Artemis
133 pages
English

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133 pages
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Description

The quest to return the eye is still unfolding.


Cedric, Angeline, Romasanta, and Nyctimus have crossed over into the Otherworld where spirits, faeries, and other strange creature live under the rule of the Halls of Gaea and many other forgotten titans. Again, Cedric finds himself separated from Angeline, but the words from a familiar face make him realize it may be for the best.


Here in the Otherworld, you become your inner self. True to this concept, Romasanta and Nyctimus are nothing more than men while Cedric has taken on a demonic form massive and wild. They now must travel through the levels of the Otherworld in order to reach the Hall of Freya and Gaea's domain.


Can they find a way back to the Mortal Realm and when they get there, what has changed?

Sujets

Informations

Publié par
Date de parution 26 octobre 2020
Nombre de lectures 0
EAN13 9781644500460
Langue English
Poids de l'ouvrage 1 Mo

Informations légales : prix de location à la page 0,0350€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

Artemis: Eye of Gaea
Copyright © 2020 Valerie Willis. All rights r eserved.


4 Horsemen Publicatio ns, Inc.
1497 Main St. S uite 169
Dunedin, FL 34698
4horsemenpublicat ions.com
info@4horsemenpublicat ions.com
Cover & Typesetting by Battle Goddess Pro ductions
All rights to the work within are reserved to the author and publisher. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 International Copyright Act, without prior written permission except in brief quotations embodied in critical articles and reviews. Please contact either the Publisher or Author to gain per mission.
This is a work of fiction. All characters, organizations, and events portrayed in this novel are either products of the author’s imagination or are used ficti tiously.
Audio: 978-1-644 50-045-3
Print: 978-1-644 50-047-7


Dedication
Thank you to Mr. Justin Willis –my amazing, wonderful, super sexy, Mr. Fix-it-all Husband– who threatened that he better be in every dedication here on out by name… or else! I am not allowed to just say Husband! He also thinks that all my readers should thank him for not insisting I go to bed every night by midnight.
I LOVE YOU, JUSTIN WILLIS!




Preface
I t was brought to my attention that I should take a moment to talk to the readers and fans of The Cedr ic Series.
In this particular book, I discovered even I had misconceptions about Oracles and Sibyls. They were not a myth, but historical entities who practiced their rituals beyond the mythologies they became part of through the people they inspired and even humbled at times. My dive went so deep that I wrote an article for SciFiFantasy Network and was floored at the number of readers who dove in to see what I had uncovered.
Overall, I wish to share my inspirations for writing this story. This will explain a lot on how I came about creating these amazing ideas, characters, creatures, and events as a fictional work with heavy fantasy and romance elements in the mix. If one really wanted to drag out all its genres, I could label this a historical fiction, mythology, or even occult and paranormal. So far, Fantasy Romance has done this work the most justice for my readers’ exp ectations.
Historical fiction can be applied to several parts throughout the series, whether it’s a scene, event, or even a reflection of a character and their on-goings. What do I mean by this? Well a lot of you might get the Vladimir Tepes, or Vlad the Impaler references, but it dove deeper than that. King Frederic was the First King of Germans, the lepers in those times did indeed have to ring bells and seek refuge in colonies, Cerdanya was a real trade town, and so on. There are a ton of subtle hints here and there because I wanted to bring the unseen, untold side of the history during Medieval Times to a tangi ble state.
As far as the Mythology side of this series, I wanted to teach you all my version of forgotten lores, legends, and mythology. I did my best to not use anything that was newer than the 12 th Century as I dug deep. Some of the concepts weaved in with my own perception was hard to obtain and justify. There was a lot of book buying, digging through a Medieval-age bestiary, and though I scoured the internet, it failed me often in my journey for research. As I created and developed each character, I did my best to tie them into one or more myths so that I may weave a wondrous story without limits. At the same time, I wanted some of you to get caught in a conversation or sitting in class and have that moment of, “ Oh! I know how this m yth goes!”
Let me enlighten you all on some of the tales, history, legends and myths stitched into some of these amazing characters you have experienc ed so far:
Cedric takes after a very forgotten and neglected epic legend from Medieval Times of the Russian Knight Hero, Ilya Muromets. Search him, check it out and feel free to compare what you unknowingly learned about this amazing legend. You’ll be excited to see a red haired knight on a black horse as one of the images in the mix. Included in this was some really obscure Romanian beliefs involving early vampire-like stories. The off-shoots involving the strigoi showed less of fear towards these vampire creatures, but held a tone of sorrow and remorse. People who became these creatures had not finished living their lives (Including not ever getting married) and met the insane stipulations to come back as one of the undying. Truly interesting, and I can only hope to capture that same empathetic tone I had discovered in m y digging.
Barushka combines a few tales as well, starting with his name drawn from the Russian Knight Hero tales. Other than that, I focused heavily on the Shag Foal lores. I was intrigued by the first few variants I stumbled on and found that the internet proved void of information. Amazingly, the hairy phantom horse tales started so long ago, there was no exact date as to when they began. The folklore was mysteriously always there. Adding to my wonder about this lore was the fact I stumbled on a 1927 Naturalist journal that devoted a section to them. Even this far forward, it was believed it may be an undiscovered species of horse! Despite that, the one thing I saw reflected in all the writing was that a shag foal approaches lone travelers and scares them so much that they run off to their deaths. Never once did the research say the horse actively kille d someone.
Morrighan, Badbh, and Nemaine were derived from the tales involving the evil sorcerer Calatin. This was the older tale involving them that did not mix the three as one entity. There are no words to describe my frustration and disappointment at how many times that Badbh and Nemaine were labeled as alternative names for Morrighan. Especially when the story of the Legendary Cuchulainn made it clear that they were three sisters each with unique powers. Seeing that Badbh and Morrighan had earned the title of Goddess at some point through the passing of time, I felt the need to give Nemaine her own placement as a Goddes s as well.
Romasanta is the most complex of all my characters. His name is taken from a man in history that is not as common as it once was, Manuel Blanco Romasanta. He was the first serial killer to be trailed and as you read book two of The Cedric Series you will see a lot of that history drawn upon. Feeding off the tragic aura, I pulled in both werewolf and wolf-related myths and lores, wanting to show a more accurate flow through a single entity. It was my intentions to bring in familiar aspects and add in the historically forgotten complications that modern book culture has failed to take into account. Those well-versed in mythology will be able to pick out elements on their own, but the amount of lore here is wide. Tales of Apollo and Daphne, Pan and Pitip, Fenrir, versipellis, Romanian beliefs of vampires were caused by a werewolf, Wolf of the Cemetery from Haiti, Romulus and Remus, and so on. There are deep seeds that I only give you teasers to the mythology that is menti oned here.
As for the monsters, you can say thank you to the Medieval Bestiaries. There are so many wild and crazy creatures in these that are no longer touched that I wanted to bring them to life again. Orms, Jidra, and Aitvaras were a few of the frightening things that travelers spoke of and warned each other about in their explorations. I can only imagine what they may have been based on, but there is a great sense of pride I take in including such monsters into my story. Granted, I have not followed their descriptions exactly and have embellished them with my own imagination, but I hope they make my stories more memorable.
In the end, I encourage my thirsty readers to explore what you’ve read in my The Cedric Series. Search the names, look deeper in the scenes, places, events and discover these in more detail. My goal is to introduce you to the forgotten lores and history while adding my own perspective and imagination into the mix. May this tale make its mark in your heart and open your world to the legacy our ancestors once talked about over the dinner table so long ago!
Happy reading and discovery!
Vale rie Willis


Ackno wledgments
T hank you to my 4 Horsemen “Publiactions” crew! Without the push and drive to get my career out of the mud, I probably wouldn’t be able to get this fourth installment out the door. I was down and bummed out that I had missed my ini tial goal.
To all the writers out there! May you find a tribe that supports you, pushes you, and isn’t afraid to get dirty and give you that leg up over the walls that often block our way. Granted Erika, Jen, and Vanessa showed up with sledgehammers and just busted it through. Now, back to working on book five!




Table o f Contents
De dication v
P reface vii
Acknowle dgments xi
Chapter 1 : Egos 1
Chapter 2 : The Realms o f Aether 9
Chapter 3 : Ball an d Chain 21
Chapter 4 : Inhe ritance 33
Chapter 5 : Merr ow-folk 43
Chapter 6 : Controlling Aether 58
Chapter 7 : Wizard M anannan 65
Chapter 8 : Strings of Fate and Prophecy Spoken 72
Chapter 9 : The Art of Shapes hifting 78
Chapter 10 : Valkyries, Furies, and Ama zonians 86
Chapter 11 : Striking a Deal with Nicholas Teague 93
Chapter 12 : To Become a Fury 102
Chapter 13 : Making of a Gla diator 110
Chapter 14 : Th

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