Modern Instance
291 pages
English

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291 pages
English

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Description

With its original publication in 1882, the novel A Modern Instance created a scandal, as it was one of the first American novels ever to depict divorce as a viable -- and sometimes even logical -- possibility. The marriage between Marcia and Bartley Hubbard is slowly torn apart as Bartley is gradually consumed by greed.

Informations

Publié par
Date de parution 01 février 2017
Nombre de lectures 0
EAN13 9781776675937
Langue English

Informations légales : prix de location à la page 0,0134€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

A MODERN INSTANCE
* * *
WILLIAM DEAN HOWELLS
 
*
A Modern Instance First published in 1882 Epub ISBN 978-1-77667-593-7 Also available: PDF ISBN 978-1-77667-594-4 © 2015 The Floating Press and its licensors. All rights reserved. While every effort has been used to ensure the accuracy and reliability of the information contained in The Floating Press edition of this book, The Floating Press does not assume liability or responsibility for any errors or omissions in this book. The Floating Press does not accept responsibility for loss suffered as a result of reliance upon the accuracy or currency of information contained in this book. Do not use while operating a motor vehicle or heavy equipment. Many suitcases look alike. Visit www.thefloatingpress.com
Contents
*
Introduction Chapter I Chapter II Chapter III Chapter IV Chapter V Chapter VI Chapter VII Chapter VIII Chapter IX Chapter X Chapter XI Chapter XII Chapter XIII Chapter XIV Chapter XV Chapter XVI Chapter XVII Chapter XVIII Chapter XIX Chapter XX Chapter XXI Chapter XXII Chapter XXIII Chapter XXIV Chapter XXV Chapter XXVI Chapter XXVII Chapter XXVIII Chapter XXIX Chapter XXX Chapter XXXI Chapter XXXII Chapter XXXIII Chapter XXXIV Chapter XXXV Chapter XXXVI Chapter XXXVII Chapter XXXVIII Chapter XXXIX Chapter XL Chapter XLI
Introduction
*
Mr. Howells has written a long series of poems, novels, sketches, stories,and essays, and has been perhaps the most continuous worker in the literaryart among American writers. He was born at Martin's Perry, Belmont County,Ohio, March 1, 1837, and the experiences of his early life have beendelightfully told by himself in A Boy's Town , My Year in a Log Cabin ,and My Literary Passions . These books, which seem like pastimes in themidst of Howells's serious work, are likely to live long, not only asplayful autobiographic records, but as vivid pictures of life in the middlewest in the middle of the nineteenth century. The boy lived in a home wherefrugality was the law of economy, but where high ideals of noble livingwere cheerfully maintained, and the very occupations of the householdtended to stimulate literary activity. He read voraciously and with aninstinctive scent for what was great and permanent in literature, andin his father's printing-office learned to set type, and soon to makecontributions to the local journals. He went to the state Capitol to reportthe proceedings of the legislature, and before he was twenty-two had becomenews editor of the State Journal of Columbus, Ohio.
But at the same time he had given clear intimations of his literaryskill, and had contributed several poems to the Atlantic Monthly . Hisintroduction to literature was in the stirring days just before the war forthe Union, and he had a generous enthusiasm for the great principles whichwere then at stake. Yet the political leaven chiefly caused the breadhe was baking to rise, and his native genius was distinctly for work increative literature. His contribution to the political writing of the day,besides his newspaper work, was a small campaign life of Lincoln; andshortly after the incoming of the first Republican administration hereceived the appointment of consul at Venice.
At Venice he remained from 1861 to 1865, and these years may fairly betaken as standing for his university training. He carried with him toEurope some conversance with French, German, Spanish, and Italian, and aninsatiable thirst for literature in these, languages. Naturally now heconcentrated his attention on the Italian language and literature, butafter all he was not made for a microscopic or encyclopaedic scholar, leastof all for a pedant. What he was looking for in literature, though hescarcely so stated it to himself at the time, was human life, and itwas this first-hand acquaintance he was acquiring with life in anothercircumstance that constituted his real training in literature. To pass fromOhio straight to Italy, with the merest alighting by the way in New Yorkand Boston, was to be transported from one world to another; but he carriedwith him a mind which had already become naturalized in the large world ofhistory and men through the literature in which he had steeped his mind. Noone can read the record of the books he had revelled in, and observe theagility with which he was absorbed, successively, in books of greatlyvarying character, without perceiving how wide open were the windows of hismind; and as the light streamed in from all these heavens, so the inmatelooked out with unaffected interest on the views spread before him.
Thus it was that Italy and Venice in particular afforded him at once thegreatest delight and also the surest test of his growing power. The swiftobservation he had shown in literature became an equally rapid survey ofall these novel forms before him. The old life embedded in this historiccountry became the book whose leaves he turned, but he looked with thegreatest interest and most sympathetic scrutiny on that which passedbefore his eyes. It was novel, it was quaint, it was filled with curious,unexpected betrayals of human nature, but it was above all real, actual,a thing to be touched and as it were fondled by hands that were deft bynature and were quickly becoming more skilful by use. Mr. Howells began towrite letters home which were printed in the Boston Daily Advertiser , andgrew easily into a book which still remains in the minds of many of hisreaders the freshest of all his writings, Venetian Life . This wasfollowed shortly by Italian Journeys , in which Mr. Howells gathered hisobservations made in going from place to place in Italy. A good many yearslater, after returning to the country of his affection, he wrote a thirdbook of a similar character under the title of Tuscan Cities . But his useof Italy in literature was not confined to books of travels; he made andpublished studies of Italian literature, and he wove the life of thecountry into fiction in a charming manner. Illustrations may be found in A Foregone Conclusion , one of the happiest of his novels, whose sceneis laid in Venice, in The Lady of the Aroostook , and in many slightsketches.
When Mr. Howells returned to America at the close of his term as consul, hefound warm friends whom he had made through his writings. He served for ashort time on the staff of The Nation , of New York, and then was invitedto Boston to take the position of assistant editor of the AtlanticMonthly under Mr. Fields. This was in 1866, and five years later, on theretirement of Mr. Fields, he became editor, and remained in the positionuntil 1881, living during this period in Cambridge. He was not only editorof the magazine; he was really its chief contributor. Any one who takes thetrouble to examine the pages of the Atlantic Index will see how far hiswork outnumbers in titles that of all other contributors, and the range ofhis work was great.
He wrote a large proportion of the reviews of books, which in thosedays constituted a marked feature of the magazine. These reviews wereconscientiously written, and showed penetration and justice, but they hadbesides a felicitous and playful touch which rendered them delightfulreading, even though one knew little or cared little for the book reviewed.Sometimes, though not often, he wrote poems, but readers soon learnedto look with eagerness for a kind of writing which seemed almost moreindividual with him than any other form of writing. We mean the humoroussketches of every-day life, in which he took scenes of the commonestsort and drew from them an inherent life which most never suspected, yetconfessed the moment he disclosed it. He would do such a common-placething as take an excursion down the harbor, or even a ride to town in ahorse-car, and come back to turn his experience into a piece of genuineliterature. A number of these pieces were collected into a volume entitled Suburban Sketches .
It is interesting to observe how slowly yet surely Mr. Howells drewnear the great field of novel-writing, and how deliberately he laid thefoundations of his art. First, the graceful sketch which was hardlymore than a leaf out of his note-book; then the blending of travel withcharacter-drawing, as in A Chance Acquaintance and Their WeddingJourney , and later stories of people who moved about and thus found theincidents which the author had not to invent, as in The Lady of theAroostook . Meanwhile, the eye which had taken note of surface effects wasbeginning to look deeper into the springs of being, and the hand which haddescribed was beginning to model figures also which stood alone.
So there followed a number of little dramatic sketches, where the personsof the drama carried on their little play; and since they were not on astage before the spectator, the author constructed a sort of literary stagefor the reader; that is to say, he supplied by paragraphs what in a regularplay would be stage directions. This is seen in such little comedies as ACounterfeit Presentment , which, indeed, was put on the stage. But insteadof pushing forward on this line into the field of great drama, Mr. Howellscontented himself with dexterous strokes with a fine pen, so to speak, andcreated a number of sparkling farces like The Parlor Car .
The real issue of all this practice in the dramatic art was to disengagethe characters he created from too close dependence on the kind ofcircumstance, as of travel, which the author did not invent, and to givethem substantial life in the working out of the drama of their spiritualevolution. Thus by the time he was released from editorial work, Mr.Howells was ready for the thorough-going novel, and he gave to readers suchexamples of art as A Modern Instance , The Rise of Silas Lapham , andthat most important of all his novels, A Hazard of New Fortunes . By thetime this last novel was written, he had become thoroughly interested, notmerely in the men, women, and children about him, but in that mysterious,complex order named by us society,

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