L Aiglon
284 pages
English

L'Aiglon

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284 pages
English
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Publié par
Publié le 08 décembre 2010
Nombre de lectures 101
Langue English

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The Project Gutenberg EBook of L'Aiglon, by Edmond Rostand
This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net
Title: L'Aiglon
Author: Edmond Rostand
Translator: Louis N. Parker
Release Date: September 17, 2009 [EBook #30012]
Language: English
Character set encoding: ISO-8859-1
*** START OF THIS PROJECT GUTENBERG EBOOK L'AIGLON ***
Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.)
L'AIGLON
A PLAY IN SIX ACTS
BY
EDMOND ROSTAND
TRANSLATED BY
LOUIS N. PARKER
Copyright 1900 By Robert Howard Russell
The First Act The Second Act The Third Act The Fourth Act The Fifth Act The Sixth Act
THE PERSONS OF THE PLAY The cast as presented by Maude Adams at the Knickerbocker Theatre, New York, October, 1900
THEDUKEOFREICHSTADT,son of Napoleon I. and the Archduchess Maria Louisa of Austria FLAMBEAU,a veteran PRINCEMETTERNICH,Chancellor of Austria COUNTPROKESCH BARONFRIEDRICHVONGENTZ THEATTACHÉOFTHEFRENCHEMBASSYat the Austrian Court THETAILOR,a conspirator COUNTMAURICEDIETRICHSTEIN BARONVONOBENAUS THEEMPERORFRANCISOFAUSTRIA MARSHALMARMONT,Duke of Ragusa
MAUDEADAMS J. H. GILMOUR EDWINARDEN PERCYLYNDALL EUGENEJEPSON OSWALDYORK WILLIAMLEWERS EDWARDLESTER R. PEYTONCARTER JOS. FRANCŒUR J. H. BENRIMO
COUNTSEDLINZKY,Prefect of the Austrian Police THEMARQUISOFBOMBELLES,betrothed to Maria Louisa TIBURTIUSDELOGET LORDCOWLEY,English Ambassador at the Austrian Court COUNTSANDOR DOCTORMALFATTI GENERALHARTMANN CAPTAINFORESTI ANAUSTRIANSERGEANT A COUNTRYDOCTOR HISSON THALBERG MONTENEGRO THECHAMBERLAIN ANOFFICEROFTHENOBLEGUARD,the Emperor of Austria's Bodyguard THEMARQUISOFOTRANTO,son of Fouche
GOUBEAUXPIONNET{Bonapartist} MORCHAIN{conspirators} GUIBERTBOROWSKIFIRSTPOLICEOFFICER FIRSTARCHDUKE,a child SECONDARCHDUKE,a child MARIALOUISA,second wife of Napoleon I., widow of Count Neipperg THEARCHDUCHESSSOPHIAOFAUSTRIA THERESADELOGET,sister of Tiburtius de Loget THECOUNTESSNAPOLEONECAMERATA,daughter of Napoleon's sister, Elisa Baciocchi FANNYELSSLER SCARAMPI,Mistress of the Robes MINA,a maid-of-honor ANARCHDUCHESS,a child
WILLIAMCROSBY CLAYTONLEGGE WILLIAMIRVING RIENZIDECORDOVA EDWARDJACOBS H. D. JAMES HERBERTCARR JOHNS. ROBERTSON LLOYDCARLETON FREDERICKSPENCER BYRONONGLEY B. B. BELCHER MORTONH. WELDON CHARLESMARTIN
HENRYP. DAVIS CHARLESHENDERSON DONC. MERRIFIELD HENRYCLARKE THOMASH. ELWOOD GEORGEKLEIN FRANKGOODMAN
RALPHYOERG WALTERBUTTERWORTH JOHNLEEMAN
IDAWATERMAN SARAHCONVERSE ELLIECOLLMER
SARAHPERRY MARGARETGORDON FRANCISCOMSTOCK EDITHSCOTT BEATRICEMORRISON
Princes,Princesses,Archdukes,Archduchesses,Maids-of-Honor,Officers, Noble Guard,Masks (Male and Female),Crotian Peasants,Hungarian Peasant,Austrian Soldiers,Police Officers.
The period covered by the play is from 1830 to 1832.
THE DUKE OF REICHSTADT FROM THE PAINTING BY SIR THOMAS LAWRENCE
THE FIRST ACT
L'AIGLON
THE FIRST ACT
At Baden, near Vienna, in 1830.
The drawing-room of the villa occupied by MARIA LOUISA.The walls are
painted al fresco in bright colors. The frieze is decorated with a design of sphinxes.
At the back, between two other windows, a window reaching to the ground and forming the entrance from the garden. Beyond, the balustrade of the terrace leading into the garden; a glimpse of lindens and pine-trees. A magnificent day in the beginning of September. Empire furniture of lemonwood decorated with bronze. A large china stove in the centre of the wall on the left. In front of it a door. On the right, two doors. The first leads to the apartments ofMARIALOUISA.In front of the window on the left at the back an Erard piano of the period, and a harp. A big table on the right, and against the right wall a small table with shelves filled with books. On the left, facing the audience, a Récamier couch, and a large stand for candlesticks. A great many flowers in vases. Framed engravings on the walls representing the members of the Imperial Family of Austria. A portrait of the Emperor Francis.
At the rise of the curtain a group of elegant ladies is discovered at the further end of the room. Two of them are seated at the piano, with their backs to the audience, playing a duet. Another is at the harp. They are playing at sight, amid much laughter and many interruptions. A lackey ushers in a modestly dressed young girl who is accompanied by a n officer of the Austrian Cavalry. Seeing that no one notices their entrance, these two remain standing a moment in a corner. TheCOUNTDE BOMBELLEScomes in from the door on the right and goes toward the piano. He sees the young girl, and stops, with a smile.
THELADIES.
[Surrounding the piano, laughing, and all talking at the same time.]
She misses all the flats!—It's scandalous!— I'll take the bass!—Loud pedal!—One! Two!—Harp!
[ToTHERESA.]
What! You!
BOMBELLES.
THERESA.
Good-day, my Lord Bombelles!
[At the piano.]
A LADY.
THERESA.
Mi, sol.
I enter on my readership—
[At the piano.]
It's thanks to you.
ANOTHERLADY.
THERESA.
BOMBELLES.
The flats!
My dear Theresa! Nothing! You are my relative, and you are French.
THERESA.
[Presenting the officer.]
Tiburtius—
BOMBELLES.
Ah, your brother!
[He gives him his hand and pushes forward a chair forTHERESA.]
I'm very nervous.
[With a smile.]
THERESA.
BOMBELLES.
Take a seat.
Heavens! What about?
THERESA.
To venture near the persons of the two The Emperor left!
BOMBELLES.
Oh, is that all, my child?
TIBURTIUS.
Our people hated Bonaparte of old—
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