Time Machine
59 pages
English

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59 pages
English

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Description

H.G. Wells, the author, has been called the father of science fiction.'The Time Machine' is one of his most notable science fictions. It's a Time Traveller's journey into the future. He explains that there are really four limensions, three of which we call the three planes of the Space, and a fourth, Time. Also, there is no difference between Time and any of the three dimensions of Space except that our consciousness moves along it.The book narrates how the Time Traveller plans for a machine to travel through time and disappear. Comparison between the present time and future time. Like as, the air is free from gnats, the earth from weeds or fungi; everwhere were fruits and sweet and delightful flowers; brilliant butterflies fly hither and thither. The ideal of preventive medicine is attained. Diseases are stamped out. No contagious diseases. Even social triumphs too is effected. Like as, the mankind is housed in splendid shelters, gloriously clothed, and as yet are not engaged in toil. No signs of struggle, neither social nor economical.The population is also ceased to increase.No one can predict anything about the future Time.This book seems very interesting, in this way. Solves many queries raised by the various characters in the book with the Time Traveller.The author has written his best to enthrall the readers.Many future films and Television Series are made on "The Time Machine", which has in turn inspired to write new books on the topic of "The Time Machine".

Informations

Publié par
Date de parution 06 novembre 2020
Nombre de lectures 0
EAN13 9789390287857
Langue English

Informations légales : prix de location à la page 0,0118€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

THE TIME MACHINE
 

 
eISBN: 978-93-9028-785-7
© Publisher
Publisher: Diamond Pocket Books (P) Ltd.
X-30, Okhla Industrial Area, Phase-II New Delhi-110020
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E-mail: ebooks@dpb.in
Website: www.diamondbook.in
Edition: 2020
The Time Machine
By - H.G. Wells
The Time Machine
H erbert George “H. G.” Wells (21 September 1866-13 August 1946) has been called the father of science fiction (along with Jules Verne). His most notable science-fiction works include The War of the Worlds (1897), The Time Machine (1895), The Invisible Man (1897), and The Island of Doctor Moreau (1896). Wells also wrote on topics related to history and social commentary and was involved in politics for much of his life. As he aged, his writing became more realistic and pessimistic. Novels like Kipps and The History of Mr. Polly , which describe lower-middle class life, led to the suggestion that he was a worthy successor to Charles Dickens. Wells described a range of social strata and even attempted, in Tono-Bungay (1909), a diagnosis of English society as a whole.
H. G. Wells was born in Bromley in Kent, England. His family was not well-off; his father, Joseph Wells, worked as a shopkeeper and professional cricket player and his mother, Sarah Neal, was a housekeeper. Wells was the couple’s fourth and last son. At the age of eight a broken leg accelerated his interest in reading. When his father was no longer able to make enough to support the family, Wells became a draper’s assistant at age 13. From 1880 to 1883, Wells had an unhappy apprenticeship as a draper at the Southsea Drapery Emporium, Hyde’s. His experiences at Hyde’s, where he worked a thirteen-hour day shift and slept in a dormitory with other apprentices, later inspired his novels The Wheels of Chance and Kipps , which portray the life of a draper’s apprentice as well as providing a critique of society’s distribution of wealth. However, subsequently he was able to attend the Normal School of Science (later the Royal College of Science in South Kensington, now part of Imperial College London) on a scholarship, where he met Thomas Huxley. Wells went on to teach biology until 1893.
In 1891, Wells married his cousin Isabel Mary Wells; the couple agreed to separate in 1894 when he fell in love with one of his students, Amy Catherine Robbins (later called Jane), whom he married in 1895. Poor health took him to Sandgate, near Folkestone, where in 1901 he constructed a large family home: Spade House. He had two sons with Jane: George Philip in 1901 and Frank Richard in 1903. With his wife Jane’s consent, Wells had affairs with a number of women, including the American birth control activist Margaret Sanger, adventurer and writer Odette Keun and novelist Elizabeth von Arnim. In 1909 he had a daughter, Anna-Jane, with the writer Amber Reeves, whose parents he had met through the Fabian Society; and in 1914, a son, Anthony West, by the novelist and feminist Rebecca West, twenty-six years his junior. In Experiment in Autobiography (1934), Wells wrote: “I was never a great amorist, though I have loved several people very deeply.”
On August 13, 1946, Wells died in London, after living through two World Wars and seeing Orson Welles’ broadcast of The War of the Worlds strike panic in listeners. The War of the Worlds has been both popular (having never gone out of print) and influential, spawning half a dozen feature films, radio dramas, a record album, various comic book adaptations, a television series, and sequels or parallel stories by other authors. It has even influenced the work of scientists, notably Robert Hutchings Goddard.
1
The Time Traveller (for so it will be convenient to speak of him) was expounding a recondite matter to us. His grey eyes shone and twinkled, and his usually pale face was flushed and animated. The fire burned brightly, and the soft radiance of the incandescent lights in the lilies of silver caught the bubbles that flashed and passed in our glasses. Our chairs, being his patents, embraced and caressed us rather than submitted to be sat upon, and there was that luxurious after-dinner atmosphere when thought roams gracefully free of the trammels of precision. And he put it to us in this way—marking the points with a lean forefinger—as we sat and lazily admired his earnestness over this new paradox (as we thought it) and his fecundity.
‘You must follow me carefully. I shall have to controvert one or two ideas that are almost universally accepted. The geometry, for instance, they taught you at school is founded on a misconception.’
‘Is not that rather a large thing to expect us to begin upon?’ said Filby, an argumentative person with red hair.
‘I do not mean to ask you to accept anything without reasonable ground for it. You will soon admit as much as I need from you. You know of course that a mathematical line, a line of thickness nil , has no real existence. They taught you that? Neither has a mathematical plane. These things are mere abstractions.’
‘That is all right,’ said the Psychologist.
‘Nor, having only length, breadth, and thickness, can a cube have a real existence.’
‘There I object,’ said Filby. ‘Of course a solid body may exist. All real things—’
‘So most people think. But wait a moment. Can an instantaneous cube exist?’
‘Don’t follow you,’ said Filby.
‘Can a cube that does not last for any time at all, have a real existence?’
Filby became pensive. ‘Clearly,’ the Time Traveller proceeded, ‘any real body must have extension in four directions: it must have Length, Breadth, Thickness, and—Duration. But through a natural infirmity of the flesh, which I will explain to you in a moment, we incline to overlook this fact. There are really four dimensions, three which we call the three planes of Space, and a fourth, Time. There is, however, a tendency to draw an unreal distinction between the former three dimensions and the latter, because it happens that our consciousness moves intermittently in one direction along the latter from the beginning to the end of our lives.’
‘That,’ said a very young man, making spasmodic efforts to relight his cigar over the lamp; ‘that… very clear indeed.’
‘Now, it is very remarkable that this is so extensively overlooked,’ continued the Time Traveller, with a slight accession of cheerfulness. ‘Really this is what is meant by the Fourth Dimension, though some people who talk about the Fourth Dimension do not know they mean it. It is only another way of looking at Time. There is no difference between Time and any of the three dimensions of Space except that our consciousness moves along it . But some foolish people have got hold of the wrong side of that idea. You have all heard what they have to say about this Fourth Dimension?’
‘ I have not,’ said the Provincial Mayor.
‘It is simply this. That Space, as our mathematicians have it, is spoken of as having three dimensions, which one may call Length, Breadth, and Thickness, and is always definable by reference to three planes, each at right angles to the others. But some philosophical people have been asking why three dimensions particularly—why not another direction at right angles to the other three?—and have even tried to construct a Four-Dimension geometry. Professor Simon Newcomb was expounding this to the New York Mathematical Society only a month or so ago. You know how on a flat surface, which has only two dimensions, we can represent a figure of a three-dimensional solid, and similarly they think that by models of three dimensions they could represent one of four—if they could master the perspective of the thing. See?’
‘I think so,’ murmured the Provincial Mayor; and, knitting his brows, he lapsed into an introspective state, his lips moving as one who repeats mystic words. ‘Yes, I think I see it now,’ he said after some time, brightening in a quite transitory manner.
‘Well, I do not mind telling you I have been at work upon this geometry of Four Dimensions for some time. Some of my results are curious. For instance, here is a portrait of a man at eight years old, another at fifteen, another at seventeen, another at twenty-three, and so on. All these are evidently sections, as it were, Three-Dimensional representations of his Four-Dimensioned being, which is a fixed and unalterable thing.
‘Scientific people,’ proceeded the Time Traveller, after the pause required for the proper assimilation of this, ‘know very well that Time is only a kind of Space. Here is a popular scientific diagram, a weather record. This line I trace with my finger shows the movement of the barometer. Yesterday it was so high, yesterday night it fell, then this morning it rose again, and so gently upward to here. Surely the mercury did not trace this line in any of the dimensions of Space generally recognized? But certainly it traced such a line, and that line, therefore, we must conclude was along the Time-Dimension.’
‘But,’ said the Medical Man, staring hard at a coal in the fire, ‘if Time is really only a fourth dimension of Space, why is it, and why has it always been, regarded as something different? And why cannot we move in Time as we move about in the other dimensions of Space?’
The Time Traveller smiled. ‘Are you sure we can move freely in Space? Right and left we can go, backward and forward freely enough, and men always have done so. I admit we move freely in two dimensions. But how about up and down? Gravitation limits us there.’
‘Not exactly,’ said the Medical Man. ‘There are balloons.’
‘But before the balloons, save for spasmodic jumping and the inequalities of the surface, man had no freedom of vertical movement.’
‘Still they could move a little up and down,’ said the Medical Man.
‘Easier, far easier down than up.’
‘And you cannot move at all in Time, you cannot get away from the present moment.’
‘My dear sir, that is just where you are wrong. That is just where the whole world has gone wrong. We are always getting away from the

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