite iiiolto trajiqiiillo ^Mm
^i ^s
riina corda
VP
^^h^^^
tot:
CHONITA langvidlyp
*i i'-i\ p-ip
\ r ^i ^
Whi-ther flies the tired and lone-ly swal-low^ Whose wea-ry
^ ^—^
^^=^ . >p ^~^~/ =j^=t
/ ?^^f LT/^
ynf
PP,i
J^
p ^t=^ ^
r:r"
fT/ie curtain rises.)
/
£^^'-^p ^ ^2i I :^^ ?^f PrS^ r^'
wing-s For-lorn am I and g'la-dly too wouldhave borne him trem-blingr, far?
^^ ^=^> ^?^£i ^ /^ ^
-Ifi* tv ^
:E Ee^^ ^ ^^^
TOMASA1 ^=_ riten.fioco a tempo
p
--jf* *!I^eM^
^'
ii 2f?^ p
^^P- low. Where waits me, and my dear ones are. You are lon-ging"forfol love a
tempo
, V-m~ '7
, ^ _
#?^^^ ^^^f P
^oco riien. ^re corde
pi^ h^')-./ E^^ ^ 'mm
T
Copyright, 1910, by TheH.WGray Co..
-mf V
'))\^\^ 7 7 J=^^JJ)i S fJ, pr
- - you've a - ban-doned 'to fol - low yourhome Se no ri - ta! and all
*=^
'r^ yid Jttr^ 3f p^ ^g
I PT V ^SL^^/'
mONITA
^^ ^^^IfP P pp ^Wp p
but har-dly withlove. Tru-ly I thoug-ht of home and its dear ones;
-TT^?ltt>—
i^i *^
l^ffiT
WjO
=Jt
I'jj>y-^ ¥
p f^
is
:Jt^^^ f
since here I have him. my
^ ^a? 7 i
r
^ :4:^
^^^^^
^oco ^iwmo<o e risoluto
2
m
m
c li!iiI ^L^
^z- /
' ZBXi0*
m— — ^
Moderate e grazioso
=«/ nf— iz: :/P
^te i1 "m ^^
nal whosehome. Ber ,Ber nal whose heart is my
JM ^:i=^ itesJ^ i«T1 E^ ^
»/-i? ^^•^
^^ ^ m ¥
»!/
fi J'> A
Ii ^^r^F^ ^^^P^
have joy - ful-Him Ilove is my life. ly
^^
•/b^g 7i
«i « « 15^r^ ^W •~wf
-•ff^i« i *^ n 7 7^ ^^^
3"^^
(7tempo
cresc . epoco raU . 3 /.
i?
JT"gH=^ g n^—te5S
^ f*
- death.fol lowed and will 'till
j^
rt^i
S(p. ^
railcresc. epoco f:
/>a tempo
^^^=W^ 'rTlS?^g
EFf
1*^
mf
'^^' i^ i^/ I I J.^ ;)P J^'F
I*
- - row;His ab sence my on ly
sor.#1!^
Ak
^ fc^=*4
7 7^ i i *^^^
i?»i/
i>jt?
g^^i^i ^fr^^^I^L f^^ lSTt f.
J'-1jJ''^JhJ'j.J^iJH ^4^1^j.jsj. J>."JU^
-since he must hide in the hills,fromthe e ne-my there at the Mis-sion!
lat1^
1^ T
colla vocep
o 1^ ^^a * ?1"
fTOMASA Cangrily.)
ff
con fvoco.f
i
- - - - ca - nos!Di-os de mi al ma! The cur- sed A me ri
^ energico_ \)^_
V'^^ ^^F ^ i
sfz
CO/i / Jvoco sfz
55?^^:^p ^jgg^ i
jy.
a - ^
Why do they
bi^
-« J
i:
i ^?^ Ul
rocecollacresc. e
accel
^z
jtTg-Tg«^-*>^
a [; < :^ :^=^
^* ^Tj~g
CHONITA (scornfully)
'
^ p- J'J!J>1^ p pp
war? War, youccdl it? Bet-ter saybring" this
*i^.m\n ^^
dimin
"i/"
Tempo giusto ma agitato
:^i=g;^ mWr\V nf
1=^ ^5H^3^M ^
butrule us:
Scherzando
/Ty
>=*^ 5^ ^~]^^ /i ^e^^^ * ^^S Vf
/ p
(t9:
I ilU^ m r^^
SEte
K
>«3 # y
- wi - shes steal our fair Ca - liI think, ra ther, he
to
~rrmf
^ m S ^P6
Largamente (scornfvUyJ
Dog- that is! andhe and runs
Moderato con moto e risoliito
1 1>i 1
S^
frfTr7nf
im: ^
s/jr
G 99.
agitato /=
grazioso o
Jfe** •) rJi I
f
joy for love and life?For
a tempo i K Isa~1 ^
^ -^i . .^nV ^^n ?i^ #
-^-^zrazzoso
^rw^^
mfjj^it^-m J^m
Tr
r77^ crescy
TOM/lS^^ j^
*'r'71mi r i tt^ 3^^^ 1
i
know the sigfn .death
*id'" ^ i?Mpf'r^t
molto /oco rz%w.dimin. ^cresc. molto Jf
viarcato
^W
I^Cd!ii m.^ w^.
sfz.
8
Tempo dimarcia ma largamente
'^y j-j:joiJt'u ^ =s=* ^
- This has the Hla - hi'Tis the march of ra ces.
tempoa
'
i^^ 7 g S JJ J ^ rm J^ ^
j n >
/ ^ ^rr P 1^ T'f^/
ri 7 7 -^ -^ 7^ 7KJ) i>^^ i^^g j^ f
sfz 77/
I-'' •^^j'j •^'^''' ^1^» OT '^^"rTf ^
oft fore-told. Hewho is wise in the wis - dom of Nor - wan
^ ^ ^^^#
r T^ »rr__^rp7
ft^
-«
^i UiJj »!
(with mysteryj_^oco a poco cresc.^ afeeling ofi?
una corda9
to her hnees with transfixed look.)(She rises slowly
M -S-PP^^^P^^^
Sha-dows vii chilled his soulof e
|tf^- ,^> Jr^i)€ ^ :^^ ^
'
\%'j w^f
sff^ = 'nf>-p
^^
I
r^=fm ^^ w
'? ff10
/ ^=j^^
i ^ JU)i ^
-as he heard how the White manO^
'>'i'
7 pyp i^ S ^- - ^^ ^ = •„— ^
cresc. r_^i^r »r
^.J^9gs >J
^*r~ W ^^
,'
! If » =^
^
\ p pF^ rO
des - tined of old to come from the East - land
j J i ^
u JJ i1^ .^ i
' ' '7^^ 7 F
s
-'
J' ^
J) V' ^
{Rising toherfeet with upraised hcmd andpropheticuttera/ncej
i
^
poco a poco piu mosso
n%^
£3^
nh J:
'' ^ Jfi
bW*
I."
tf WiYA increasing" emotion and vehemence.)•^^
^
moun tains.
i ^^i~X~: j
>^ > ^-g ^pI""0} ?
cresc. molto
*fr
? ^^^ I
^i J ^ .^ JfMAlle2i(t con fiutoo
torn from his fast
§1
t^=f^^zm
=*5J S^^ ^ fef^sr
sfz ^zf12
meno wosso, dolce e sostenvto
11 f cresc. molto
*ZH i^
flowerBrig-ht o lei pan ti, the
built
6>.2- ^a
©-^ %^i i
meno mossoftj #
dolce e sostenuto cresc. molto
J^UAu ^^ ^^
«=?«= ^
mol^o confvoco
^ff
I32I
i ^^i.JnP P P r 'r I 'T^r' 'r?
- of its roof - tree.sky home. wrecked in the era shing- fall
confvoco I,.^
I?
Z2: JC^3 tf>^ Wr'^— ^
ij- i>^^'^~>^i^^ inm1g J¥^ )
ff.
\' ' \}0l m- ^^^^i ^^
In - di - an life - song"!Lost for
the
.1^
-g:? ,f
• ^r* * #
sfj f rn~iQ
J-xi __
'^ yf
cresc.mf13
ff
M
?
Free dom of wild
m^Bs.fc=*
te^^ ^^rrS^
"^f^^mW/ ^
P ^^[^r^^ -i i %^ %p l^r^i :•: -t:
%-^w^ t*