Jump Into Audition

Sobaca

Description

Make it a YES! With so much competition, JUMP INTO AUDITION is the must-have guide for your audition. You only get one chance to make a FIRST IMPRESSION so let it count! FULFILL your POTENTIAL! Learn the art of preparing for auditions, tips on appropriate dress and etiquette and how to CONQUER your nerves. This book uncovers the true procedures and expectations behind auditions, so you will know exactly what to expect before you set foot on the stage. Quite simply, if you want to SUCCEED, make sure you don't attend another audition before reading this book. Including tips from choreographers, theatrical producers, singing coaches and seasoned audition professionals, JUMP INTO AUDITION will ensure you enter your audition fully prepared and ready to give the performance of your life. With sections dedicated to musicals, theatre, talent shows, dance companies and TV/film, specific advice is given for your individual type of audition, covering aspects of movement, microphone handling, supporting musical accompaniment, translation, choice of song and cold reading. There are also specific tips on breathing exercises and vocal warm-up techniques, designed to strengthen your voice and ensure a powerful delivery which will impress the judges.

Informations

• Publié par: Andrews UK
• Date de parution: 05 août 2010
• Nombre de lectures: 1
• EAN13: 9781907290275
• Langue: English

Extrait

Title Page
JUMP INTO AUDITION...
IT’S A YES!
A Book By
Sobaca Limited
Publisher Information
Jump Into Audition... It’s a Yes!
Published in 2010 by
Sobaca Limited
5 Fleet Place
EC4M 7RD
www.sobaca.com
Digital Edition converted and distributed by
Andrews UK Limited
www.andrewsuk.com
This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out or otherwise circulated without the publisher’s prior written consent in any form of binding or cover other than that in which it is published, and without a similar condition being imposed on the subsequent purchaser.
Copyright © Sobaca Limited



Introduction
Every Saturday evening, many of us sit down to watch one talent show or another on TV. We are often amazed and truly entertained by some of the wonderful talent that is discovered. We also get to laugh at those who are fooling themselves by thinking they have what it takes to become a star. What we don’t see or appreciate however, is the anxiety of the contestants who wait for hours for their name to be called and their audition to take place, in front of not only a panel of celebrities but the entire nation. For performers, auditions are unfortunately a fact of life. Almost everyone, regardless of age or experience, is nervous about auditioning but believe it or not, that nervousness can be a positive thing, giving your performance a passion and focus that perhaps might not be there otherwise. Yes, that’s right, that feeling of having butterflies in your tummy, that fear of forgetting your lines and not only embarrassing yourself but being rejected is absolutely normal and is not a sign that you’re going to be terrible at your audition.
However, there are some for whom nervousness causes real problems, to the extent that their uncomfortable feelings gradually increase over time to eventually become the sole focus of their attention and negatively affect their performance. Often, they imagine making a mistake and embarrassing themselves, repeating this scenario in their minds before an audition. As a result, they often develop a dry mouth or throat, affecting their vocal performance. In extreme cases, they may feel or actually be sick.
Many experienced performers learn over time, to not necessarily overcome, but certainly to work with these problems by using psychological and breathing techniques to slow down their heart rate, focus their concentration and make the most of their audition.
Nowadays, with the increased popularity of talent shows, there is more pressure on teenagers and young adults to be able to deliver polished performances without the added benefit of experience. To make matters worse, some of the judges on programmes such as these are encouraged to be as critical as possible, to make for good TV viewing. If you are seriously affected by extreme nervousness or stage fright, there is help available and we will go on to discuss what to expect in an audition and techniques you can use to make sure you give the best performance possible. Let’s begin with your preparation.
Chapter 1
Preparation
You should begin preparing for your audition in plenty of time – at least the day before. It helps if you realise that you are unlikely to be 100% happy with your performance. There will always be aspects of it that you feel you could do better, but by preparing fully you will be confident that you know the material and will be less likely to make a mistake. Learn to trust your autopilot! Make sure you have a good night’s sleep beforehand and eat a light meal shortly before the audition. This ensures you will be able to concentrate and it reduces the chance of developing an upset stomach, which could lead to feelings of sickness.
Prepare a checklist and pack everything that you need the day before. Include a small bottle of water, a light lunch, sheet music or your backing tracks if appropriate, makeup, your costume and money. You should also take something to read as you could have to wait around for some time until it’s your turn. Headphones are not a good idea, as you could miss your cue if you can’t hear properly.
Once you arrive at the audition, you should check in and find out the approximate time you will be expected on stage. If it will be a few hours, try and relax, read your book and have something to eat and drink. Once you have about an hour to go, however, you need to start practising your vocals and breathing techniques.
When walking out on stage, greet the accompanist if there is one, say hello to the judges and introduce yourself.