The Happy Prince and Other Tales
30 pages
English

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30 pages
English

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Description

“The Happy Prince and Other Tales” is a 1888 collection of children's short stories by Oscar Wilde. Beautifully illustrated by Walter Crane, these stories include: “The Happy Prince”, “The Nightingale and the Rose”, “The Selfish Giant”, “The Devoted Friend”, and “The Remarkable Rocket”. Oscar Fingal O'Flahertie Wills Wilde (1854–1900) was an Irish poet and playwright who became one of the most popular in London during the 1880s and 1890s. Well-known for his sharp wit and extravagant attire, Wilde was a proponent of aestheticism and wrote in a variety of forms including poetry, fiction, and drama. He was famously imprisoned for homosexual acts from 1895 to 1897 and died at the age of 46, just three years after his release. A fantastic collection of Wilde's best fiction not to be missed by fans and collectors of his seminal work. Other notable works by this author include: “Picture of Dorian Gray” (1890), “Salome” (1891), and “The Importance of Being Earnest” (1895). Read & Co. Children's is proudly republishing this classic collection of children's short stories now complete with a specially-commissioned new biography of the author.

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Informations

Publié par
Date de parution 08 septembre 2020
Nombre de lectures 0
EAN13 9781528791304
Langue English
Poids de l'ouvrage 1 Mo

Informations légales : prix de location à la page 0,0350€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

The Happy Prince
AND OTHER TALES
By
OSCAR WILDE
With Illustrations By
WALTER CRANE

First published in 1888



Copyright © 2020 Read & Co. Children's
This edition is published by Read & Co. Children's, an imprint of Read & Co.
This book is copyright and may not be reproduced or copied in any way without the express permission of the publisher in writing.
British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library.
Read & Co. is part of Read Books Ltd. For more information visit www.readandcobooks.co.uk


To Carlos Blacker


Contents
O scar Wilde 7
THE HA PPY PRINCE 9
THE NIGHTINGALE AND THE ROSE 21
THE SELF ISH GIANT 29
THE DEVOT ED FRIEND 35
THE REMARKAB LE ROCKET 47


Illustrations
THE HAP PY PRINCE 11
THE SELF ISH GIANT 30
THE REMARKAB LE ROCKET 50



Oscar Wilde
Oscar Fingal O'Flahertie Wills Wilde was born in Dublin in 1854. His parents were successful Dublin intellectuals, and Wilde became fluent in French and German early in life. He studied at Trinity College, Dublin, and subsequently won a scholarship to Magdalen College, Oxford, where he was heavily influenced by John Ruskin and Walter Pate. Wilde proved himself to be an outstanding classicist. After university, he moved to London and became involved with the fashionable cultural and social circles of the day. At the age of just 25 he was well-known as a wit and a dandy, and as a spokesman for aestheticism — an artistic movement that emphasized aesthetic values ahead of socio-political themes — he undertook a lecture tour to the United States in 1882, before eventually returning to London to try his hand at journalism. It was also around this time that he produced most of his well-known sh ort fiction.
In 1891, Wilde published The Picture of Dorian Gray, his only novel. Reviewers criticised the novel's decadence and homosexual allusions, although it was popular nonetheless. From 1892, Wilde focussed on playwriting. In that year, he gained commercial and critical success with Lady Windermere's Fan, and followed it with the comedy A Woman of No Importance (1893) and An Ideal Husband (1895). Then came Wilde's most famous play, The Importance of Being Earnest – a farcical comedy which cemented his artistic reputation and is now seen as his masterpiece.
In 1895, the Marquess of Queensbury, who objected to his son spending so much time with Wilde because of Wilde's flamboyant behaviour and reputation, publicly insulted him. In response, Wilde brought an unsuccessful slander suit against him. The result of this inability to prove slander was his own trial on charges of sodomy, and the revealing to the transfixed Victorian public of salacious details of Wilde's private life followed. Wilde was found guilty and sentenced to two years of hard labour.
Wilde was released from prison in 1897, having suffered from a number of ailments and injuries. He left England the next day for the continent, to spend his last three years in penniless exile. He settled in Paris, and didn't write anymore, declaring “I can write, but have lost the joy of writing.” Wilde died of cerebral meningitis on in November of 1900, converting to Catholicism on h is deathbed.




THE HAPPY PRINCE
High above the city, on a tall column, stood the statue of the Happy Prince. He was gilded all over with thin leaves of fine gold, for eyes he had two bright sapphires, and a large red ruby glowed on his sword-hilt.
He was very much admired indeed. “He is as beautiful as a weathercock,” remarked one of the Town Councillors who wished to gain a reputation for having artistic tastes; “only not quite so useful,” he added, fearing lest people should think him unpractical, which he rea lly was not.
“Why can’t you be like the Happy Prince?” asked a sensible mother of her little boy who was crying for the moon. “The Happy Prince never dreams of crying fo r anything.”
“I am glad there is some one in the world who is quite happy,” muttered a disappointed man as he gazed at the wonde rful statue.
“He looks just like an angel,” said the Charity Children as they came out of the cathedral in their bright scarlet cloaks and their clean whit e pinafores.
“How do you know?” said the Mathematical Master, “you have neve r seen one.”
“Ah! but we have, in our dreams,” answered the children; and the Mathematical Master frowned and looked very severe, for he did not approve of childr en dreaming.
One night there flew over the city a little Swallow. His friends had gone away to Egypt six weeks before, but he had stayed behind, for he was in love with the most beautiful Reed. He had met her early in the spring as he was flying down the river after a big yellow moth, and had been so attracted by her slender waist that he had stopped to talk to her.
“Shall I love you?” said the Swallow, who liked to come to the point at once, and the Reed made him a low bow. So he flew round and round her, touching the water with his wings, and making silver ripples. This was his courtship, and it lasted all through the summer.
“It is a ridiculous attachment,” twittered the other Swallows; “she has no money, and far too many relations”; and indeed the river was quite full of Reeds. Then, when the autumn came they al l flew away.
After they had gone he felt lonely, and began to tire of his lady-love. “She has no conversation,” he said, “and I am afraid that she is a coquette, for she is always flirting with the wind.” And certainly, whenever the wind blew, the Reed made the most graceful curtseys. “I admit that she is domestic,” he continued, “but I love travelling, and my wife, consequently, should love trave lling also.”
“Will you come away with me?” he said finally to her; but the Reed shook her head, she was so attached to her home.
“You have been trifling with me,” he cried. “I am off to the Pyramids. Good-bye!” and h e flew away.
All day long he flew, and at night-time he arrived at the city. “Where shall I put up?” he said; “I hope the town has made pr eparations.”
Then he saw the statue on the tall column.
“I will put up there,” he cried; “it is a fine position, with plenty of fresh air.” So he alighted just between the feet of the H appy Prince.
“I have a golden bedroom,” he said softly to himself as he looked round, and he prepared to go to sleep; but just as he was putting his head under his wing a large drop of water fell on him. “What a curious thing!” he cried; “there is not a single cloud in the sky, the stars are quite clear and bright, and yet it is raining. The climate in the north of Europe is really dreadful. The Reed used to like the rain, but that was merely her s elfishness.”
Then anothe r drop fell.




THE HAPPY PRINCE
“What is the use of a statue if it cannot keep the rain off?” he said; “I must look for a good chimney-pot,” and he determined to fly away.
But before he had opened his wings, a third drop fell, and he looked up, and saw—Ah! what did he see?
The eyes of the Happy Prince were filled with tears, and tears were running down his golden cheeks. His face was so beautiful in the moonlight that the little Swallow was fille d with pity.
“Who are yo u?” he said.
“I am the Ha ppy Prince.”
“Why are you weeping then?” asked the Swallow; “you have quite d renched me.”
“When I was alive and had a human heart,” answered the statue, “I did not know what tears were, for I lived in the Palace of Sans-Souci, where sorrow is not allowed to enter. In the daytime I played with my companions in the garden, and in the evening I led the dance in the Great Hall. Round the garden ran a very lofty wall, but I never cared to ask what lay beyond it, everything about me was so beautiful. My courtiers called me the Happy Prince, and happy indeed I was, if pleasure be happiness. So I lived, and so I died. And now that I am dead they have set me up here so high that I can see all the ugliness and all the misery of my city, and though my heart is made of lead yet I cannot chos e but weep.”
“What! is he not solid gold?” said the Swallow to himself. He was too polite to make any personal remar ks out loud.
“Far away,” continued the statue in a low musical voice, “far away in a little street there is a poor house. One of the windows is open, and through it I can see a woman seated at a table. Her face is thin and worn, and she has coarse, red hands, all pricked by the needle, for she is a seamstress. She is embroidering passion-flowers on a satin gown for the loveliest of the Queen’s maids-of-honour to wear at the next Court-ball. In a bed in the corner of the room her little boy is lying ill. He has a fever, and is asking for oranges. His mother has nothing to give him but river water, so he is crying. Swallow, Swallow, little Swallow, will you not bring her the ruby out of my sword-hilt? My feet are fastened to this pedestal and I c annot move.”
“I am waited for in Egypt,” said the Swallow. “My friends are flying up and down the Nile, and talking

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