Northhanger Abbey - Persuasion

Jane Austen

Description

This volume contains the first and last novels Jane Austen ever wrote: “Northanger Abbey” and “Persuasion”—both of which were published posthumously. Her first novel, “Northanger Abbey” is a satire of the popular Gothic novels of the time that has at its heart a woman who, unlike her peers who crave wealth or social acceptance, wants only for an authentic happiness based on morality. “Persuasion” is the story of Anne Elliot, an Englishwoman who is surprised to find that her family has rented their house to her now-married fiancé from seven years previous. The stage is set for humorous situations and the promise of a rekindling of old flames. Jane Austen (1775 – 1817) was an English author known primarily for her novels, which critique the 18th century English upper classes and contemporary novels of sensibility. Her use of irony coupled with biting social commentary and realism have led to her wide acclaim amongst scholars and critics, her work contributing to the transition to 19th-century literary realism. Other notable works by this author include: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), and “Mansfield Park” (1814). Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.

Sujets

• Classics
• Fiction

Informations

• Publié par: Read Books Ltd.
• Date de parution: 23 mars 2011
• Nombre de lectures: 0
• EAN13: 9781446546697
• Langue: English
• Poids de l'ouvrage: 2 Mo

Extrait

NORTHANGER ABBEY & PERSUAION
By
JANE AUSTEN
First published in 1818


This edition published by Read Books Ltd. Copyright © 2018 Read Books Ltd. This book is copyright and may not be
reproduced or copied in any way without
the express permission of the publisher in writing
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library


CONTENTS
Jane Austen
NORTHANGER ABBEY
ADVERTISEMENT BY THE AUTHORESS, TO NORT HANGER ABBEY
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
CHAPTER 14
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
CHAPTER 19
CHAPTER 20
CHAPTER 21
CHAPTER 22
CHAPTER 23
CHAPTER 24
CHAPTER 25
CHAPTER 26
CHAPTER 27
CHAPTER 28
CHAPTER 29
CHAPTER 30
CHAPTER 31
PERSUASION
VOLUME I
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
VOLUME II
CHAPTER 13
CHAPTER 14
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
CHAPTER 19
CHAPTER 20
CHAPTER 21
CHAPTER 22
CHAPTER 23
CHAPTER 24


Jane Austen
Jane Austen was an English novelist whose works of romantic fiction, set among the landed gentry, earned her a place as one of the most widely read writers in English literature. Her realism, biting irony and social commentary have gained her historical importance among the reading public, scholars and cr itics alike.
Austen was born on 16th December 1775, and lived her entire life as part of a close-knit family located on the lower fringes of the English landed gentry. Biographical information on Jane Austen is incredibly scarce however, as only some personal and family letters remain. She was educated primarily by her father and older brothers as well as through her own reading. Jane spent most of her early years being schooled at home, until leaving for boarding school at the age of ten, alongside her elder sister Cassandra. They left one year later though (1786) as the family could not afford to send both of their daughters to school. According to Park Honan, a biographer of Austen, life in the Austen home was lived in ‘an open, amused, easy intellectual atmosphere’ where the ideas of those with whom the Austens might disagree politically or socially were ‘considered and discussed.’ After returning from school in 1786, Austen ‘never again lived anywhere beyond the bounds of her immediate family e nvironment.’
Her artistic apprenticeship lasted from her teenage years into her thirties. As Austen grew into adulthood, she continued to live at her parents’ home, carrying out those activities normal for women of her age and social standing: she practised the fortepiano, assisted her sister and mother with supervising servants, and attended female relatives during childbirth and older relatives on their deathbeds. During this period, she experimented with various literary forms, including the epistolary novel (a novel written as a series of documents) which she then abandoned, and wrote and extensively revised three major novels and began a fourth. Lady Susan, written between 1793 and 1795 was an experiment of this kind; taking the form of a series of letters, it is described as Austen’s most ambitious and sophisticated early work. Austen biographer Claire Tomalin describes the heroine of the novella as a ‘sexual predator who uses her intelligence and charm to manipulate, betray, and abuse her victims, whether lovers, friends or family.’
In 1800, George Austen (Jane’s father), announced his decision to retire from his post in the ministry and move the family to Bath. Jane Austen was incredibly unsettled and unhappy in Bath, and sadly her father passed away during this period. This left the family in a precarious financial position and in 1805 Jane, her sisters and her mother lived in rented quarters. They moved to ‘Chawton Cottage’ in Hampshire in 1809. A gift from Austen’s brother Edward, this cottage allowed the family a more settled life and in a quieter, more tranquil setting. Austen was thus able to concentrate on her writing. From 1811 until 1816, with the release of Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814) and Emma (1815), she achieved success as a publis hed writer.
Through her brother Henry, the publisher Thomas Egerton agreed to issue Sense and Sensibility, and the earnings from the novel provided Austen with some much needed financial and psychological independence. Egerton then published Pride and Prejudice , a revision of First Impressions , in January 1813. He advertised the book widely and it was an immediate success, garnering three favourable reviews and selling well. Mansfield Park followed, but was not popular, and the failure of this title offset most of the profits Austen earned on Emma. These were the last of Austen’s novels to be published during her lifetime. She wrote two additional novels, Northanger Abbey and Persuasion , both published posthumously in 1818, and began a third, which was eventually titled Sanditon, but died before co mpleting it.
Early in 1816, Jane Austen began to feel unwell. She ignored her illness at first and continued to work and to participate in the usual round of family activities. By the middle of that year, her decline was unmistakable to Austen and to her family, and Austen’s physical condition began a long, slow deterioration, culminating in her death the following year. Some biographers assign her symptoms to Addison’s disease, and others to Hodgkin’s lymphoma or even bovine tuberculosis from drinking unpasteurised milk; she was weak and couldn’t walk from stiff joints. Austen died in Winchester, whilst seeking medical treatment, on 18th July 1817, at the age of forty-one. She is buried in the north aisle of the nave of Winchester Cathedral.
Austen’s works critique the novels of sensibility of the second half of the eighteenth century and are part of the transition to nineteenth century realism. Her plots, though fundamentally comic, highlight the dependence of women on marriage to secure social standing and economic security. Her works though usually popular, were first published anonymously and brought her little personal fame and only a few positive reviews during her lifetime. It was the publication in 1869 of her nephew’s A Memoir of Jane Austen that introduced her to a wider public, and by the 1940s she had become widely accepted in academia as a great English writer. The second half of the twentieth century saw a proliferation of Austen scholarship and the emergence of a Janeite fan culture. Her novels are still well-read, studied and loved right up to the present day.


NORTHANGER ABBEY
by
JANE AUSTEN
First published in 1818


A DVERTISEMENT BY THE AUTHORESS, TO NORTHANGER ABBEY
THIS little work was finished in the year 1803, and intended for immediate publication. It was disposed of to a bookseller, it was even advertised, and why the business proceeded no farther, the author has never been able to learn. That any bookseller should think it worth-while to purchase what he did not think it worth-while to publish seems extraordinary. But with this, neither the author nor the public have any other concern than as some observation is necessary upon those parts of the work which thirteen years have made comparatively obsolete. The public are entreated to bear in mind that thirteen years have passed since it was finished, many more since it was begun, and that during that period, places, manners, books, and opinions have undergone considera ble changes.


CHAPTER 1
No one who had ever seen Catherine Morland in her infancy would have supposed her born to be an heroine. Her situation in life, the character of her father and mother, her own person and disposition, were all equally against her. Her father was a clergyman, without being neglected, or poor, and a very respectable man, though his name was Richard—and he had never been handsome. He had a considerable independence besides two good livings—and he was not in the least addicted to locking up his daughters. Her mother was a woman of useful plain sense, with a good temper, and, what is more remarkable, with a good constitution. She had three sons before Catherine was born; and instead of dying in bringing the latter into the world, as anybody might expect, she still lived on—lived to have six children more—to see them growing up around her, and to enjoy excellent health herself. A family of ten children will be always called a fine family, where there are heads and arms and legs enough for the number; but the Morlands had little other right to the word, for they were in general very plain, and Catherine, for many years of her life, as plain as any. She had a thin awkward figure, a sallow skin without colour, dark lank hair, and strong features—so much for her person; and not less unpropitious for heroism seemed her mind. She was fond of all boy's plays, and greatly preferred cricket not merely to dolls, but to the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush. Indeed she had no taste for a garden; and if she gathered flowers at all, it was chiefly for the pleasure of mischief—at least so it was conjectured from her always preferring those which she was forbidden to take. Such were her propensities—her abilities were quite as extraordinary. She never could learn or understand anything before she was taught; and sometimes not even then, for she was often inattentive, and