Chastelard, a tragedy

Algernon Charles Swinburne

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Project Gutenberg's Chastelard, a Tragedy, by Algernon Charles SwinburneThis eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it,give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online atwww.gutenberg.netTitle: Chastelard, a TragedyAuthor: Algernon Charles SwinburnePosting Date: February 27, 2010 [EBook #2379] Release Date: November, 2000Language: English*** START OF THIS PROJECT GUTENBERG EBOOK CHASTELARD, A TRAGEDY ***Produced by Tony AdamChastelard, a tragedy.Algernon Charles SwinburneBoston: E.P. Dutton, 1866.(author's edition)PERSONS.MARY STUART. MARY BEATON. MARY SEYTON. MARY CARMICHAEL. MARY HAMILTON. PIERRE DE BOSCOSEL DE CHASTELARD. DARNLEY. MURRAY.RANDOLPH. MORTON. LINDSAY. FATHER BLACK.Guards, Burgesses, a Preacher, Citizens, &c.Another Yle is there toward the Northe, in the See Occean, where that ben fulle cruele and ful evele Wommen of Nature:and thei han precious Stones in hire Eyen; and their ben of that kynde, that zif they beholden ony man, thei slen him anonwith the beholdynge, as dothe the Basilisk.MAUNDEVILE'S Voiage and Travaile, Ch. xxviii.I DEDICATE THIS PLAY, AS A PARTIAL EXPRESSION OF REVERENCE ANDGRATITUDE, TO THE CHIEF OF LIVING POETS; TO THE FIRST DRAMATISTOF HIS AGE; TO THE GREATEST EXILE, AND THEREFORE TO THEGREATEST MAN OF FRANCE; TO VICTOR HUGO.ACT I.MARY BEATON.SCENE I.—The Upper Chamber in ...

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• Publié par: jiboh
• Publié le: 08 décembre 2010
• Nombre de lectures: 57
• Langue: English

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Title: Chastelard, a Tragedy Author: Algernon Charles Swinburne Posting Date: February 27, 2010 [EBook #2379] Release Date: November, 2000 Language: English

Boston: E.P. Dutton, 1866. (author's edition)

Chastelard, a tragedy . Algernon Charles Swinburne

Produced by Tony Adam

*** START OF THIS PROJECT GUTENBERG EBOOK CHASTELARD, A TRAGEDY ***

PERSONS. MARYSTUART. MARYBEATON. MARYSEYTON. MARYCARMICHAEL. MARYHAMILTON. PIERREDEBOSCOSEL DECHASTELARD. DARNLEY. MURRAY. RANDOLPH. MORTON. LINDSAY. FATHER BLACK. Guards, Burgesses, a Preacher, Citizens, &c.

Another Yle is there toward the Northe, in the See Occean, where that ben fulle cruele and ful evele Wommen of Nature: and thei han precious Stones in hire Eyen; and their ben of that kynde, that zif they beholden ony man, thei slen him anon with the beholdynge, as dothe the Basilisk. MAUNDEVILE'S Voiage and Travaile, Ch. xxviii.

I DEDICATE THIS PLAY, AS A PARTIAL EXPRESSION OF REVERENCE AND GRATITUDE, TO THE CHIEF OF LIVING POETS; TO THE FIRST DRAMATIST OF HIS AGE; TO THE GREATEST EXILE, AND THEREFORE TO THE GREATEST MAN OF FRANCE; TO VICTOR HUGO.

, what?  Prithee EBTANO   . uo M . RA Y , hyncsi ELHA  W .   AC YCIMR tahw RAM ? haveYou  e,    rancmoF  erfc ma eew ngsor fof ufste kam ot revol on  k on wewllw yh   ; EATON.   I hardly  ot gnisna ,ev dt  Ikemames ad s aeecymp   YACM . RA ad    ry s old To h s tahw wy snedda ELHAICRM no k I .   eivied rno flO e

SCENE I.—The Upper Chamber in Holyrood. The four MARIES.

ACT I. MARYBEATON.

MARY BEATON (sings):—  1.  Le navire  Est a l'eau;  Entends rire  Ce gros flot  Que fait luire  Et bruire  Le vieux sire  Aquilo.  2.  Dans l'espace  Du grand air  Le vent passe  Comme un fer;  Siffle et sonne,  Tombe et tonne,  Prend et donne  A la mer.

es P,me MA s.  BRYTOEA    N.  uoY eraesiwof ;r there my pain ebigsni dnee,d   e uscaBe nvehaI srevol o fo tuo ce. M Fran SEYTARY  I m  NO   . emo ni d  tomdr    uoffele   bise   S ,   Et la  ua dronoT  enru  blaseriVo  , is   .3  you sing? MARY B oy uas;d   hW yod  bow iutmat s ke uoYevenis rn gn  HAMMARYN.    ILTO E  t ru   e ro.dest     reluve rmmui Qu p at ruS ehC   eru

MARY SEYTON.  Ah, does that burn your blood?  Why, what a bitter color is this read  That fills your face! if you be not in love,  I am no maiden.

MARY HAMILTON.  Nay, God help true hearts!  I must be stabbed with love then, to the bone,  Yea to the spirit, past cure.

MARY SEYTON.  What were you saying?  I see some jest run up and down your lips.

MARY CARMICHAEL.  Finish your song; I know you have more of it;  Good sweet, I pray you do.

MARY BEATON.  I am too sad.

MARY CARMICHAEL.  This will not sadden you to sing; your song  Tastes sharp of sea and the sea's bitterness,  But small pain sticks on it.

MARY BEATON.  Nay, it is sad;  For either sorrow with the beaten lips  Sings not at all, or if it does get breath  Sings quick and sharp like a hard sort of mirth:  And so this song does; or I would it did,  That it might please me better than it does.

MARY SEYTON.  Well, as you choose then. What a sort of men  Crowd all about the squares!

MARY SEYTON.  Light pleases you:  I have seen the time brown served you well enough.

MARY CARMICHAEL.  Lord Darnley's is a mere maid's yellow.

MARY HAMILTON.  No,  A man's, good color.

MARY HAMILTON.  Me? I know him? I hardly knew his name.  Black, was his hair? no, brown.

MARY CARMICHAEL.  Blue—  I know, blue scarfs. I never liked that knight.

MARY SEYTON.

MARY CARMICHAEL.  Ay, hateful men;  For look how many talking mouths be there,  So many angers show their teeth at us.  Which one is that, stooped somewhat in the neck,  That walks so with his chin against the wind,  Lips sideways shut? a keen-faced man—lo there,  He that walks midmost.

ou k  (Y  deit erveels ta  hrtho s Wo   r,aila ea p iwhtam nhim,new et,) swe ro.e the Beaton col

 Tha  Mast is uodnu  p ksni   , B  hin his folk witht l eseeirrla s H .  cae  r teoxKn rih t ehhg;thtuobad e a  Lik him    fo sworb eht neweet brewet  'as  Gldou W coI    odedalb a .tnalsa   I t day upohinkeg tlu do enabkc r oud anmesoix s   :n  ehT yadf ew n that Louvre ga a tfreu    s S tai  tsac oT   stiurf edcklu pnd aenrd er dtaehehg nit ith ts we-lo lov  tuhruoyy :ys uohi Twas  apgr;   es ,k   nA d na dlpcud reach  eyes an  sebaetrsnditai s;    e hi  gatTheyh ta reh spil sili fkelithn  ies eus,n   hTurtss ides to catch hiaf s M .ec  YRAMRACHAIC.   EL oo Lfok    Th push so—rth; htref—rudnwo eiwinthny aou yee—s .NOTLIMAH YRAM ?g re well   They a tupllt ogen ;ub ice    n, lhetiat  si ekil ehTdniw ammyh cl Wit nch    dubpieps rtfoa k alste tht bug nihton ?eM   .NOTMARY BEA  to you?ah tefllw li.lW stiner hd,aiga aS   — s eh ittiylgn w  enuhct  ootkoIt w l;   er bas h hs dna tla now e cenue qrsfie am  . A ,yt ur,et eh . MARY CARMICHAEL gnivta seht pit ra g-jpeceuiea l d nar ti dna sreemthh ugrothn ow ko   e trbdni ,ea  fing my ween Bet tog tub  teg  I   . eegronn ne oa ,  olev rofacct h arape your each g f  omeSohe semthulp dah wnu dekc  got shemany so  dot ,naff    ero  el finl  l atlitrw e   hta ceB esua . MARY SEYTON.   A,ya dnt ehq eune au l,   ghngsond ay tu ruois lo gn ret the but to ftiw re eT ohgu h y  mor fleubro tytip ruoy ton ev  welu bef yo .   I TYNO YESM . RA asek  rehgnosof ;hs rthn mie leddf  o hs eisgnt rhuohg e must weep   If  ahs woN ac ew ll s owllfe—   e.erth  dnasaeh   t I   dewher tch et wsecr httam aeA  sno eep. God ns to we    !e ht I drapm no hr tt oak inuryo ht   . uiw toyhcae you ill t, w Whaon taht rof peewm   ee sou yor fw? jest   To shake yuot uh sumhc M . RABEY ONAT  I .  m  allewone :hgu iG   hokiis cp wing uaesrhtt  uoa   . Y  wot nrewe sl,el rof ,te gniyl a tolFe etuf t   .ti . 5

MARYBEATON.

ahc eriv   ,t siuP ete ui l   re ssPa L  eaniv  4    . t weep.    ednom ua eteT  e   ndlo buspla  L dn   el o's ru  tE uit;d brgran  A  d her heeseyll a l sa;evo  I  ctaw  I told you it w M . RA YAHIMTLNO   . s;elrsmous mhe s sih no  yb ecaf g tiquin Feed me    uohgt rhm sat eh

ma foi,   ame   Et   aadem   ;S io,sm  see urjo pehae D ll  ,io nom 6   . T   .  ma Sois e,    Mari  aomtu e  oT iv,e oi S ;   oi lmat  E  sioS   ,eim am s j  earem   , E  t'lamour,   C'est ma   i,Mo ll   enaed cnehB albell et  Ma c e,    ,emmalf  rg noM  urjod an cha  M ,   .   ONYTSEY AR . M ne ol tsom eht dnA u nod yo: diving   t H  inhgsa tetl  e shldhe lowg oneh hah rmih tiw eyes,   L nds and  l tilt eooikgna  l eh fi  ti devor her fo  S ;   kesa  shtehi ioec ehcwome of  then inrow    ;dl  sI  ehst,nowe s? M et Y AREBTANO   . I h va eseen no fairer o ro eb feitgnS ti ice   r tw ovethat sA   ,tfos drow hac enggiin sr,he ehl sietl aetss oved the if he l am olevr NOTL N   .Y ARMIHA d ne. M to ow tI knong;he s YRS  !i AM.N    YEOT s,d'arel ad mHe    gnos a tsahC fo  with the queen. enic moni gvore edinhe! la pd yeoH  ah wi drar t t; I thaw ho knoklw  wofg biuodl MA s.ip l ILAM HRY  I   .NOT ton wonk he fool called sacdnlao ffm nes' iarr igegon  tod   emi liW aw lt hs lu lsif hS e ;y   d ma; anraceof g ,O   .LEAHCIMRAC  ilptemk al tou y va eesne ah   ? I h rds. MARY  such bi  rehwtebgnis ot ngfis-ern eer he gina dri  oT   sthhoy ad l ber hld .N    YEOT fia uB t y lirt m RY S p. MA lit eh ltib ohs teAfsor  smeg,on ri'd ser dibll    iss my singing-b k Ihtig mSo   y;setruoc saw sihT N.    ILTO HAMMARY ed?d eneadcnht e o    s s  A pad edrtihc na nwoleeht ed him b st   Kiss dna  talasld,ya     s, erThgre s owuobaeh t.r tlub sy,an mase     eye s' dnet dnAs ther asidee inht eo  fdii yele ni scus s hceran tll shewih  aseem;n   hW neeso  f al beautat speci   ,flesym roF .ts whe set noan c Ieh ro  fisedci h  Whi ks,    lurthat iwhtl tilt eikss sow their talk  i seor nh-esevra  tesckhi As  os r det  esuklw  oat elarhast   Sh d's, h reh th dnA   eree erh itugro bhe wot,   Th ll; you ihno sewevs'f sa thf  Cisiefr ondh ,l daeam eahsr esy ourted cpushu  s efo fno  e I  lod velos aylw asah ehS   .raf os