A Soldier of the Legion
187
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English
Documents
2010
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187
pages
English
Ebook
2010
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The Project Gutenberg EBook of A Soldier of the Legion, by C. N. Williamson and A. M. Williamson This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org
Title: A Soldier of the Legion Author: C. N. Williamson A. M. Williamson Release Date: March 14, 2007 [EBook #20815] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK A SOLDIER OF THE LEGION ***
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A Soldier of the Legion
BOOKS BY THE SAME AUTHORS CAR
OF
DESTINY
THE CHAPERON GOLDEN S ILENCE GUESTS
OF
HERCULES
IN
HEATHER MOON I T HAPPENED E GYPT
THE
LADY B ETTY A CROSS
WATER
LORD LOVELAND DISCOVERS A MERICA
MOTOR MAID MY FRIEND P ORT
OF THE
CHAUFFEUR
A DVENTURE
IN
P RINCESS V IRGINIA ROSEMARY S ET
IN
S EARCH
OF A
FATHER
S ILVER
A Soldier of the Legion
BY
C.N. & A.M. Williamson
GARDEN CITY NEW YORK DOUBLEDAY, PAGE & CO. 1914 Copyright, 1914, by C.N. & A.M. WILLIAMSON All rights reserved, including that of translation into foreign languages, including the Scandinavian
TO THE LEGION
CONTENTS
I. The Telegram II. The Blow III. The Last Act of "Girls' Love" IV. The Upper Berth V. The Night of Storms VI. The News VII. Sir Knight VIII. On the Station Platform IX. The Colonel of the Legion X. The Voice of the Legion XI. Four Eyes XII. No. 1033 XIII. The Agha's Rose XIV. Two on the Roof XV. The Secret Link XVI. The Beetle XVII. The Mission XVIII. Gone XIX. What Happened at Dawn XX. The Beauty Doctor XXI. The Eleventh Hour XXII. The Heart of Max XXIII. "Where the Strange Roads Go Down" XXIV. The Mad Music XXV. Corporal St. George, Deserter XXVI. Sanda's Wedding Night XXVII. The Only Friend XXVIII. Sanda Speaks XXIX. Out of the Dream, a Plan XXX. The Play of Cross Purposes XXXI. The Gift
A Soldier of the Legion
CHAPTER I
THE TELEGRAM It was the great ball of the season at Fort Ellsworth. For a special reason it had
begun unusually late; but, though the eighth dance was on, the great event of the evening had not happened yet. Until that should happen, the rest, charming though it might be, was a mere curtain-raiser to keep men amused before the first act of the play. The band of the —th was playing the "Merry Widow" waltz, still a favourite at the fort, and only one of the officers was not dancing. All the others—young, middle-aged, and even elderly—were gliding more or less gracefully, more or less happily, over the waxed floor of the big, white-walled, flag-draped hall where Fort Ellsworth had its concerts, theatricals, small hops, and big balls. Encircled by their uniformed arms were the wives and sisters of brother officers, ladies whom they saw every day, or girls from the adjacent town of Omallaha, whom they could see nearly every day if they took the trouble. Some of the girls were pretty and pleasant. They all danced well, and wore their newest frocks from Chicago, New York, and even, in certain brilliant cases, from Paris. But —there was a heart-breaking "but". Each army woman, each visiting girl from Omallaha knew that at any minute her star might be eclipsed, put out, as the stars at dawn are extinguished by the rising sun. Each one knew, too, that the sun must be at the brink of the horizon, because it was half-past eleven, and it took more than twenty minutes to motor to Ellsworth from Omallaha. Besides, Max Doran, who used to love the "Merry Widow" waltz, was not dancing. He stood near the door pretending to talk to an old man who had chaperoned a daughter from town to the ball; but in reality he was lying in wait, ready to pounce. It was a wonder that he hadn't gone to meet her; but perhaps she had refused his escort. A more effective entrance might be made by a dazzling vision alone (the "stage aunt" did not count) than with a man, even the show young man of the garrison. The show young man talked jerkily about the weather, with his eyes on the door. They were laughing eyes of a brilliant blue, and accounted for a good deal where girls were concerned; but not all. There were other things—other advantages he had, which made it seem quite remarkable that a rather dull Western fort like Ellsworth should possess him. His family was high up in the "Four Hundred" in New York. He had as much money as, with all his boyish extravagances and wild generosity, he knew what to do with. He was exceedingly good to look at, in the dark, thin, curiously Latin style to which he seemed to have no right. He was a rather popular hero in the —th, for his polo, a sport which he had introduced and made possible at Fort Ellsworth, and for his boxing, his fencing, and his marksmanship. He had been graduated fourth in his class at West Point three years before, so that he might have chosen the engineers or artillery; but the cavalry was what he preferred; and here he was at old Fort Ellsworth, enjoying life hugely and so well helping others to enjoy life that every one liked him, no one was jealous or grudged him what he had. There he stood, this "show young man," well-groomed and smart in his fulldress uniform of second lieutenant of cavalry, the stripes and splashes of yellow suiting his dark skin: a slim, erect figure, not very tall, but a soldier every inch of him, though the wide-apart blue eyes gave the square-chinned face a boyish air of wistfulness, even when he smiled his delightfully childlike, charming smile. Girls glanced at him as they swung past in their partners' arms,
noticing how tense was the look on the brown face, and how the straight eyebrows—even blacker than the smooth dark hair—were drawn together in expectant concentration. Suddenly the door opened. The curtain-raiser was over. The drama of the evening was about to begin. It seemed wonderful that the band could keep presence of mind to go on playing the "Merry Widow," instead of stopping short with a gasp and crash of instruments, to start again with the "Tango Trance," her dance in "Girls' Love." She flashed into the ballroom like a dazzling fairy thing, all white and gold and glitter. Because she knew that—so to speak—the curtain would ring up for her entrance, and not an instant before, in the fondness of her heart for young officers she had not even delayed long enough to change the dress she wore as the Contessa Gaëta in the third act of "Girls' Love." The musical comedy had been written for her. In it she had made her first almost startling success two years ago in London, where, according to the newspapers, all young men worth their salt, from dukes down to draymen, had fallen in love with her. She had captured New York, too, and now she and her company were rousing enthusiasm and coining money on their tour of the larger Western cities. The Gaëta dress looked as if it were made of a million dewdrops turned to diamonds and sprinkled over a lacy spider-web; the web swathing the tall and wandlike figure of Miss Billie Brookton in a way to show that she had all the delicate perfections of a Tanagra statuette. Despite the distraction of her entrance, followed by that of the little gray lady engaged as her aunt, the musicians had the self-control to go on with their "Merry Widowing," irrelevant as it now seemed. The dancers went on dancing, also, though the dreaded dimness of extinction had fallen upon even the brightest, prettiest girls, who tried to look particularly rapturous in order to prove that nothing had happened. They felt their partners' interest suddenly withdrawn from them and focussed upon the radiance at the door. No use ignoring that Radiance, even if one had in self-defence to pretend that it didn't matter much, and wasn't so marvellously dazzling after all! "There goes Mr. Doran to welcome her—of course!" said an Omallaha girl lately back from New York. "I wonder if they really are engaged?" "Why shouldn't they be?" her partner generously wanted to know. (He was married.) "Well, for one thing, she doesn't seem the sort of woman who'd care to give up her career. She's so self-conscious that she must be selfish, and then—she's older than he is." "Good heavens, no! She doesn't look nineteen!" "On the stage." "Or off, either." "Anyhow, some people in New York who know her awfully well told me that she'd never see twenty-nine again. An actress of twenty-nine who can't look
nineteen had better go into a convent! Though, when you notice, her mouth and eyes are hard, aren't they? What would Max Doran's wonderful mother say if her son married Billie Brookton?" "Miss Brookton's father was a clergyman in Virginia. She told me so herself," said the married partner. "She would—— Oh, I don't mean to be catty. But she must have a background that's a contrast—like that aunt of hers. I don't believe she'd want to marry for years yet—a man who'd make her leave the stage. She has the air of expecting the limelight to follow her everywhere through life, and I'm sure Max Doran's gorgeous mother wouldn't let her daughter-in-law go on acting, even if Max didn't mind." "Max would mind. He'd never stand it," Max's brother officer informed the girl who had been to New York. "Though he's so simple in his manner, he's proud, I guess. But whether she's nineteen or twenty-nine, I don't see how Billie could do better than take Max Doran, unless she could snap up an English duke. And they say there aren't any unmarried ones going at present. She'd be an addition to this post as a bride, wouldn't she?" "Ye-es," answered the girl, giving wonderful dramatic value to her pause. Just then the reign of the "Merry Widow" came to an end, and as soon after as could be, the "Tango Trance" began. The band had practised it in Miss Brookton's honour; and it had been ordered as the first dance after her arrival. The aunt sat down, and Billie Brookton began "tang
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