The Phoenix Bird
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Les contes d'Andersen font partie de l'imaginaire collectif. Les œuvres de Hans Christian Handersen traversent les âges et les générations sans prendre une ride, ses récits sont classés comme des œuvres indémodables, intergénérationnelles et presque intemporelles. Youscribe vous propose de plonger dans un univers fascinant mêlant le rêve, l'émotion et le suspense avec près de 140 histoires de légende telle que la princesse au petit pois, la petite sirène, le vilain petit canard et bien plus encore ! Il ne tient qu'à vous d'entrer dans ce monde merveilleux et palpitant...
Hans Christian Handersen fairy tales are considered to be a necessary and inevitable passage in literature’s general culture/knowledge. Andersen’s work has always been an inspiration for children and grown up’s, his imagination and the relevance of his stories made him an author whose legacy will remain through ages and generation. With almost 140 legendary tales such as The Princess and The Pea, The Little Mermaid and The ugly Duckling, Youscribe invites you to /consult, download and read through the great mind of the legendary Danish author. So feel free to come and discover this fabulous and thrilling world

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Publié par
Publié le 01 janvier 1872
Nombre de lectures 131
Langue English

Extrait

The Phoenix Bird
 Hans Christian Andersen
I n the Garden of Paradise, beneath the Tree of Knowledge, bloomed a rose bush. Here, in the Irst rose, a bird was born. His Light was like the Lashing of light, his plumage was beauteous, and his song ravishing. But when Eve plucked the fruit of the tree of knowledge of good and evil, when she and Adam were driven from Paradise, there fell from the Laming sword of the cherub a spark into the nest of the bird, which blazed up forthwith. The bird perished in the Lames; but from the red egg in the nest there Luttered aloft a new one—the one solitary Phoenix bird. The fable tells that he dwells in Arabia, and that every hundred years, he burns himself to death in his nest; but each time a new Phoenix, the only one in the world, rises up from the red egg.
The bird Lutters round us, swift as light, beauteous in color, charming in song. When a mother sits by her infant’s cradle, he stands on the pillow, and, with his wings, forms a glory around the infant’s head. He Lies through the chamber of content, and brings sunshine into it, and the violets on the humble table smell doubly sweet.
But the Phoenix is not the bird of Arabia alone. He wings his way in the glimmer of the Northern ights over the plains of apland, and hops among the yellow Lowers in the short Greenland summer. Beneath the copper mountains of Fablun, and England’s coal mines, he Lies, in the shape of a dusty moth, over the hymnbook that rests on the knees of the pious miner. On a lotus leaf he Loats down the sacred waters of the Ganges, and the eye of the Hindoo maid gleams bright when she beholds him.
The Phoenix bird, dost thou not know him? The Bird of Paradise, the holy swan of song! On the car of Thespis he sat in the guise of a chattering raven, and Lapped his black wings, smeared with the lees of wine; over the sounding harp of ïceland swept the swan’s red beak; on Shakspeare’s shoulder he sat in the guise of Odin’s raven, and whispered in the poet’s ear “ïmmortality!” and at the minstrels’ feast he Luttered through the halls of the Wartburg.
The Phoenix bird, dost thou not know him? He sang to thee the Marseillaise, and thou kissedst the pen that fell from his wing; he came in the radiance of Paradise, and perchance thou didst turn away from him towards the sparrow who sat with tinsel on his wings.
The Bird of Paradise—renewed each century—born in Lame, ending in Lame! Thy picture, in a golden frame, hangs in the halls of the rich, but
thou thyself often Liest around, lonely and disregarded, a myth—“The Phoenix of Arabia.”
ïn Paradise, when thou wert born in the Irst rose, beneath the Tree of Knowledge, thou receivedst a kiss, and thy right name was given thee— thy name, Poetry.
(1850) - English Translation: H. P. Paull (1872) - Original Illustrations by Vilhelm Pedersen and Lorenz Frølich
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