Passages from modern English poets
194 pages
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Passages from modern English poets

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PASSAGES FROM 71 Litmited^lackje &? So Private Library Case.Mc Shelf ..7. FROMjjPASSAGES English Poets.Modern ILLUSTRATED BY THE ETCHING CLUB.JUNIOR FORTY-SEVEN ETCHINGS. LONDON: PUBLISHICRS,DAY LIMITED, LITHOGRAPHERS && SON, INN FIELDS.6, GATE STREET, LINCOLN'S ^ y NOT E. Manbas theIn th( frcsctit Scrks Etchings by the JUNIORof of in preceding volumes has undergoneEtchino Ci.UB, theplan adopted some modification. Itistead restricting themselves to the illustration a single Author,of of areaour Etchers have gonefurther afield, and have sought a wider for daily social inthe exercise their needles; sometimes in the scenes of lifeof our streets and cottages, and in the varied aspects rural nature ; butof morefrequently in salientand characteristicpassages the writingsfrom of modem English Poets. 'chose travels through therealms versehave been tolerablyAfriend,* cf '^ extensive, has been at somepains andpullingdown boohs" {as Byronof has it), to associate with the respective subjects, not merely the passages, which luive suggested, or might have suggested, each scene orin extenso, group, but also such poems, with exceptions comparativelyfew from modern sources, as seemed calculated to illustrate the predofniiuint sentiment the design ; thus occupying (not unprofitably, it is hoped)of pages which would otherwise Itave remained vacant. * The late Alaric Watts.A. ^^^^ — ————— ——— I :..'> I i.'r /: / t ./ / » t' XD ILLVSTRAriVE VOr.MS. UAIXnOW roWKi.L.\'y TIIK I'. The R.

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I i.'r /: / t ./ / » t' XD ILLVSTRAriVE VOr.MS. UAIXnOW roWKi.L.\'y TIIK I'. The R." />

PASSAGES FROM71 Litmited^lackje &? So
Private Library
Case.Mc Shelf ..7.FROMjjPASSAGES
English Poets.Modern
ILLUSTRATED BY THE
ETCHING CLUB.JUNIOR
FORTY-SEVEN ETCHINGS.
LONDON:
PUBLISHICRS,DAY LIMITED, LITHOGRAPHERS && SON,
INN FIELDS.6, GATE STREET, LINCOLN'S
^y
NOT E.
Manbas theIn th( frcsctit Scrks Etchings by the JUNIORof of
in preceding volumes has undergoneEtchino Ci.UB, theplan adopted
some modification.
Itistead restricting themselves to the illustration a single Author,of of
areaour Etchers have gonefurther afield, and have sought a wider for
daily social inthe exercise their needles; sometimes in the scenes of lifeof
our streets and cottages, and in the varied aspects rural nature ; butof
morefrequently in salientand characteristicpassages the writingsfrom of
modem English Poets.
'chose travels through therealms versehave been tolerablyAfriend,* cf
'^
extensive, has been at somepains andpullingdown boohs" {as Byronof
has it), to associate with the respective subjects, not merely the passages,
which luive suggested, or might have suggested, each scene orin extenso,
group, but also such poems, with exceptions comparativelyfew from
modern sources, as seemed calculated to illustrate the predofniiuint
sentiment the design ; thus occupying (not unprofitably, it is hoped)of
pages which would otherwise Itave remained vacant.
* The late Alaric Watts.A.^^^^— ————— ———
I :..'> I i.'r /: / t ./ / » t' XD ILLVSTRAriVE VOr.MS.
UAIXnOW roWKi.L.\'y TIIK I'.
The R.\inl>ow.—Thomas CamphiH.
The Kvcning Rainbow. Robert Soutluy.
TIIK WRIXK W. UAKics.\.\. J.
The Wreck.—Thomas Ti\{ Stotidart,
The Ix-c Shore.—Thomas Hood.
.\ FAMILY GROUP R. Ci-ayton.15. J.
.\ Motlicr's Love. yamcs Mo)it_i;omay.
The Infant's Kiss. Mary Riissdl Mitford.
Domestic Love. Ri~\ Gcori^c Croh', LL.D.
10. Tin: LLM TREK IIknry Moork.
The Elm Tree.— Thomas Hood.
17. A STUDY I\ THE EGYPTLVN ANTIQUITY
DEPARTMENT OF THE 13RITI.SII
MUSEUM II. S. Makk-s.
Rustic \Yoncler. George Crahbe.
To an Eg)'ptian Mummy in the British Museum.—/A;;^^^' Smith.
iS. STUDY IN THE LIFE SCHOOL OF THE
ROYAL ACADE.MY (PORTRAIT W.OF
ETTY, R.A.) \V. Gale.
Painting.—Thomas Campbell.
19. THE LAST GLEAM DAYOF \Y. Oakes.
J.
The Last Gleam of Day. Mrs. John Hunter.
—Twilight. yames Montgomery.
— William Words-worth.
f A SPRING MORNING A. Lewis.
J.
^^' (.SPRING IN THE MEADONYS A.
J.
A Spring Morning.— /r////rtw Wordsworth.
Spring. William— Citllen Bryant.
A Spring yioxrim^.—Robert Bloomfield.
Signs of Spring. John Clare.
21. THE MONARCH OF THE FORE.ST Sleigh.J.
The Oak. Samuel Rogers.
The Oak of the Voxc-X.—Robert SoiUhey.
22. SCENE OFTHEPLAGUE IN LONDON, 1665. C. Kee.ne.
The Plague of Ixjndon.—7^/;« Wilson.
Scene of the Plague.-Zr/Z/za Elizabeth Landon.
NEARING23. HOME Walter Severn.
—Nearing Home. Thomas Moore.
—1 ome. yanies1 Montgomery.
A PEDLAR24. JEW (D.YMASCUS) Viscount Bury.
The Pedlar.—William Wordsworth.
The Hc:l.rfw'<; Appr-n). Ajioitymoiis.— — --—————————————
AND ILLUSTRATIVE POEMS.LIST OF ETCHINGS
GLEN F. Powell.THE
Glen. Wilson.A John
— Lisle Bo'ulcs.The Glen. William
The G\qi\.— Wordsworth.
26. STUDY OF A HEAD H. C. Whaite."
Youth and Age. Hon. St. George Tucker.
Caleb Colton.Old —CharlesKz(t.
—JVilliafn Wordrwoiih.Youth and Age.
MOONLIGHT Hp:nry Moore.
Moon.—IVilliam JVordsn'orih,To the
The Moon.—William Words'iOortk.
AND CHICKENS .... Henry Moore.28. HEN
Chickens.— JVilliani Wordsworth.Hen and
—Comparison. William Lisle Bo7vles.A
The Cottage Hen. James Grahaine.
THE MOUNTAIN STREAM A. Lewis.
J.
The Mountain Stream. Anonvmous.
30- THE BIVOUAC M. Lawless.
J.
Rial in.The Bivouac. -John col
The -Winthrop Mackworth Praed.
A YOUNG MONKEY ROSSITER.C.
The Village Boy.—Thomas Aird.
The Boy. John Clare.
The .Shepherd Boy. John Clare.
The Boy. William Wordsworth.
32- THE SISTERS W. Gale.
The Sisters. Alfred Tennyson.
^ THE SHOEBLACK F. MALLEIS eld.
A CHRISTMAS INVITATION F. Smallfield.
[^
The Shoeblack. Gay.John
Winter Revels.— Thomas Hood.
NORFOLKSEA BEACH— FISHERMAN OxN34-
THE LOOK OUT F. Barwell.
Beach.The Sea George Crabbe.
The Sea.—Thomas Campbell.
The Fisherman. Bryan Waller Procter.
THE LITTLE SHIPWRIGHTS M. Lawless.
35- J.
Little Shipwright. Crablte.The George
The Young Boat-Builder. Anonymous.
36. THE CORNFIELD A. Lewis.
J.
The Cornfield. Alary Ilowitf.
—The Harvest Home. Thomas Ilaynes Bayley.
ST. VALENTINE'S DAY C. RossITER.37-
Valentine's Day. IVinfhrop Mackworth Praid.—— —— —————— —
1 r r.\lKATIVE£7V///XGS ,/.\7' 1 J\)EMS.UST OF
\V.MAY WKMATII G.XI.li.TUL
May Wa-ath. Fifkux Hcnian.-The
May Pay.— William Wonlsxoorth,
I'ATII TIIKOI'GII THE FC)Ki:ST A. LiiWis.TIILj>> J.
The Greenwood.— William Ihnoitt.
The Forest. RichardMoiickton Milna,
Nixm. KtV. C>vn,r C'vly, LL.D.
CllKSlNLT SELLKR F. S.M.M.Ll'IliLU.40. Tilt
Ri>.a>teil Mrs. Watts.Chestnuts. Alaric
I-abour. Frances Osi^ocd.
birriNci ox HORRORS F. S.M.VLI.l'lKLr).41.
Supping on Horrors. Anonymous.
Fe.ir.— fl'illiatri Collins.
THE lUKU TRAP C. RobSlTIiR.4-
The Bird-catchers. James Grahaine.
THE DOOR OF THE KIOSK Viscount Buky,43-
Tlie Kiosk. RichardMonckton Mihws.
Anoiiymous.The Lament of the Moslem.
THE VILLAGE GRANDAME Clark.44- J.
Tlie Village Sciioolniislress.— Williavt Shenstoiie.
The Grandame. Charles Lamb.
A RIVER SCENE Whistler.45- ...J.
A River Scene. Charles Mackay.
mm^

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