Kate Walkers 12 Point Guide To Writing Romance

Kate Walker

Description

In this comprehensive guide, Kate Walker, an established author within the Romantic Fiction genre, covers all aspects of writing Romantic Fiction, offering budding authors invaluable tips on producing saleable works of fiction, following her 12 point guide.

Informations

• Publié par: Straightforward Publishing
• Date de parution: 28 juin 2018
• Nombre de lectures: 0
• EAN13: 9781847168849
• Langue: English

Extrait

KATE WALKER S 12 POINT GUIDE to WRITING ROMANCE
Kate Walker
Emerald Guides
Copyright Kate Walker 2018
Kate Walker has asserted the moral right to be identified as the author of this work.
All rights reserved. No part of this publication may be reproduced in a retrieval system or transmitted by any means, electronic or mechanical, photocopying or otherwise, without the prior permission of the copyright holders.
ISBN 978-1-84716-805-4 ISBN ePUB 978-1-84716-884-9 ISBN Kindle 978-1-84716-883-2
Printed by 4edge www.4edge.co.uk
Whilst every effort has been made to ensure that the information contained within this book is correct at the time of going to press, the author and publisher can take no responsibility for any errors or omissions contained within.
What other writers say about
KATE WALKER S 12 POINT GUIDE TO WRITING ROMANCE
This book is a must-have for any aspiring romantic fiction writer. Everything you want to know/understand about romantic fiction is covered right here. Brilliant. You can tell that Kate Walker knows her romantic fiction inside out. A page turner all on its own.
Michelle Reid (Mills | Boon Modern/Harlequin Presents)
Kate s book is full of sensible, practical, realistic advice - it s down to earth and kind, much like Kate herself.
Kate Hardy (M B Medicals /Cherish/Romance)
Kate Walker has come up with another keeper. Her 12-Point Guide to Writing Romance is clear, comprehensive and practical and jam-packed full of the kind of inside information it would take a stack of rejection/ revision letters to learn the hard way. The checklists are wonderful for any writer published or yet to be.
A fabulous resource, almost like having the multi published Kate sitting alongside sharing her experience and wisdom with you as you write.
If you write romance, do yourself a favour and get this book. You won t be disappointed.
Trish Morey (Mills Boon Modern Romance/Harlequin Presents)
Kate Walker knows romance and she knows writing. Want to put the two together? Read this book.
Anne McAllister (Mills Boon Modern/Harlequin Presents)
The 12 Point Guide is a must buy for anyone seriously interested in writing romance, Kate Walker is a veteran of well over 60 novels and she is the exception to the rule that those who can t, teach. She most certainly can and does! This book has to be compulsory reading for any aspiring author.
Abby Green (M B Modern/Harlequin Presents)
Kate is a wonderful and inspirational teacher and her wisdom shines through in this incredibly useful book.
Julie Cohen (Author of Dear Thing etc for Random House and Creative Writing tutor)
Kate Walker s 12 Point Guide gives a master class in how to write series romance and should be on the bookshelf of anyone who is interested in writing in the genre.
Michelle Styles (Harlequin Historical)
What a wonderful resource for not only novice writers, but for those of us who have a few books under our belts. Reading about the craft, about why we do what we do, about what makes a story work...it helped invigorate my current book. Kate has such an easy way, a gift of explaining what s what. From finding your voice, to plot, to characters...it s all there!
Holly Jacobs (Harlequin Superromance)
I regularly recommend the Twelve Point Guide to Writing Romance to my Creative Writing Students. I m glad to say, they all agree it is one of the most helpful books they ve read on writing and works for all types of fiction. I think writers from beginners to experienced writers get solid practical advice from this book which is both clear, logical and jargon-free and as one of my more down-to-earth male students said, makes you actually get on and write.
Dr Karen Maitland (Creative Writing Tutor, Adult Education and author of Company of Liars, The Gallows Curse etc)
The 12 Point Guide was the first romance writing book I bought and has been invaluable on my journey to publication. A must for anyone wanting to write romance.
Rachael Thomas (Top 10 in So You Think You Can Write contest 2013 -- and newly signed author with Harlequin Presents)
For Steve who taught me so much about teaching, and all the students I ve worked with whose questions have helped me know what most needed to go into this book.
With special thanks to all the authors who contributed their knowledge.
CONTENTS
Introduction
1 First Things First
2 Emotion
3 Conflict
4 Dialogue
5 Sharp Focus on Hero and Heroine
6 Sensuality
7 Passion
8 Heroes
9 Heroines
10 Plotting
11 The Question WHY?
12 Intense Black Moment
13 Believable Happy Ever After
14 Practicalities
15 From the Authors Desks
Final Note
Further Reading and Reference
List of Romance novels cited in this book
Index
INTRODUCTION
Here are the twelve points in the order I shall be dealing with them. These are the points that after a long time in writing popular romance fiction (over 30 years) and over 60 books published I ve learned are essential to creating a novel which grabs the reader and holds them with that vital PTQ - Page Turning Quality . They are the elements that appear in every good Romance and they remain the same over time, no matter in what decade or even what century the novels are published.
The twelve points I want to cover are:

1. Emotion
2. Conflict
3. Dialogue
4. Sharp Focus on Hero and heroine
5. Sensuality
6. Passion (and no - these two are NOT the same thing!)
7. Hero
8. Heroine
9. Plotting
10. The question WHY?
11. Intense Black Moment
12 Believable Happy Ever After
This book is intended as a practical workshop as well as a how to write guide. So in each chapter I will be providing:
1. Something to read
- an explanation of one of the 12 points with a discussion of why it s important and how I approach it
2. Something to think about
- ideas/questions/discussion topics etc.
3. Something to do
- This is why this book is a WORKbook, - not just a guide. I want you to do some writing!
Now don t panic. I won t ask for much - you re not going to have to produce a complete 55,000 word novel by the end of this. Most of the exercises will only take no more than a couple of pages or so of writing - 1000 words or less. But if you actually do the exercises then hopefully you ll learn more than just reading the lessons.
What I ve found works well when I ve taught this in writing classes, is for people to have a separate notebook/computer file or whatever and make notes as we go along.

Note the topic, and your thoughts on that
Note the question and write down some ideas and thoughts on that - especially if they surprise you.
Do the exercise - and write down your reactions to it.
Your reactions and thoughts should be as helpful to you as my lessons. You ll learn a lot by looking at your own assumptions, the new ideas that you ve come up with as a result of challenging or confirming them; the different ways that you might now think of handling problems as a result of what you ve learned. And by the end hopefully you ll have a series of notes/ideas/thoughts that you can take further
Finally, no how to guide can ever actually teach you to write. It s not the case that checking off the points and thinking I ve done that - and that will automatically mean that your submission will be published. What I ve tried to do in this book is to highlight the areas that, after years of writing and publishing my own novels, working with editors and assessing anuscripts for other writers, I think are important and to give pointers to the way they can be handled successfully. Read through the book, do the exercises, and then try to apply what you ve learned to your own work. Hopefully you ll then be able to see where your own personal strengths are and learn more about any weaknesses you have and how to correct them.
Okay? So let s begin!
CHAPTER ONE
FIRST THINGS FIRST
What is a romance?
Before we start, it s vital that we should define exactly what we re trying to write - just what is a romance ? This may seem obvious, but this definition is the central core of the sort of novel I write - and that I m talking about in this book.
If you re interested in writing in the wider ranging field of romantic fiction then this central core still remains the same. But you will need to add in other things - the period details if you are writing a historical novel, the mystery, the thriller plot if you re aiming for suspense, the contemporary setting and references for a chick-lit type of story, the medical background and details if you re writing a medical romance.
So what is a Romance?
A romance novel is the story of a man and a woman who, while solving a problem, discover that the love they feel for each other is the sort that comes along only once in a lifetime - leading to a permanent commitment and a happy ending .
Four Key elements:
A man and a woman (Characters) (For the sake of simplicity I have used the terms hero and heroine throughout this book. But it is perfectly possible to have two males or two females as the central protagonists.)
A problem which threatens to keep them apart (Conflict)
A once-in-a-lifetime love.
A permanent commitment and happy ending
The happy ever after ending is an accepted convention in a romance novel, but it isn t always necessarily a given in all romantic fiction. The same could be said of the once in a lifetime love. In a novel such as the historical saga, particularly one set during war years, there might be a tragic loss of a lover or a husband in the conflict and this could mean an ending without that love in the heroine s life. Equally, under such circumstances, the heroine might find another, second love with whom she faces the future. But the category or series romance usually ends with the hero and heroine committing themselves to each other.
Of course this doesn t necessarily mean that your hero and heroine will be guaranteed to live happily ever after. But this is the point at