ADICTIONARYOFFOREIGN MUSICAL TERMSANDHANDBOOKOFORCHESTRAL INSTRUMENTSBYTOM S.WOTTONLEIPZIGBREITKOPF & HARTEL1907Published April 1907.of in the United StatesPrivilege copyrightreserved under the Act Marchapproved 3,by BREITKOPF&HARTEL, Leipzig.1905,ML\ 0?6679515'. // sv/PREFACE.In these of when almostfull-scores,days inexpensive everyone,to bewith considered ofpretence musical, possessesany copiestheir favourite works in the orchestral some suchoriginal form,as the seems The dic-dictionary present necessary. previousof musical terms weretionaries before the cult of thepublished"miniature" score and before the of musicalbegan, employmentdirections in the own became socomposer's language universal,orchestral terms were as not ofand thus, many omitted, beingand thesufficient of Germangeneral interest, explanation manyindications in was considered(now use)everyday unnecessary.Even in Italian musician's until recent(the language years),alterations have taken which dictionaries have notplace, existingand hence while for is asnoted, Clarino, example, explained beingname for a is said as to the word nowa trumpet, nothing beingin modern Italian scores as toequivalent Clarinetto,employedand terms such as Clarone are not mentioned at all.The idea of the work was to includeoriginal present simplyterms and but that fororchestral as it was obviousinstruments,the of a translations of indica-understanding full-score,propertions of and were ...
A
DICTIONARY
OF
FOREIGN MUSICAL TERMS
AND
HANDBOOK
OF
ORCHESTRAL INSTRUMENTS
BY
TOM S.WOTTON
LEIPZIG
BREITKOPF & HARTEL
1907Published April 1907.
of in the United StatesPrivilege copyright
reserved under the Act Marchapproved 3,
by BREITKOPF&HARTEL, Leipzig.1905,
ML
\ 0?
667951
5'. // sv/PREFACE.
In these of when almostfull-scores,days inexpensive everyone,
to bewith considered ofpretence musical, possessesany copies
their favourite works in the orchestral some suchoriginal form,
as the seems The dic-dictionary present necessary. previous
of musical terms weretionaries before the cult of thepublished
"miniature" score and before the of musicalbegan, employment
directions in the own became socomposer's language universal,
orchestral terms were as not ofand thus, many omitted, being
and thesufficient of Germangeneral interest, explanation many
indications in was considered(now use)everyday unnecessary.
Even in Italian musician's until recent(the language years),
alterations have taken which dictionaries have notplace, existing
and hence while for is asnoted, Clarino, example, explained being
name for a is said as to the word nowa trumpet, nothing being
in modern Italian scores as toequivalent Clarinetto,employed
and terms such as Clarone are not mentioned at all.
The idea of the work was to includeoriginal present simply
terms and but that fororchestral as it was obviousinstruments,
the of a translations of indica-understanding full-score,proper
tions of and were these were added :tempo expression necessary,
the it is to be will as serviceable to thethus book, hoped, prove
and vocalist as to the reader of or thefull-scores, playerpianist
on some orchestral instrument. Obsolete terms are not given
as a in cases have beenrule, introduced,although many they
oreither the better to their modern because,explain meaning,
obsolete in are to be found inuse, scores,although general they
which are still That term in modern
living. every employed
canmusic is beincluded, scarcely expected: many composers,
mark some freshfearful lest their ideas should be misunderstood,
indication few and even if the number of musicalbars, so,everyIV
thanworks were less it the number of musicalis, expressions
would still be enormous.
to various the chief of whichreasons,Owing being perhaps
of musical works intothe translation foreign English by persons
certainof musical errors of nomenclaturetechnicalities,ignorant
have into even our standard and there-treatises,crept English
fore occasional be discovered between thedivergences may
in the and those found in oneexplanations given following pages
or other of these standard works. It is almost needless to state,
that these variations from consecrated have beenmeanings given
after due and a careful collation of the variousconsideration,only
with an ultimate to the scores themselves.authorities, appeal
I here take the of best thanks toopportunity tendering my
friends Ad. Schloesser and Walter F. Blandford notH.my only
for but for beenmany helpful suggestions, having good enough
to undertake the task of the proofs.ungrateful overlooking
London, 1907.
TOM S. WOTTON.BIBLIOGRAPHY
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&>Italian-English Dictionary (Millhouse
Bracciforti).
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Italian makers of Musical Instruments have also been consulted, as
in musicalhave numerous articles andEnglish foreign magazines.