The law of musical and dramatic copyright

Cutler Edward B. 1831, Frederic Edward Weatherly

Description

EDWARD C UTLER KKS, BARKISTKRS-AV-(.AW- Ex Libris C. K. OGDEN THE LAW OF ANDMUSICAL DRAMATIC COPYRIGHT. BY EDWARD CUTLER, ONE OF HER MAJESTY'S COUNSEL, THOMAS EUSTACE SMITH AND FREDERIC E. WEATHERLY, ESQUIRES. I1ARRISTF.RS-AT-LAW. REVISED EDITION. CASSELL & LIMITED:COMPANY, LONDON, PARIS &> MELBOURNE. 1892. RIGHTSIALL RESERVED.] CONTENTS. PAGE . IINTRODUCTION 9 DRAMATIC COPYRIGHT IO 26........ GENERAL REMARKS IO AND DURATION OF THE RIGHT . . IONATURE, EXTENT, WHO IS AN AUTHOR? 12 DRAMATISATION OF NOVELS AND OTHER WORKS . . 14 WHAT IS A DRAMATIC COMPOSITION? ... . l8 IS A PLACK OF DRAMATIC ENTERTAINMENT? . . 19 HOW THE RIGHT OF REPRESENTATION IS TRANSFERRED 22 . INFRINGEMENT AND REMEDY .22 WHAT IS CONSENT WITHIN THE ACT? . . ^r- for the first timeBoucicault, having pub-1 H & M lished an The Colleen in Neworiginal play, Baivn, to restrain an The defenantYork, sought English infringer. showed that the could not on statute theplaintiff rely any ; of our to those workspolicy Legislature being protect only which are first in Great or in apublished Britain, country with which this has a whereas there was nocountry treaty ; with the States. Had it not beenUnited for thetreaty " clause Mr. Boucicault havereferred I doto, might said, not want I claim none of the re-statutes,your specific medies and I am notconferred concerned tothem,by formalities. Iwith their vexatious take standcomply my on which entitlesthe common law of me toEngland, pro- secute a marauder.

Sujets

• Copyright
• Great Britain

Informations

• Publié par: les_archives_du_savoir
• Nombre de lectures: 17
• Langue: English
• Poids de l'ouvrage: 12 Mo

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