The Garden, You, and I

Mabel Osgood Wright

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• Publié par: naving
• Publié le: 08 décembre 2010
• Nombre de lectures: 34
• Langue: English
• Poids de l'ouvrage: 1 Mo

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The Project Gutenberg EBook of The Garden, You, and I, by Mabel Osgood Wright
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Title: The Garden, You, and I
Author: Mabel Osgood Wright
Release Date: January 14, 2006 [EBook #17514]
Language: English
Character set encoding: ISO-8859-1
*** START OF THIS PROJECT GUTENBERG EBOOK THE GARDEN, YOU, AND I ***
Produced by Janet Blenkinship and the Online Distributed
Proofreading Team at http://www.pgdp.netA Seaside Garden. see Page 243
THE GARDEN, YOU, AND I
BY
BARBARA
AUTHOR OF
"THE GARDEN OF A COMMUTER'S WIFE," "PEOPLE OF THE
WHIRLPOOL," "AT THE SIGN OF THE FOX," ETC.
New York
THE MACMILLAN COMPANY
LONDON: MACMILLAN & CO., Ltd.
1906All rights reserved
Copyright, 1906,
By THE MACMILLAN COMPANY.
Set up and electrotyped. Published June, 1906.
Norwood Press
J.S. Cushing & Co.—Berwick & Smith Co.
Norwood, Mass., U.S.A.
Dedicated
TO
J.L.G.
I.M.T.
AND
A.B.P.
THE LITERARY GARDENERS
OF REDDING
GREETING
This book is for those who in treading the garden path have no thought of
material gain; rather must they give,—from the pocket as they may,—from the
brain much,—and from the heart all,—if they would drink in full measure this
pure joy of living.
"Allons! the road is before us!
It is safe—I have tried it—my own feet
have tried it well—be not detained."
Walt Whitman.
CONTENTS
CHAPTER PAGE
I. The Ways of the Wind 1
II. The Book of the Garden, You, and I 7
III. Concerning Hardy Plants 29
IV. Their Garden Vacation 48
V. Annuals—Worthy and Unworthy 70
VI. Their Fortunate Escape 92
VII. A Simple Rose Garden 117VIII. A Midnight Adventure 155
IX. Ferns, Fences, and White Birches 183
Frankness—Gardening and
X. 202
Otherwise
List of Flower Combinations for the
Table
from Barbara's Garden Boke 230
XI. A Seaside Garden 233
XII. The Transplanting of Evergreens 246
XIII. Lilies and their Whims 262
XIV. Fragrant Flowers and Leaves 281
XV. The Pink Family Outdoors 305
XVI. The Frame of the Picture 320
XVII. The Ins and Outs of the Matter 336
XVIII. The Value of White Flowers 352
XIX. Pandora's Chest 365
XX. Epilogue 374
APPENDIX
For the Hardy Seed Bed 375
Some Worthy Annuals 387
LIST OF ILLUSTRATIONS
A Seaside Garden (see p. 243) Frontispiece
"The magnolias below at the road-
8
bend"
English Larkspur Seven Feet High 32
Fraxinella—German Iris and Candy-
44
tuft
Longfellow's Garden 81
The Summer Garden—Verbenas 86
Asters 90
The Pictorial Value of Evergreens 102
"My roses are scattered here, there,
119
and everywhere"
Madame Plantier at Van Cortland
128
Manor
A Convenient Rose-bed 138
"The last of the old orchard" 156
The Screen of White Birches 166
"An endless shelter for every sort of
184
wild thing"
Speciosum Lilies in the Shade 270The Poet's Narcissus 278
A Bed of Japan Pinks 296
Single and Double Pinks 314
"The silver maple by the lane gate" 326
"A curtain to the side porch" 328
An Iris Hedge 358
Daphne Cneorum 360
A Terrible Example 362
"The low snow-covered meadow" 372
"Punch ... has a cache under the
374
syringa bushes"
THE GARDEN, YOU, AND I
I
THE WAYS OF THE WIND
"Out of the veins of the world comes the blood of me;
The heart that beats in my side is the heart of the sea;
The hills have known me of old, and they do not forget;
Long ago was I friends with the wind; I am friends with it yet."
—Gerald Gould."
Whenever a piece of the land is to be set apart for a garden, two mighty rulers
must be consulted as to the boundaries. When this earth child is born and
flower garnished for the christening, the same two must be also bidden as
sponsors. These rulers are the Sun and the Wind. The sun, if the matter in hand
is once fairly spread before him and put in his charge, is a faithful guardian,
meeting frankness frankly and sending his penetrating and vitalizing
messengers through well-nigh inviolable shade. But of the wind, who shall
answer for it or trust it? Do we really ever learn all of its vagaries and
impossible possibilities?
If frankness best suits the sun, diplomacy must be our shield of defence
windward, for the wind is not one but a composite of many moods, and to lure
one on, and skilfully but not insultingly bar out another, is our portion. To shut
out the wind of summer, the bearer of vitality, the uplifter of stifling vapours, the
disperser of moulds, would indeed be an error; therefore, the great art of the
planters of a garden is to learn the ways of the wind and to make friends with it.
If the soil is sodden and sour, it may be drained and sweetened; if it is poor, it
may be nourished; but when all this is done, if the garden lies where the winds
of winter and spring in passing swiftly to and fro whet their steel-edged tempers
upon it, what avails?
What does it matter if violet or pansy frames are set in a sunny nook, if it be one
of the wind's winter playgrounds, where he drifts the snow deep for his pastime,
so that after each storm of snow or sleet a serious bit of engineering must be
undergone before the sashes can be lifted and the plants saved from
dampness; or if the daffodils and tulips lie well bedded all the winter through, if,when the sun has called them forth, the winds of March blight their sap-tender
foliage? Yet the lands that send the north winds also send us the means to
deter them—the cold-loving evergreens, low growing, high growing, medium,
woven dense in warp and woof, to be windbreaks, also the shrubs of tough,
twisted fibre and stubborn thorns lying close to the earth for windbuffers.
Therefore, before the planting of rose or hardy herbs, bulbs or tenderer flowers,
go out, compass in hand, face the four quarters of heaven, and, considering
well, set your windbreaks of sweeping hemlocks, pines, spruces, not in fortress-
like walls barring all the horizon, but in alternate groups that flank, without
appearing to do so heavily, the north and northwest. Even a barberry hedge on
two sides of a garden, wedge point to north, like the wild-goose squadrons of
springtime, will make that spot an oasis in the winter valley of death.
A wise gardener it is who thinks of the winter in springtime and plants for it as
surely as he thinks of spring in the winter season and longs for it! If, in the many
ways by which the affairs of daily life are re-enforced, the saying is true that
"forethought is coin in the pocket, quiet in the brain, and content in the heart,"
doubly does it apply to the pleasures of living, of which the outdoor life of
working side by side with nature, called gardening, is one of the chief. When a
garden is inherited, the traditions of the soil or reverence for those who planned
and toiled in it may make one blind to certain defects in its conception, and
beginning with a priori set by another one does as one can.
But in those choosing site, and breaking soil for themselves, inconsistency is
inexcusable. Follow the lay of the land and let it lead. Nature does not attempt
placid lowland pictures on a steep hillside, nor dramatic landscape effects in a
horizonless meadow, therefore why should you? For one great garden principle
you will learn from nature's close companionship—consistency!
You who have a bit of abrupt hillside of impoverished soil, yet where the sky-
line is divided in a picture of many panels by the trees, you should not try to
perch thereon a prim Dutch garden of formal lines; neither should you, to whom
a portion of fertile level plain has fallen, seek to make it picturesque by a
tortuous maze of walks, curving about nothing in particular and leading
nowhere, for of such is not nature. Either situation will develop the skill, though
in different directions, and do not forget that in spite of better soil it takes greater
individuality to make a truly good and harmonious garden on the flat than on
the rolling ground.
I always tremble for the lowlander who, down in the depth of his nature, has a
prenatal hankering for rocks, because he is apt to build an undigested rockery!
These sort of rockeries are wholly separate from the rock gardens, often
majestic, that nowadays supplement a bit of natural rocky woodland, bringing it
within the garden pale. The awful rockery of the flat garden is like unto a nest of
prehistoric eggs that have been turned to stone, from the interstices of which a
few wan vines and ferns protrude somewhat, suggesting the garnishing for an
omelet.
Also, if you follow Nature and study her devices, you will alone learn the ways
of the winds and how to prepare for them. Where does Spring set her first flag of
truce—out in the windswept open?
No! the arbutus and hepatica lie bedded not alone in the fallen leaves of the
forest but amid their