American Histories

Edgar Wideman John

Description

In this new short story collection, John Edgar Wideman blends the historical and the imaginary, the personal and the political, to invent complex, charged stories about love, death and struggle. With a cast of real and fictional characters as diverse as Frederick Douglass, Jean-Michel Basquiat, and Wideman's own family, it is a journey through the soul of America. In 'JB & FD' Wideman imagines conversations between white anti-slavery crusader John Brown and abolitionist Frederick Douglass. In 'Williamsburg Bridge' a man contemplates his life as he sits on the edge of the bridge, meaning to jump. In 'Maps and Ledgers' a brother and sister ponder their father's killing of another man. In these and the other stories in this collection, Wideman navigates an extraordinary range of subject and tone. He delivers individual narratives both emotionally precise and intellectually stimulating, and an extended meditation on family, history and loss. American Histories demonstrates a master at his absolute best.

Sujets

• Short story

Informations

• Publié par: Canongate Books
• Date de parution: 03 mai 2018
• Nombre de lectures: 0
• EAN13: 9781786892072
• Langue: English
• Poids de l'ouvrage: 1 Mo

Extrait

Fanon: A Novel
Briefs: Stories
God’s Gym: Stories
The Island: Martinique
Hoop Roots: Basketball, Race, and Love
Two Cities: A Novel
The Cattle Killing: A Novel
Fatheralong: A Meditation on Fathers and Sons, Race and Society
All Stories Are True
The Stories of John Edgar Wideman
Philadelphia Fire: A Novel
Fever: Stories
Reuben: A Novel
Brothers and Keepers: A Memoir
Sent for You Yesterday: A Novel
Damballah: Stories
Hiding Place: A Novel
The Lynchers: A Novel
Hurry Home: A Novel
A Glance Away: A Novel
Writing To Save A Life

First published in Great Britain in 2018 by Canongate Books Ltd, 14 High Street, Edinburgh EH1 1TE
canongate.co.uk
This digital edition first published in 2018 by Canongate Books
Copyright © John Edgar Wideman, 2018
Versions of “Williamsburg Bridge” and “JB & FD” previously appeared in Harper’s Magazine
First published in the USA by Scribner, an imprint of Simon & Schuster, Inc., 2018
The moral right of the author has been asserted
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available on request from the British Library
ISBN 978 1 78689 208 9 eISBN 978 1 78689 207 2
Typeset by Palimpsest Book Production Ltd, Falkirk, Stirlingshire
To C—
Luv, J
I do not know why this double-entry account of time intrigues me, and why I am compelled to call attention to it—to both its personal and objective forms, the time in which the narrator moves and that in which his narrative takes place. It is a peculiar intertwining of time’s courses, which are ordained moreover to be bound up with yet a third—that is, with the time the reader will one day take for a receptive reading of what is told here, so that he will be dealing with a threefold ordering of time: his own, that of the chronicler, and that of history.
—Thomas Mann, Doctor Faustus
CONTENTS
A Prefatory Note
JB & FD
Dark Matter
Shape the World Is In
My Dead
Music
Bonds
New Start
Maps and Ledgers
Writing Teacher
Williamsburg Bridge
Examination
Wail
Lines
Nat Turner Confesses
Empire
Yellow Sea
Bunny and Glide
Snow
Ghost Dancer
Collage
Expectations

A PREFATORY NOTE
Dear Mr. President,
I send this note along with some stories I’ve written, and hope you will find time in your demanding schedule to read both note and stories. The stories should speak for themselves. The note is a plea, Mr. President. Please eradicate slavery.
I am quite aware, sir, that history says the Thirteenth Amendment to the Constitution abolished slavery in the United States of America in 1865, and that ensuing amendments extended to former slaves the precious rights and protections our nation guarantees to all its citizens regardless of color. But you should understand better than most of us, Mr. President, that history tells as many lies as truths.
The Thirteenth Amendment announced the beginning of the end of slavery as a legal condition in America. Slavery as a social condition did not disappear. After serving our nation for centuries as grounds to rationalize enslavement, African ancestry and colored skin remain acceptable reasons for the majority of noncolored Americans to support state-sponsored, state-enforced segregation, violence, and exploitation. Skin color continues to separate some of us into a category as unforgiving as the label property stamped on a person. Dividing human beings into immutable groups identifiable by skin color rein-carnates scientifically discredited myths of race. Keeps alive the unfortunate presumption, held by many of my fellow citizens, that they belong to a race granted a divine right to act as judges, jurors, and executioners of those who are members of other incorrigibly different and inferior races.
What should be done, Mr. President. Our nation is deeply unsafe. I feel threatened and vulnerable. What can I do. Or you. Do we need another Harpers Ferry. Do we possess in our bottomless arsenal a weapon to demolish lies that connect race, color, and slavery.
By the time this note reaches your desk, Mr. President, if it ever does, you may be a woman. No surprise. Once we had elected a colored President, the block was busted. Perhaps you are a colored woman, and that would be an edifying surprise.
This note is getting too long. And to be perfectly honest, Mr. President, I believe terminating slavery may be beyond even your vast powers. My guess is that slavery won’t disappear until only two human beings left alive, neither one strong enough to enslave the other.
Anyway, please read on and enjoy the stories that follow. No strings attached. No obligation to free a single slave of any color, Ms. or Mr. President.
JB & FD
1
To need his glasses and be struck by an awareness that they are not at hand, an ordinary-enough circumstance for Frederick Douglass, except sometimes it’s accompanied by a flash of extraordinary dread. If not quite panic, certainly an unease disproportionate to a simple recurring situation. Dread that may be immediately extinguished if he locates his horn-rimmed, owlish-eyed spectacles exactly where he anticipated they should be.
He sees them and almost sighs. Nearly feels their slightly uncomfortable weight palpable on his nose. Finding the glasses is enough to reassure him that he remains here among the living in this material world where he depends on glasses to read, glasses to help him negotiate stubbornly solid objects he cannot glide through. Enough to remember that he’s able to recall or backtrack, anyway, and understand how the present moment connects to moments preceding it, a trail of hows and whys causing him to wind up where he is now, at this particular moment, stretching out a hand to pick up eyeglasses because he is the same person who placed them on the desk, beside a stack of three books at the desk’s upper-left-hand corner so he wouldn’t forget, and there, here they would be when he needed glasses.
Sometimes dread does not vanish when he locates his glasses. They turn up where he thinks they should, his fingers curl, prepare to reach out for them. But glasses are not enough. Not convincing enough. They do not belong to him. Not glasses. Not hand. He vaguely recognizes both. Glasses too heavy to lift. Or hand too heavy. He’s observing from an incalculable distance. Sometimes that detachment is a gift, sometimes it dooms him, and he cannot animate or orchestrate what he desires to come next. John Brown spreads his ancient, musty wool cloak—cloak the brown color of his name—over glasses, books, desk, study, house, wife, him, and when John Brown snatches the cloak away, nothing’s there. Douglass has fled to the mountains, the woods to join him.
2
Ah, Frederick, my friend. Look at you, Fred Douglass. I knew after a single glance you could be the one. Your manly form and bearing left no room for doubt. And today, these dozen hard years later, you still stand tall, straight, gleaming. I see God’s promise of freedom in you. Yours. Mine. Our nation’s. A man who could lead his people, all people, out of slavery’s bondage. Your beard dark that day we first spoke and now tinged with spools of gray, but you gleam still, my friend. Despite the iron cloud of suffering and oppression slavery casts over this land.
Douglass remembers no beard. Not wearing one himself, nor a beard on Brown’s gaunt face. Certainly not the patriarch’s thicket of white flowing—no, a torrent—today, halfway down John Brown’s chest. He misremembers me.
But if God ignites a man to believe himself a prophet, if visions burst upon him and seize him, as an ordinary man is seized by a roiling gut and must rush behind a bush to squat and relieve himself, if such urgency is the case, I suppose, Douglass instructs himself, a prophet can be forgiven for mistaking petty details. Prophecies forgiven for confusing time and place, for compounding truth and error, wisdom and foolishness, for mixing wishful thinking with logic. John Brown thus forgiven for believing that ignorant, isolated slaves, cowed into submission by a master’s whip, will grasp the purpose of a raid on Harpers Ferry and flock instantly to his banner. Enraptured by his vision, Brown foresees colored slaves armed with sticks and stones prevailing against cannons, Sharps carbines, the disciplined troops of a nation dedicated absolutely to upholding the principle that color makes some men less equal than others. I embrace the fiery justness of John Brown’s prophecies, his unflinching willingness to sacrifice himself and his sons, yet I cannot forgive my friend for untempered speech, demagoguery, the impetuosity and rage that grip him. That transform dream to madness.
3
Douglass watches himself step out from behind the curtain and stride to the bunting-draped podium. They will welcome him. He is famous. Broad chest bemedaled, gold baton, field marshal’s crimson sash decorating his resplendent uniform, veteran of a terrible war, though he never fired a shot in anger. Fine figure of a man still. After seven decades on earth. After a protracted, blood-drenched conflict settling nothing. Certainly not settling his fate. Nor his color’s fate. Nor his nation’s.
A drumroll of applause greets him, deepening as he moves step-by-step across the stage, a thunder of hands accompanying him. In the front rows his new white wife’s white women friends. When a journalist asked Douglass to speak about his marriage, seeking details to spice the story he intended to write about newlyweds whose union scandalously ignored great disparities of age and race, Douglass replied, “My first wife the color of my mother, second the color of my father.”
Tonight in this hall where he’d spoken once before, where once he’d been property, a fugitive hosted by abolitionists, a piece of animated chattel curiously endowed with speech, tonight in this hall he would address “The Woman Question.” Proclaim every woman’s God-granted entitlement, like his, to all the Rights of Man.