Midway through The Calling this appears: “I am learning to be two people, as voices are both voices /and the music in them.” There is no contemporary poet more aware of this fact as opportunity than Bruce Bond, whose music, whose severe and certain music, powerfully compels all the voices at his disposal throughout this book—all those journalists, children, and parents whose voicings became the poet’s. The politics of this book is an esthetic as glorious as the politics of the era in which it arises is debased: “I was looking back from a time / where I too would be speechless. / The earth green. No. Greener.” The Calling succeeds in making beauty where there had been pain, which is the great gift of poetry. —Bin Ramke
Bruce Bond’s remarkable book-length sequence manages to be many things at once—a searing indictment of the Trump imperium, a bittersweet elegy for the author’s father, a tractate, a lamentation, a prayer. It is a vexed book for our vexing times. The collection’s stance—in the tradition of contemporary masters such as Milosz and Geoffrey Hill—is an admixture of sorrow, rage, and wonder. This is a book of hard-won consolation, a talisman against our bewilderment. —David Wojahn
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Extrait
The Caling
Bruce Bond
Free Verse Editions Edîted by Jon Tompson
THE CALLING
Bruce Bond
Parlor Press Anderson, South Carolina www.parlorpress.com
Cover îmage: Vîem Hammersøî, “Woman Seen rom te Back.” Oî on canvas. 1888. Natîona Gaery o Denmark. Used by permîssîon.
Cover desîgn by Davîd Bakesey.
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Contents
Eac word orMusimorboyorboodinenow.Itîes across anoter.5 he one wo names îs nameess and one6 Wen I saywind, I see eaves and ca temwind.7 hîs îs a story tat ends în a desert andscape9 he sun tat dîssoves te names o te rîvers, ît îts tem up.11 Cruety understands so îtte o îts object,12 Everytîng we see arrîves a îtte ate.13
II. 15 You can ear te tremor o te ouds o ancîent Morocco17 Musîc îs quîck, îte, încîsîve as a buet,18 he gun tat takes te eepant down,19 ong ago te sîgnature o te ydîan ascensîon20 he trumpet îes down wît te dayîgt în îts casket21 Beneat te bes and tremors o te tower, a te anges are kîds,22 To eac te sîence23 he oter sîde o amentatîon îs te sape ît makes.24
III. 27 Every voîce an epîtap, and ten a îtte tune29 he gîr wo cîngs to er moter’s skîrt at te poîng statîon30 In îs ina year, my ater grew tomatoes. He knet31 Every nîgt32 One day33 I am searcîng my baot or te nameess.34 he îgt tat eaves te body în te mornîng,35 Wen I gater wat te nameess et,36 I read ît în an od book:37
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Contents
IV. 39 I carry a ace41 And î one I knew and oved soud eed42 And I wî wonder43 Is te cry a cry44 Wen te answer cannot be put în words, neîter can te questîon be put în words.45
V. 47 he passports o te tombstones49 As a cîd I earned and orgot and earned agaîn50 Bidden or unbidden, God abidet.So says te tomb51 Bîdden or unbîdden, dream vîsîts te seepess man,52 I ave a rîend wo ost te memory o a year rom îs cîdood,53 he sme o smoke and roses în a bar,54 To every înant, te daze o arrîva.55 here îs te sîence o abundance and tat o abandon,56 Out o notîng, te ire o aLuence and tat o ruîn.57
Acknowedgments59 About te Autor61 Free Verse Edîtîons63