It Might Have Been - The Story of the Gunpowder Plot

Emily Sarah Holt

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• Publié par: ibbi
• Publié le: 08 décembre 2010
• Nombre de lectures: 14
• Langue: English

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The Project Gutenberg EBook of It Might Have Been, by Emily Sarah Holt This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: It Might Have Been The Story of the Gunpowder Plot Author: Emily Sarah Holt Illustrator: M. Irwin Release Date: June 19, 2008 [EBook #25834] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK IT MIGHT HAVE BEEN *** Produced by Nick Hodson of London, England Emily Sarah Holt "It might have been" Preface. “There is a way that seemeth right unto a man, but the end thereof are the ways of death.” That is one of the main lessons to be learned from the strange story of the Gunpowder Plot. The narrative here given, so far as its historical portion is concerned, is taken chiefly from original and contemporaneous documents. It has been carefully kept to facts—in themselves more interesting than any fiction—and scarcely a speech or an incident has been admitted, however small, for which authority could not be adduced. Those of my Readers who have made the acquaintance of Lettice Eden, and Joyce Morrell’s Harvest, will meet some old friends in this tale. Chapter One. The last Night in the Old Home. “Which speaks the truth - fair Hope or ghastly Fear? God knoweth, and not I. Only, o’er both, Love holds her torch aloft, And will, until I die.” “Fiddle-de-dee! Do give over snuffing and snivelling and sobbing, and tell me if you want your warm petticoat in the saddle-bag. You’d make a saint for to swear!” More sobs, and one or two disjointed words, were all that came in answer. The sobbing sister, who was the younger of the pair, wore widow’s mourning, and was seated in a rocking-chair near the window of a small, but very comfortable parlour. Her complexion was pale and sallow, her person rather slightly formed, and her whole appearance that of a frail, weak little woman, who required perpetual care and shielding. The word require has two senses, and it is here used in both. She needed it, and she exacted it. The elder sister, who stood at the parlour door, was about as unlike the younger as could well be. She was quite a head taller, rosy-cheeked, sturdily-built, and very brisk in her motions. Disjointed though her sister’s words were, she took them up at once. “You’ll have your thrum hat, did you say? (Note 1.) Where’s the good of crying over it? You’ve got ne’er a thing to cry for.” Another little rush of sobs replied, amid which a quick ear could detect the words “unfeeling” and “me a poor widow.” “Unfeeling, marry!” said the elder sister. “I’m feeling a whole warm petticoat for you. And tears won’t ward off either cramp or rheumatism, my dear—don’t think it; but a warm petticoat may. Will you have it, or no?” “Oh, as you please!” was the answer, in a tone which might have suited arrangements for the speaker’s funeral. “Then I please to put it in the saddle-bag,” cheerily responded the elder. “Lettice, come with me, maid. I can find thee work above in the chamber.” A slight sound behind the screen, at the farther end of the parlour, which sheltered the widow from any draught proceeding from the window, was followed by the appearance of a young girl not hitherto visible. She was just eighteen years of age, and resembled neither of the elder ladies, being handsomer than either of them had ever been, yet not sufficiently so to be termed beautiful. A clear complexion, rosy but not florid, golden-brown hair and plenty of it, dark grey eyes shaded by dark lashes, and a pleasing, good-humoured, not self-conscious expression—this was Lettice, who said in a clear musical voice, “Yes, Aunt,” and stood ready for further orders. As the door shut upon the aunt and niece, the former said, as if to the sister left behind in the parlour— “A poor widow! Ay, forsooth, poor soul, that you are! for you have made of your widowhood so black a pall that you cannot see God’s blue sky through it. Dear heart, but why ever they called her Faith, and me Temperance! I’ve well-nigh as little temperance as she has faith, and neither of them would break a cat’s back.” By this time they were up in the bedchamber; and Lettice was kept busy folding, pinning, tying up, and smoothing out one garment after another, until at last her aunt said— “Now, Lettice, bring thine own gear, such as thou wilt need till we light at Minster Lovel, for there can we shift our baggage. Thy black beaver hat thou wert best to journey in, for though it be good, ’tis well worn; and thy grey kirtle and red gown. Bring the blue gown, and the tawny kirtle with the silver aglets (tags, spangles) pendant, and thy lawn rebatoes, (turn-over collar) and a couple of kerchiefs, and thy satin hat Thou wert best leave out a warm kerchief for the journey.” “And my velvet hood, Aunt, and the green kirtle?” “Nay, I have packed them, not to be fetched out till we reach London. Thou mayest have thy crimson sleeves withal, an’ it list thee.” Lettice fetched the things, and her aunt packed them in one of the great leather trunks, with beautiful neatness. As she smoothed out the blue kirtle, she asked—“Lettice, art thou sorry to be gone?” “Truly, Aunt, I scarce know,” was the answer. “I am sorry to leave Aunt Milisent and my cousins, and Aunt Frances,”—but Aunt Frances was an evident after-thought—“and I dare say I shall be sorry to leave all the places I know, when the time comes. But then so many of us are going,—you, and Grandmother, and Aunt Edith, and Cousin Aubrey, and Aunt Faith —and there are so many new places to see, that on the whole I don’t think I am very sorry.” “No, very like not, child.” “Not now,” said a third voice, softly, and Lettice looked up at another aunt whose presence she had not previously noticed. This was certainly no sister of the two plain women whose acquaintance we have just made. Temperance Murthwaite had outlived her small share of good looks, and Faith’s had long since been washed away in tears; but Edith Louvaine had been extremely beautiful, and yet was so notwithstanding her forty years. Her hair was dark brown, with a