Persuasion

Sarah Chauncey Woolsey, Jane Austen

Description

A subtly subversive Regency romance, Persuasion, is a classic of English literature. A delightful insight into the foibles and follies of English high society, Jane Austen’s wit continues to sparkle in her last published novel.

Amidst the frivolity of Regency England, a young woman named Anne Elliot finds herself aged 27 with few love prospects. Seven years earlier, she was engaged to the eligible Frederick Wentworth until her friend, Lady Russell, persuaded her to end the affair. Through a twist of fate, their paths cross again after nearly a decade, and the scene is set for humorous situations, tense romantic encounters, and the promise of a rekindling of old flames.

Published in 1817, Persuasion was Jane Austen’s last published work and has been adored by readers for centuries. Adapted multiple times for film, television, and theatre, this timeless novel captures the spirit of Anne Elliot, a charming young woman caught in the throws of a rapidly changing society.

Sujets

• Classics
• Fiction

Informations

• Publié par: Read Books Ltd.
• Date de parution: 11 septembre 2018
• Nombre de lectures: 0
• EAN13: 9781528786034
• Langue: English
• Poids de l'ouvrage: 1 Mo

Extrait

PERSUASION
by
JANE AUSTEN
First published in 1818


This edition published by Read Books Ltd. Copyright © 2018 Read Books Ltd. This book is copyright and may not be
reproduced or copied in any way without
the express permission of the publisher in writing
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library


CONTENTS
Jane Austen
VOLUME I
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
VOLUME II
CHAPTER 13
CHAPTER 14
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
CHAPTER 19
CHAPTER 20
CHAPTER 21
CHAPTER 22
CHAPTER 23
CHAPTER 24


Jane Austen
Jane Austen was an English novelist whose works of romantic fiction, set among the landed gentry, earned her a place as one of the most widely read writers in English literature. Her realism, biting irony and social commentary have gained her historical importance among the reading public, scholars and cr itics alike.
Austen was born on 16th December 1775, and lived her entire life as part of a close-knit family located on the lower fringes of the English landed gentry. Biographical information on Jane Austen is incredibly scarce however, as only some personal and family letters remain. She was educated primarily by her father and older brothers as well as through her own reading. Jane spent most of her early years being schooled at home, until leaving for boarding school at the age of ten, alongside her elder sister Cassandra. They left one year later though (1786) as the family could not afford to send both of their daughters to school. According to Park Honan, a biographer of Austen, life in the Austen home was lived in ‘an open, amused, easy intellectual atmosphere’ where the ideas of those with whom the Austens might disagree politically or socially were ‘considered and discussed.’ After returning from school in 1786, Austen ‘never again lived anywhere beyond the bounds of her immediate family e nvironment.’
Her artistic apprenticeship lasted from her teenage years into her thirties. As Austen grew into adulthood, she continued to live at her parents’ home, carrying out those activities normal for women of her age and social standing: she practised the fortepiano, assisted her sister and mother with supervising servants, and attended female relatives during childbirth and older relatives on their deathbeds. During this period, she experimented with various literary forms, including the epistolary novel (a novel written as a series of documents) which she then abandoned, and wrote and extensively revised three major novels and began a fourth. Lady Susan, written between 1793 and 1795 was an experiment of this kind; taking the form of a series of letters, it is described as Austen’s most ambitious and sophisticated early work. Austen biographer Claire Tomalin describes the heroine of the novella as a ‘sexual predator who uses her intelligence and charm to manipulate, betray, and abuse her victims, whether lovers, friends or family.’
In 1800, George Austen (Jane’s father), announced his decision to retire from his post in the ministry and move the family to Bath. Jane Austen was incredibly unsettled and unhappy in Bath, and sadly her father passed away during this period. This left the family in a precarious financial position and in 1805 Jane, her sisters and her mother lived in rented quarters. They moved to ‘Chawton Cottage’ in Hampshire in 1809. A gift from Austen’s brother Edward, this cottage allowed the family a more settled life and in a quieter, more tranquil setting. Austen was thus able to concentrate on her writing. From 1811 until 1816, with the release of Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814) and Emma (1815), she achieved success as a publis hed writer.
Through her brother Henry, the publisher Thomas Egerton agreed to issue Sense and Sensibility, and the earnings from the novel provided Austen with some much needed financial and psychological independence. Egerton then published Pride and Prejudice , a revision of First Impressions , in January 1813. He advertised the book widely and it was an immediate success, garnering three favourable reviews and selling well. Mansfield Park followed, but was not popular, and the failure of this title offset most of the profits Austen earned on Emma. These were the last of Austen’s novels to be published during her lifetime. She wrote two additional novels, Northanger Abbey and Persuasion , both published posthumously in 1818, and began a third, which was eventually titled Sanditon, but died before co mpleting it.
Early in 1816, Jane Austen began to feel unwell. She ignored her illness at first and continued to work and to participate in the usual round of family activities. By the middle of that year, her decline was unmistakable to Austen and to her family, and Austen’s physical condition began a long, slow deterioration, culminating in her death the following year. Some biographers assign her symptoms to Addison’s disease, and others to Hodgkin’s lymphoma or even bovine tuberculosis from drinking unpasteurised milk; she was weak and couldn’t walk from stiff joints. Austen died in Winchester, whilst seeking medical treatment, on 18th July 1817, at the age of forty-one. She is buried in the north aisle of the nave of Winchester Cathedral.
Austen’s works critique the novels of sensibility of the second half of the eighteenth century and are part of the transition to nineteenth century realism. Her plots, though fundamentally comic, highlight the dependence of women on marriage to secure social standing and economic security. Her works though usually popular, were first published anonymously and brought her little personal fame and only a few positive reviews during her lifetime. It was the publication in 1869 of her nephew’s A Memoir of Jane Austen that introduced her to a wider public, and by the 1940s she had become widely accepted in academia as a great English writer. The second half of the twentieth century saw a proliferation of Austen scholarship and the emergence of a Janeite fan culture. Her novels are still well-read, studied and loved right up to the present day.


VOLUME I
CHAPTER 1
Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs changed naturally into pity and contempt as he turned over the almost endless creations of the last century; and there, if every other leaf were powerless, he could read his own history with an interest which never failed. This was the page at which the favourite volume al ways opened:
"ELLIOT OF KELLYNCH HALL.
"Walter Elliot, born March 1, 1760, married, July 15, 1784, Elizabeth, daughter of James Stevenson, Esq. of South Park, in the county of Gloucester, by which lady (who died 1800) he has issue Elizabeth, born June 1, 1785; Anne, born August 9, 1787; a still-born son, November 5, 1789; Mary, born Novembe r 20, 1791."
Precisely such had the paragraph originally stood from the printer's hands; but Sir Walter had improved it by adding, for the information of himself and his family, these words, after the date of Mary's birth--"Married, December 16, 1810, Charles, son and heir of Charles Musgrove, Esq. of Uppercross, in the county of Somerset," and by inserting most accurately the day of the month on which he had lo st his wife.
Then followed the history and rise of the ancient and respectable family, in the usual terms; how it had been first settled in Cheshire; how mentioned in Dugdale, serving the office of high sheriff, representing a borough in three successive parliaments, exertions of loyalty, and dignity of baronet, in the first year of Charles II, with all the Marys and Elizabeths they had married; forming altogether two handsome duodecimo pages, and concluding with the arms and motto:--"Principal seat, Kellynch Hall, in the county of Somerset," and Sir Walter's handwriting again in th is finale:--
"Heir presumptive, William Walter Elliot, Esq., great grandson of the second Sir Walter."
Vanity was the beginning and the end of Sir Walter Elliot's character; vanity of person and of situation. He had been remarkably handsome in his youth; and, at fifty-four, was still a very fine man. Few women could think more of their personal appearance than he did, nor could the valet of any new made lord be more delighted with the place he held in society. He considered the blessing of beauty as inferior only to the blessing of a baronetcy; and the Sir Walter Elliot, who united these gifts, was the constant object of his warmest respect a nd devotion.
His good looks and his rank had one fair claim on his attachment; since to them he must have owed a wife of very superior character to any thing deserved by his own. Lady Elliot had been an excellent woman, sensible and amiable; whose judgement and conduct, if they might be pardoned the youthful infatuation which made her Lady Elliot, had never required indulgence afterwards.--She had humoured, or softened, or concealed his failings, and promoted his real respectability for seventeen years; and though not the very happiest being in the world herself, had found enough in her duties, her friends, and her children, to attach her to life, and make it no matter of indifference to her when she was called on to quit them.--Three girls, the two eldest sixt