Pride and Prejudice
180 pages
English

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180 pages
English

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“Pride and Prejudice” is a 1813 romantic novel by seminal English author Jane Austen. The story revolves around Elizabeth Bennet, a 20-year-old English woman who, as she matures, must learn the difference between the superficial and the necessary. Elizabeth, her five sisters, and their father live on Longbourn estate, a large property that will not be inherited by any of his daughters when their father dies. Because of this, it is vital that at least one of the daughters marries well as to support her sisters in later life. “Pride and Prejudice” is arguably one of the best-loved novels in English literature, having sold more than 20 million copies. Jane Austen (1775 – 1817) was an English author known primarily for her novels, which critique the 18th century English upper classes and contemporary novels of sensibility. Her use of irony coupled with biting social commentary and realism have led to her wide acclaim amongst scholars and critics, her work contributing to the transition to 19th-century literary realism. Other notable works by this author include: “Sense and Sensibility” (1811), “Emma” (1816), and “Mansfield Park” (1814). Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.

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Informations

Publié par
Date de parution 11 septembre 2018
Nombre de lectures 0
EAN13 9781528786119
Langue English
Poids de l'ouvrage 1 Mo

Informations légales : prix de location à la page 0,0500€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

PRIDE AND PREJUDICE
by
JANE AUSTEN
First published in 1813


This edition published by Read Books Ltd. Copyright © 2018 Read Books Ltd. This book is copyright and may not be
reproduced or copied in any way without
the express permission of the publisher in writing
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library


CONTENTS
Jane Austen
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
CHAPTER 14
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
CHAPTER 19
CHAPTER 20
CHAPTER 21
CHAPTER 22
CHAPTER 23
CHAPTER 24
CHAPTER 25
CHAPTER 26
CHAPTER 27
CHAPTER 28
CHAPTER 29
CHAPTER 30
CHAPTER 31
CHAPTER 32
CHAPTER 33
CHAPTER 34
CHAPTER 35
CHAPTER 36
CHAPTER 37
CHAPTER 38
CHAPTER 39
CHAPTER 40
CHAPTER 41
CHAPTER 42
CHAPTER 43
CHAPTER 44
CHAPTER 45
CHAPTER 46
CHAPTER 47
CHAPTER 48
CHAPTER 49
CHAPTER 50
CHAPTER 51
CHAPTER 52
CHAPTER 53
CHAPTER 54
CHAPTER 55
CHAPTER 56
CHAPTER 57
CHAPTER 58
CHAPTER 59
CHAPTER 60
CHAPTER 61


Jane Austen
Jane Austen was an English novelist whose works of romantic fiction, set among the landed gentry, earned her a place as one of the most widely read writers in English literature. Her realism, biting irony and social commentary have gained her historical importance among the reading public, scholars and cr itics alike.
Austen was born on 16th December 1775, and lived her entire life as part of a close-knit family located on the lower fringes of the English landed gentry. Biographical information on Jane Austen is incredibly scarce however, as only some personal and family letters remain. She was educated primarily by her father and older brothers as well as through her own reading. Jane spent most of her early years being schooled at home, until leaving for boarding school at the age of ten, alongside her elder sister Cassandra. They left one year later though (1786) as the family could not afford to send both of their daughters to school. According to Park Honan, a biographer of Austen, life in the Austen home was lived in ‘an open, amused, easy intellectual atmosphere’ where the ideas of those with whom the Austens might disagree politically or socially were ‘considered and discussed.’ After returning from school in 1786, Austen ‘never again lived anywhere beyond the bounds of her immediate family e nvironment.’
Her artistic apprenticeship lasted from her teenage years into her thirties. As Austen grew into adulthood, she continued to live at her parents’ home, carrying out those activities normal for women of her age and social standing: she practised the fortepiano, assisted her sister and mother with supervising servants, and attended female relatives during childbirth and older relatives on their deathbeds. During this period, she experimented with various literary forms, including the epistolary novel (a novel written as a series of documents) which she then abandoned, and wrote and extensively revised three major novels and began a fourth. Lady Susan, written between 1793 and 1795 was an experiment of this kind; taking the form of a series of letters, it is described as Austen’s most ambitious and sophisticated early work. Austen biographer Claire Tomalin describes the heroine of the novella as a ‘sexual predator who uses her intelligence and charm to manipulate, betray, and abuse her victims, whether lovers, friends or family.’
In 1800, George Austen (Jane’s father), announced his decision to retire from his post in the ministry and move the family to Bath. Jane Austen was incredibly unsettled and unhappy in Bath, and sadly her father passed away during this period. This left the family in a precarious financial position and in 1805 Jane, her sisters and her mother lived in rented quarters. They moved to ‘Chawton Cottage’ in Hampshire in 1809. A gift from Austen’s brother Edward, this cottage allowed the family a more settled life and in a quieter, more tranquil setting. Austen was thus able to concentrate on her writing. From 1811 until 1816, with the release of Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814) and Emma (1815), she achieved success as a publis hed writer.
Through her brother Henry, the publisher Thomas Egerton agreed to issue Sense and Sensibility, and the earnings from the novel provided Austen with some much needed financial and psychological independence. Egerton then published Pride and Prejudice , a revision of First Impressions , in January 1813. He advertised the book widely and it was an immediate success, garnering three favourable reviews and selling well. Mansfield Park followed, but was not popular, and the failure of this title offset most of the profits Austen earned on Emma. These were the last of Austen’s novels to be published during her lifetime. She wrote two additional novels, Northanger Abbey and Persuasion , both published posthumously in 1818, and began a third, which was eventually titled Sanditon, but died before co mpleting it.
Early in 1816, Jane Austen began to feel unwell. She ignored her illness at first and continued to work and to participate in the usual round of family activities. By the middle of that year, her decline was unmistakable to Austen and to her family, and Austen’s physical condition began a long, slow deterioration, culminating in her death the following year. Some biographers assign her symptoms to Addison’s disease, and others to Hodgkin’s lymphoma or even bovine tuberculosis from drinking unpasteurised milk; she was weak and couldn’t walk from stiff joints. Austen died in Winchester, whilst seeking medical treatment, on 18th July 1817, at the age of forty-one. She is buried in the north aisle of the nave of Winchester Cathedral.
Austen’s works critique the novels of sensibility of the second half of the eighteenth century and are part of the transition to nineteenth century realism. Her plots, though fundamentally comic, highlight the dependence of women on marriage to secure social standing and economic security. Her works though usually popular, were first published anonymously and brought her little personal fame and only a few positive reviews during her lifetime. It was the publication in 1869 of her nephew’s A Memoir of Jane Austen that introduced her to a wider public, and by the 1940s she had become widely accepted in academia as a great English writer. The second half of the twentieth century saw a proliferation of Austen scholarship and the emergence of a Janeite fan culture. Her novels are still well-read, studied and loved right up to the present day.


CHAPTER 1
It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in wan t of a wife.
However little known the feelings or views of such a man may be on his first entering a neighbourhood, this truth is so well fixed in the minds of the surrounding families, that he is considered the rightful property of some one or other of thei r daughters.
“My dear Mr. Bennet,” said his lady to him one day, “have you heard that Netherfield Park is l et at last?”
Mr. Bennet replied that he had not.
“But it is,” returned she; “for Mrs. Long has just been here, and she told me al l about it.”
Mr. Bennet mad e no answer.
“Do you not want to know who has taken it?” cried his wife impatiently.
“ You want to tell me, and I have no objection to hearing it.”
This was invita tion enough.
“Why, my dear, you must know, Mrs. Long says that Netherfield is taken by a young man of large fortune from the north of England; that he came down on Monday in a chaise and four to see the place, and was so much delighted with it, that he agreed with Mr. Morris immediately; that he is to take possession before Michaelmas, and some of his servants are to be in the house by the end of next week.”
“What i s his name?”
“Bingley.”
“Is he married or single?”
“Oh! Single, my dear, to be sure! A single man of large fortune; four or five thousand a year. What a fine thing for our girls!”
“How so? How can it a ffect them?”
“My dear Mr. Bennet,” replied his wife, “how can you be so tiresome! You must know that I am thinking of his marrying o ne of them.”
“Is that his design in set tling here?”
“Design! Nonsense, how can you talk so! But it is very likely that he may fall in love with one of them, and therefore you must visit him as soon a s he comes.”
“I see no occasion for that. You and the girls may go, or you may send them by themselves, which perhaps will be still better, for as you are as handsome as any of them, Mr. Bingley may like you the best of the party.”
“My dear, you flatter me. I certainly have had my share of beauty, but I do not pretend to be anything extraordinary now. When a woman has five grown-up daughters, she ought to give over thinking of her own beauty.”
“In such cases, a woman has not often much beauty t o think of.”
“But, my dear, you must indeed go and see Mr. Bingley when he comes into the nei ghbourhood.”
“It is more than I engage for, I assure you.”
“But consider your daughters. Only think what an establishment it would be for one of them. Sir William and Lady Lucas are determined to go, merely on that account, for in general, you know, they visit no newcomers. Indeed you must go, for it will be impossible for us to visit him if you do not.”
“You are over-scrupulous, surely. I dare say Mr. Bingley will be very glad to see you; and I will send a few lines by y

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