A dictionary of foreign musical terms and handbook of orchestral instruments
242 pages
English

A dictionary of foreign musical terms and handbook of orchestral instruments

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242 pages
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ADICTIONARYOFFOREIGN MUSICAL TERMSANDHANDBOOKOFORCHESTRAL INSTRUMENTSBYTOM S.WOTTONLEIPZIGBREITKOPF & HARTEL1907Published April 1907.of in the United StatesPrivilege copyrightreserved under the Act Marchapproved 3,by BREITKOPF&HARTEL, Leipzig.1905,ML\ 0?6679515'. // sv/PREFACE.In these of when almostfull-scores,days inexpensive everyone,to bewith considered ofpretence musical, possessesany copiestheir favourite works in the orchestral some suchoriginal form,as the seems The dic-dictionary present necessary. previousof musical terms weretionaries before the cult of thepublished"miniature" score and before the of musicalbegan, employmentdirections in the own became socomposer's language universal,orchestral terms were as not ofand thus, many omitted, beingand thesufficient of Germangeneral interest, explanation manyindications in was considered(now use)everyday unnecessary.Even in Italian musician's until recent(the language years),alterations have taken which dictionaries have notplace, existingand hence while for is asnoted, Clarino, example, explained beingname for a is said as to the word nowa trumpet, nothing beingin modern Italian scores as toequivalent Clarinetto,employedand terms such as Clarone are not mentioned at all.The idea of the work was to includeoriginal present simplyterms and but that fororchestral as it was obviousinstruments,the of a translations of indica-understanding full-score,propertions of and were ...

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Nombre de lectures 20
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Poids de l'ouvrage 19 Mo

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A DICTIONARY OF FOREIGN MUSICAL TERMS AND HANDBOOK OF ORCHESTRAL INSTRUMENTS BY TOM S.WOTTON LEIPZIG BREITKOPF & HARTEL 1907 Published April 1907. of in the United StatesPrivilege copyright reserved under the Act Marchapproved 3, by BREITKOPF&HARTEL, Leipzig.1905, ML \ 0? 667951 5'. // sv/ PREFACE. In these of when almostfull-scores,days inexpensive everyone, to bewith considered ofpretence musical, possessesany copies their favourite works in the orchestral some suchoriginal form, as the seems The dic-dictionary present necessary. previous of musical terms weretionaries before the cult of thepublished "miniature" score and before the of musicalbegan, employment directions in the own became socomposer's language universal, orchestral terms were as not ofand thus, many omitted, being and thesufficient of Germangeneral interest, explanation many indications in was considered(now use)everyday unnecessary. Even in Italian musician's until recent(the language years), alterations have taken which dictionaries have notplace, existing and hence while for is asnoted, Clarino, example, explained being name for a is said as to the word nowa trumpet, nothing being in modern Italian scores as toequivalent Clarinetto,employed and terms such as Clarone are not mentioned at all. The idea of the work was to includeoriginal present simply terms and but that fororchestral as it was obviousinstruments, the of a translations of indica-understanding full-score,proper tions of and were these were added :tempo expression necessary, the it is to be will as serviceable to thethus book, hoped, prove and vocalist as to the reader of or thefull-scores, playerpianist on some orchestral instrument. Obsolete terms are not given as a in cases have beenrule, introduced,although many they oreither the better to their modern because,explain meaning, obsolete in are to be found inuse, scores,although general they which are still That term in modern living. every employed canmusic is beincluded, scarcely expected: many composers, mark some freshfearful lest their ideas should be misunderstood, indication few and even if the number of musicalbars, so,every IV thanworks were less it the number of musicalis, expressions would still be enormous. to various the chief of whichreasons,Owing being perhaps of musical works intothe translation foreign English by persons certainof musical errors of nomenclaturetechnicalities,ignorant have into even our standard and there-treatises,crept English fore occasional be discovered between thedivergences may in the and those found in oneexplanations given following pages or other of these standard works. It is almost needless to state, that these variations from consecrated have beenmeanings given after due and a careful collation of the variousconsideration,only with an ultimate to the scores themselves.authorities, appeal I here take the of best thanks toopportunity tendering my friends Ad. Schloesser and Walter F. Blandford notH.my only for but for beenmany helpful suggestions, having good enough to undertake the task of the proofs.ungrateful overlooking London, 1907. TOM S. WOTTON. BIBLIOGRAPHY OF THE PRINCIPALWORKS OF REFERENCE CONSULTED. inWorks the English Language. H. Treatise on OrchestrationBERLIOZ, (translated by Cowden revisedMary Clarke; by Joseph Bennett). F. The Orchestra.CORDER, C. R. the Musical Instruments inDAY, Catalogue of the Royal Military Exhibition, London, 1890. G. MusicGROVE, dittoDictionary of (ist edition); edited(2nd edition, by J.A.Fuller- Maitland). Catechism theHILES, J. of Organ. Musical Terms.Dictionary of E. TheHOPKINS, J. Organ. A. Music.KAPPEY, J. Military SIR A.MACFARREN, G. Six Lectures on Harmony. F. A conciseNIECKS, Musical Terms.Dictionary of E.PROUT, Harmony, Counterpoint, <5-.Fugue, (se- parate volumes). The Orchestra. Musical Handbook.SCHUBERTH, J. STAINER, & Musical Terms.J. Dictionary of W. A.BARRETT, BritannicaEncyclopedia (xoth edition). Standard English Dictionary (Funk & Wagnalls). in the FrenchWorks Language. BERLIOZ, H. Traite d'Instrumentation et d'Orchestration. E.DELVEDEZ, M. E. Curiosites Musicales. F. A. Nouveau Traite d'GEVAERT, Instrumentation. Cours d'Orchestration.Methodique E. Traite d'GUIRAUD,pratique A. Dictionnaire des Instruments deJACQUOT, Musique. G. deKASTNER, Manuel Militaire.general Musique VI LAVIGNAC, A. La et les Musiciens.Musique H. Histoire de I'LAVOIX, Instrumentation. de la Musique. M. Traite deLUSSY, Musicale.I'Expression V. C. et du MuseeMAHILLON, Catalogue descriptif analytique Instrumental du Conservatoire deRoyal de Bruxelles.Musique Elements d'Acoustique. G. Traite d'Instrumentation et d'Orchestra-PARES, tion a de Militaires.I'usage Musiques P. Dictionnaire Musical desROUGNON, Locutions etran- es.ger C. M. de I'OrchestreWIDOR, Moderne.Technique inWorks the German Language. H. InstrumentationslehreBERLIOZ, von(herausgegeben F. W dieselbe und);eingartner (ergdnzt revidiert von R. Strauss). F. Handlexikon der Musik.BREMER, R. Praktische Instrumentationslehre.HOFMANN, Katechismus der Musikinstrumente. H. C. Musikalisches Lexikon.KOCH, C. Lehrbuch der musikalischenLOBE, J. Komposition; Instrumentation. A. B. MusikalischeMARX, Kompositionslehre. E. F. Katechismus derRICHTER, Orgel. RIEMANN, H. Musik-Lexikon. C. Worterbuch der in der Musik duck-WITTING, gebr lichen Ausdrucke. Wor-Encyklopddisches Deutsch-Englisches terbuch (Muret-Sanders). Works in the Italian Language. A. Manuale delGALLI, Capo-Musica. P. Dizionario e della Musica.LICHTENTHAL, Bibliografia diE. Strumentazione italianaPROUT, (versione Ricci). F. Trattato di Strumentazione Pratica.SANDI, &>Italian-English Dictionary (Millhouse Bracciforti). The of the German andFrench,Catalogues principal English, Italian makers of Musical Instruments have also been consulted, as in musicalhave numerous articles andEnglish foreign magazines.
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