Jack Sheppard
343 pages
English

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343 pages
English

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Description

This gripping historical romance focuses on the dashing criminal Jack Sheppard, a real-life burglar whose bold, brazen crimes and remarkable escape attempts captivated England in the eighteenth century. Though Sheppard's exploits have been fictionalized in several literary works, Ainsworth's full-length novel ranks among the most popular and enduring.

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Publié par
Date de parution 01 mars 2012
Nombre de lectures 0
EAN13 9781775456315
Langue English

Informations légales : prix de location à la page 0,0134€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

JACK SHEPPARD
A ROMANCE
* * *
WILLIAM HARRISON AINSWORTH
 
*
Jack Sheppard A Romance From a 1922 edition ISBN 978-1-77545-631-5 © 2012 The Floating Press and its licensors. All rights reserved. While every effort has been used to ensure the accuracy and reliability of the information contained in The Floating Press edition of this book, The Floating Press does not assume liability or responsibility for any errors or omissions in this book. The Floating Press does not accept responsibility for loss suffered as a result of reliance upon the accuracy or currency of information contained in this book. Do not use while operating a motor vehicle or heavy equipment. Many suitcases look alike. Visit www.thefloatingpress.com
Contents
*
EPOCH THE FIRST - 1703JONATHAN WILD Chapter I - The Widow and Her Child Chapter II - The Old Mint Chapter III - The Master of the Mint Chapter IV - The Roof and the Window Chapter V - The Denunciation Chapter VI - The Storm Chapter VII - Old London Bridge EPOCH THE SECOND - 1715THAMES DARRELL Chapter I - The Idle Apprentice Chapter II - Thames Darrell Chapter III - The Jacobite Chapter IV - Mr. Kneebone and His Friends Chapter V - Hawk and Buzzard Chapter VI - The First Step Towards the Ladder Chapter VII - Brother and Sister Chapter VIII - Miching Mallecho Chapter IX - Consequences of the Theft Chapter X - Mother and Son Chapter XI - The Mohocks Chapter XII - Saint Giles's Round-House Chapter XIII - The Magdalene Chapter XIV - The Flash Ken Chapter XV - The Robbery in Willesden Church Chapter XVI - Jonathan Wild's House in the Old Bailey Chapter XVII - The Night-Cellar Chapter XVIII - How Jack Sheppard Broke Out of the Cage at Willesden Chapter XIX - Good and Evil EPOCH THE THIRD - 1724THE PRISON-BREAKER Chapter I - The Return Chapter II - The Burglary at Dollis Hill Chapter III - Jack Sheppard's Quarrel with Jonathan Wild Chapter IV - Jack Sheppard's Escape from the New Prison Chapter V - The Disguise Chapter VI - Winifred Receives Two Proposals Chapter VII - Jack Sheppard Warns Thames Darrell Chapter VIII - Old Bedlam Chapter IX - Old Newgate Chapter X - How Jack Sheppard Got Out of the Condemned Hold Chapter XI - Dollis Hill Revisited Chapter XII - The Well Hole Chapter XIII - The Supper at Mr. Kneebone's Chapter XIV - How Jack Sheppard was Again Captured Chapter XV - How Blueskin Underwent the Peine Forte et Dure Chapter XVI - How Jack Sheppard's Portrait was Painted Chapter XVII - The Iron Bar Chapter XVIII - The Red Room Chapter XIX - The Chapel Chapter XX - The Leads Chapter XXI - What Befell Jack Sheppard in the Turner's House Chapter XXII - Fast and Loose Chapter XXIII - The Last Meeting Between Jack Sheppard and His Mother Chapter XXIV - The Pursuit Chapter XXV - How Jack Sheppard Got Rid of His Irons Chapter XXVI - How Jack Sheppard Attended His Mother's Funeral Chapter XXVII - How Jack Sheppard was Brought Back to Newgate Chapter XXVIII - What Happened at Dollis Hill Chapter XXIX - How Jack Sheppard was Taken to Westminster Hall Chapter XXX - How Jonathan Wild's House was Burnt Down Chapter XXXI - The Procession to Tyburn Chapter XXXII - The Closing Scene Endnotes
*
"Upon my word, friend," said I, "you have almost made me long to trywhat a robber I should make." "There is a great art in it, if you did,"quoth he. "Ah! but," said I, "there's a great deal in being hanged."
Life and Actions of Guzman d'Alfarache.
EPOCH THE FIRST - 1703JONATHAN WILD
*
Chapter I - The Widow and Her Child
*
On the night of Friday, the 26th of November, 1703, and at the hour ofeleven, the door of a miserable habitation, situated in an obscurequarter of the Borough of Southwark, known as the Old Mint, was opened;and a man, with a lantern in his hand, appeared at the threshold. Thisperson, whose age might be about forty, was attired in a browndouble-breasted frieze coat, with very wide skirts, and a very narrowcollar; a light drugget waistcoat, with pockets reaching to the knees;black plush breeches; grey worsted hose; and shoes with round toes,wooden heels, and high quarters, fastened by small silver buckles. Hewore a three-cornered hat, a sandy-coloured scratch wig, and had a thickwoollen wrapper folded round his throat. His clothes had evidently seensome service, and were plentifully begrimed with the dust of theworkshop. Still he had a decent look, and decidedly the air of onewell-to-do in the world. In stature, he was short and stumpy; in person,corpulent; and in countenance, sleek, snub-nosed, and demure.
Immediately behind this individual, came a pale, poverty-stricken woman,whose forlorn aspect contrasted strongly with his plump and comfortablephysiognomy. She was dressed in a tattered black stuff gown, discolouredby various stains, and intended, it would seem, from the remnants ofrusty crape with which it was here and there tricked out, to representthe garb of widowhood, and held in her arms a sleeping infant, swathedin the folds of a linsey-woolsey shawl.
Notwithstanding her emaciation, her features still retained somethingof a pleasing expression, and might have been termed beautiful, had itnot been for that repulsive freshness of lip denoting the habitualdram-drinker; a freshness in her case rendered the more shocking fromthe almost livid hue of the rest of her complexion. She could not bemore than twenty; and though want and other suffering had done the workof time, had wasted her frame, and robbed her cheek of its bloom androundness, they had not extinguished the lustre of her eyes, nor thinnedher raven hair. Checking an ominous cough, that, ever and anon,convulsed her lungs, the poor woman addressed a few parting words to hercompanion, who lingered at the doorway as if he had something on hismind, which he did not very well know how to communicate.
"Well, good night, Mr. Wood," said she, in the deep, hoarse accents ofconsumption; "and may God Almighty bless and reward you for yourkindness! You were always the best of masters to my poor husband; andnow you've proved the best of friends to his widow and orphan boy."
"Poh! poh! say no more about it," rejoined the man hastily. "I've doneno more than my duty, Mrs. Sheppard, and neither deserve nor desire yourthanks. 'Whoso giveth to the poor lendeth to the Lord;' that's mycomfort. And such slight relief as I can afford should have been offeredearlier, if I'd known where you'd taken refuge after your unfortunatehusband's—"
"Execution, you would say, Sir," added Mrs. Sheppard, with a deep sigh,perceiving that her benefactor hesitated to pronounce the word. "Youshow more consideration to the feelings of a hempen widow, than there isany need to show. I'm used to insult as I am to misfortune, and am growncallous to both; but I'm not used to compassion, and know not how totake it. My heart would speak if it could, for it is very full. Therewas a time, long, long ago, when the tears would have rushed to my eyesunbidden at the bare mention of generosity like yours, Mr. Wood; butthey never come now. I have never wept since that day."
"And I trust you will never have occasion to weep again, my poor soul,"replied Wood, setting down his lantern, and brushing a few drops fromhis eyes, "unless it be tears of joy. Pshaw!" added he, making an effortto subdue his emotion, "I can't leave you in this way. I must stay aminute longer, if only to see you smile."
So saying, he re-entered the house, closed the door, and, followed bythe widow, proceeded to the fire-place, where a handful of chips,apparently just lighted, crackled within the rusty grate.
The room in which this interview took place had a sordid and miserablelook. Rotten, and covered with a thick coat of dirt, the boards of thefloor presented a very insecure footing; the bare walls were scored allover with grotesque designs, the chief of which represented thepunishment of Nebuchadnezzar. The rest were hieroglyphic characters,executed in red chalk and charcoal. The ceiling had, in many places,given way; the laths had been removed; and, where any plaster remained,it was either mapped and blistered with damps, or festooned with dustycobwebs. Over an old crazy bedstead was thrown a squalid, patchworkcounterpane; and upon the counterpane lay a black hood and scarf, a pairof bodice of the cumbrous form in vogue at the beginning of the lastcentury, and some other articles of female attire. On a small shelf nearthe foot of the bed stood a couple of empty phials, a cracked ewer andbasin, a brown jug without a handle, a small tin coffee-pot without aspout, a saucer of rouge, a fragment of looking-glass, and a flask,labelled " Rosa Solis ." Broken pipes littered the floor, if that can besaid to be littered, which, in the first instance, was a mass of squalorand filth.
Over the chimney-piece was pasted a handbill, purporting to be " Thelast Dying Speech and Confession of TOM SHEPPARD, the NotoriousHousebreaker, who suffered at Tyburn on the 25th of February, 1703. "This placard was adorned with a rude wood-cut, representing the unhappymalefactor at the place of execution. On one side of the handbill aprint of the reigning sovereign, Anne, had been pinned over the portraitof William the Third, whose aquiline nose, keen eyes, and luxuriant wig,were just visible above the diadem of the queen. On the other a wretchedengraving of the Chevalier de Saint George, or, as he was styled in thelabel attached to the portrait, James the Third, raised a suspicion thatthe inmate of the house was not altogether free from some tincture ofJacobitism.
Beneath these prints, a cluster of hobnails, driven into the wall,formed certain letters, which, if properly deciphered, produced thewords, " Paul Groves, cobler; " and under the name, traced in charcoal,appeared the following record of the poor fellow's fate, " Hung himselin this rum for luv off licker; " accompanied by a graphic sketch of theunhappy suicide dangling from a beam. A farthing candle, stuck in abottle neck, shed its feeble light upon the table, w

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