Summary of Melissa Bruder s A Practical Handbook for the Actor
12 pages
English

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Summary of Melissa Bruder's A Practical Handbook for the Actor , livre ebook

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12 pages
English

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Description

Please note: This is a companion version & not the original book.
Sample Book Insights:
#1 The actor must understand that it is not his job to create magical moments, but rather to put himself in the best possible condition to participate in the play at hand. He must understand which aspects of his performance are within his control and which are not, and then devote himself to correcting those things within his control.
#2 The actor must understand that it is not his job to create magical moments, but rather to put himself in the best possible condition to participate in the play. He must understand which aspects of his performance are within his control and which are not, and then devote himself to correcting those things within his control.
#3 The actor must understand that it is not his job to create magical moments, but rather to put himself in the best possible condition to participate in the play.

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Informations

Publié par
Date de parution 18 septembre 2022
Nombre de lectures 0
EAN13 9798350029185
Langue English
Poids de l'ouvrage 1 Mo

Informations légales : prix de location à la page 0,0200€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

Insights on Melissa Bruder's A Practical Handbook for the Actor
Contents Insights from Chapter 1 Insights from Chapter 2 Insights from Chapter 3 Insights from Chapter 4
Insights from Chapter 1



#1

The actor must understand that it is not his job to create magical moments, but rather to put himself in the best possible condition to participate in the play at hand. He must understand which aspects of his performance are within his control and which are not, and then devote himself to correcting those things within his control.

#2

The actor must understand that it is not his job to create magical moments, but rather to put himself in the best possible condition to participate in the play. He must understand which aspects of his performance are within his control and which are not, and then devote himself to correcting those things within his control.

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