The Children s Book of London
131 pages
English

The Children's Book of London

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131 pages
English
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Publié le 08 décembre 2010
Nombre de lectures 22
Langue English

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Project Gutenberg's The Children's Book of London, by Geraldine Edith Mitton This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Children's Book of London Author: Geraldine Edith Mitton Release Date: June 15, 2008 [EBook #25804] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE CHILDREN'S BOOK OF LONDON *** Produced by Bruce Albrecht, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net THE TOWER BRIDGE. PRINTED IN GREAT BRITAIN First Published 1903 TO RENA, CU, AND ELFIE CONTENTS BOOK I LONDON AS IT IS I. II. III. IV. V. VI. VII. VIII. IX. X. [Pg v] LONDON CHILDREN LONDOND THE KING'S PALACES TRAINS AND HORSES CHILDREN AT SCHOOL LONDON MARKETS CHILDREN'S HOSPITALS STREETS AND SHOPS DOGS AND CATS ODDS AND ENDS BOOK II HISTORICAL STORIES XI. XII. XIII. XIV. XV. XVI. XVII. KING EDWARD V TOURNAMENTS AND PAGEANTS SIR THOMAS MORE LADY JANE GREY GUNPOWDER PLOT CHARLES I THE GREAT PLAGUE AND FIRE BOOK III THE SIGHTS OF LONDON XVIII. XIX. XX. XXI. XXII. XXIII. XXIV. XXV. XXVI. [Pg vi] THE TOWER OF LONDON THE TOWER OF LONDON—continued THE ZOOLOGICAL GARDENS THE ZOOLOGICAL GARDENS—continued THE BRITISH MUSEUM THE NATURAL HISTORY MUSEUM WESTMINSTER ABBEY, ST. PAUL'S, AND THE CENOTAPH THE MINT, THE BANK, AND THE POST OFFICE THE LORD MAYOR'S SHOW AND OTHER THINGS LIST OF ILLUSTRATIONS [Pg vii] THE TOWER BRIDGE QUEEN VICTORIA MEMORIAL AND BUCKINGHAM PALACE TRAFALGAR SQUARE THE TRAITORS' GATE, TOWER OF LONDON THE CENOTAPH, WHITEHALL ST. MARY-LE-STRAND AND BUSH HOUSE THE CORONATION CHAIR, WESTMINSTER ABBEY ST. PAUL'S CATHEDRAL BOOK I LONDON AS IT IS [Pg 1] THE [Pg 3] CHILDREN'S BOOK OF LONDON CHAPTER I LONDON CHILDREN To begin with, the streets of London are not paved with gold; but I need not have said that, for nowadays the very youngest child knows it. It was Dick Whittington who first imagined anything so foolish; but then he was only a country lad, and in his days there were not the same opportunities for finding out the truth about things as there are now. There were very few books for one thing, and those there were cost a great deal of money, and would hardly be likely to come in Dick's way; so that if there was by chance a book which described London as it was then, it is not at all probable that he would have seen it. There were no photographs, either, to show him what London was really like, so, of course, he had to make up ideas about it himself, just as you who live in the country and have heard people talking about London do now. Are the stories you invent at all like the stories Dick Whittington made up for himself? You can't answer because you're not writing this book, so I must answer for you. Perhaps you think London is a place where there are no lessons to do, and where there is always a great deal of fun going on; where you can go to see sights all day long; the huge waxwork figures at Madame Tussaud's, as big as real people; and lions and tigers and elephants and bears at the Zoo; and you think that the boys and girls who live in London spend all their time in seeing wonderful things. If this is what you think, some of it is true enough. There are a great many wonderful things to be seen in London, and if you want to hear about them at once you must skip all this chapter and a great many others besides, and go on to page 241, where you will find them described. But if you want to know what [Pg 4] London itself is really like you must wait a little longer. The best people to tell you would be the children who live in London; they will read this book, and, of course, they could answer all your questions, but they would not all answer in the same way. Some would say: 'Oh yes, of course we all know the Zoo, but that's for small children; we are quite tired of a dull place like that, where everyone goes; we like balls, with good floors for dancing, and programmes, and everything done as it is at grown-up balls; and we like theatres, where we can sit in the front row and look through opera-glasses and eat ices. Madame Tussaud's? Yes, it's there still; we went to it when we were quite little babies, but it's not at all fashionable.' And another child might say: 'I don't mind driving with mother in the Row when I'm really beautifully dressed.' But I'll tell you a secret about the little boys and girls who talk like this: they are not really children at all, they never have been and never will be; they are grown-up men and women in child shapes, and by the time their bodies have grown big they won't enjoy anything at all. Master Augustus will be a dull young man, who hates everybody, and does not know how to get through the long, dreary day; and Miss Ruby will be a mere heartless woman, who only cares to please herself, and does not mind how unhappy she makes everyone else. And all this will be because their foolish father and mother let them have everything they wanted, and allowed them to go everywhere they liked, and that is not at all good even for grown-up people, and it is very, very much worse for children. There are, however, many other sorts of children in London, and it is rather interesting to hear what they think of the town in which they live. For instance, there are the children of people who are not at all poor, who have nice houses and plenty of money, but who are yet sensible enough to know that their children must have something else besides pleasure. If we asked one of their children what he thought of London, he might say: 'I've seen the Zoo, of course, and Madame Tussaud's, and I've been to Maskelyne's Mysteries and the Hippodrome, and they're all jolly, especially the Zoo; but those things generally happen in the holidays: we don't have such fun every day.' A boy or a girl of this sort has really a much duller time than one who lives in the country. London is so big, so huge, that he sees only a wee bit of it. London is the capital town of England, as everyone knows. In Dick Whittington's time it was not very big, but it has grown and grown, until it is seventeen miles in one direction and twelve in another. You know what a mile is, perhaps; well, try to imagine seventeen miles one after another, end to end, on and on, all streets of houses, with here and there a park, very carefully kept, not in the least like a country park. And all these streets and streets of houses are not very interesting, and in many of them the houses are all alike, built of dull-coloured stone or red brick, or else they are covered with plaster. There is a great part of London where people only go to work, and from which they come away again at nights. In the mornings hundreds and hundreds of men pour into this part as fast as the trains can bring them, and go to their offices, which are in great buildings, many different offices being in one building; and the streets are filled with men hurrying this way and that, always in a hurry. There is no one standing about or idling. Omnibuses and carts and cabs are all mixed up together in the roadway, until you would think it was impossible for them ever to be disentangled again. And now and then some bold man on a bicycle dares to ride right into the middle of it all, between the [Pg 5] [Pg 6] [Pg 7] wheels and under the horses' noses, and how he ever gets through without being crushed up as flat as a paper-knife is a wonder! At nights, when the men have done their day's work, they are in as much of a hurry to get out of this part of London, which is called the City, as they were to get into it in the morning. They go by cabs and omnibuses and trains back to their homes and their children, and the City is left still and silent, with just a quiet cat flitting across the street, and making a frightened jump when the big policeman turns his lantern on to her. The children of rich people seldom see this part of London. Perhaps their father goes there every day, and they hear him talk of the City, but it is like another town to them, so vague and far away it seems. These children probably have lessons with their governess at home, and when twelve o'clock comes they go for a walk. When they open the front-door they see a long street, stretching both ways, filled with dark, dull-looking houses just the same as their own. The street pavement is made of wood, which is quieter than stones, and when the cabs run past they make very little sound. If the children are lucky they live in a square, and there is a garden in the middle, with iron railings round it, and everyone who lives in the square has a key to open the gate; but it must not be left open, or other people would get in and use the garden too. It has green grass in it and flower-beds, and it is all very prim and proper, and not at all interesting; and, worst of all, the dear dogs, Scamp and Jim, cannot go there, even when they are led by a string. The gardener would turn them out, for he imagines they would kick about in his flower-beds and rake out the seeds. This is not the sort of garden that a country child would care for. But Jack and Ethel are not country children; they are quite used to their garden, and like it very much. We can see them start on their morning walk with Miss Primity, their governess. Both the children wear gloves—they never go out without them—and in the street they walk quietly; but when they have passed down the street and got into Hyde Park or Kensington Gardens, they can run about as much as they like. In the Gardens there is a big round pond, where Jack can sail his boat; and on Saturdays the water is covered with white sails, and even men come down and join in the sport, making their toy boats race against one another. The boats are often quite large, and the scene is very gay and
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