I ll See You In My Dreams
272 pages
English

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272 pages
English

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Description

'Finalist for the Arthur Ellis Award for Best Crime Novel. Deverell touches on the evils of the Native residential school system as this literate mystery builds to a surprising solution. Readers will hope they haven t seen the last of the endearingly complex, fallible, and fascinating Beauchamp. Publishers Weekly, starred review Arthur Beauchamp, after a successful and much-lauded career at the criminal bar, is now retired to Garibaldi Island. His immediate desire is to win the Mabel Orfmeister Trophy for the Most Points in Fruits and Vegetables at the Garibaldi Island fall fair. With his crop picked and packed, Beauchamp is ready to do battle. While waiting for the judges, he can muse on his recently published biography by one Wentworth Chance. It is appropriately florid, with enough catty references to make it readable. And it takes Beauchamp back to his first big criminal case in 1962, the one, in legal terms, that made him. The

Informations

Publié par
Date de parution 26 octobre 2021
Nombre de lectures 0
EAN13 9781773058573
Langue English
Poids de l'ouvrage 1 Mo

Informations légales : prix de location à la page 0,0350€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

I’ll See You In My Dreams An Arthur Beauchamp Novel
William Deverell


Contents Also By William Deverell Dedication Epigraph Foreword of “A Thirst for Justice: The Trials of Arthur Beauchamp” Garibaldi Island, Friday, August 27, 2011 Part One: The Crime Tuesday, April 24, 1962 Tuesday, April 24, 1962 Tuesday, April 24, 1962 Wednesday, April 25, 1962 Wednesday, April 25, 1962 Friday, April 27, 1962 Saturday, April 28, 1962 Sunday, April 29, 1962 Sunday, April 29, 1962 Tuesday May 1, 1962 Wednesday, May 2, 1962 Thursday, May 3, 1962 Friday, May 4, 1962 Monday, May 7, 1962 Tuesday, May 8, 1962 Thursday, May 10, 1962 Friday, May 25, 1962 Wednesday, May 30, 1962 Friday, June 1, 1962 Tuesday, June 19, 1962 Thursday, June 21, 1962 Friday, June 22, 1962 Saturday, June 23, 1962 Thursday, June 28, 1962 Part Two: The Trial Garibaldi Island, Friday, August 26, 2011 Monday, July 30, 1962 Tuesday, July 31, 1962 Wednesday, August 1 Wednesday, August 1, 1962 Thursday, August 2, 1962 Thursday, August 2, 1962 Friday, August 3, 1962 Saturday, August 4, 1962 Sunday, August 5, 1962 Monday, August 6, 1962 Part Three: The Punishment Saturday, August 27, 2011 Saturday, September 3, 2011 Saturday, September 3, 2011 Sunday, September 4, 2011 Monday, September 5, 2011 Friday, December 28, 1956 Thursday, September 8, 2011 Friday, September 9, 2011 Saturday, September 10, 2011 Wednesday, September 14, 2011 Thursday, September 15, 2011 Friday, September 16, 2011 Saturday, September 17, 2011 Part Four: The Appeal Wednesday, September 21, 2011 Thursday, September 22, 2011 Saturday, September 24, 2011 Sunday, September 25, 2011 Monday, September 26, 2011 Wednesday, October 12, 2011 Thursday, November 10, 2011 Author’s Note About the Author Copyright

Also By William Deverell
Fiction Needles High Crimes Mecca The Dance of Shiva Platinum Blues Mindfield Kill All the Lawyers Street Legal: The Betrayal Trial of Passion Slander The Laughing Falcon Mind Games April Fool Kill All the Judges Snow Job I’ll See You in My Dreams Sing a Worried Song Whipped Stung
Non-Fiction A Life on Trial

Dedication
Dedicated to the First Nations people who survived, defied, and exposed the Native residential school system.

Epigraph
Irene good night
Irene good night
Good night Irene, good night Irene
I’ll see you in my dreams
Sometimes I live in the country
Sometimes I live in town
Sometimes I have a great notion
To jump in the river and drown
— “Goodnight, Irene,” by Huddie ‘Lead Belly’ Ledbetter

A Thirst for Justice: The Trials of Arthur Beauchamp
A Biography by Wentworth Chance
Foreword
At times there seemed more labour than love in this labour of love, yet I can now sit back with weary satisfaction at having realized a long-held dream: capturing the tumultuous journey of Arthur Ramsgate Beauchamp from awkward familial beginnings to early triumphs and losses, and, despite years of alcoholic despair and cuckoldom, finally securing a reputation as one of the leading trial lawyers of the past hundred years — sharing the throne, in my respectful opinion, with Clarence Darrow. (A.R.B. will forgive me for giving the edge to Darrow, with his more strenuous commitment to social justice.)
Before you proceed on, dear reader, please practise with me this aid to pronunciation. It’s Beechem , not Beau-chom , and certainly not Beau-champ . The name came to England with the Normans, but the conquerors were stubbornly met by the Anglo-Saxons’ insistence on hard syllables.
I am indebted to many, first among them Margaret Blake, Member of Parliament for Cowichan and the Islands, Green Party leader, and, of course, Beauchamp’s life partner, the liberal yin to his conservative yang. Thank you, Ms. Blake, for filling in so many of the gaps that your overly cautious partner shied away from.
Many from Beauchamp’s firm, Tragger, Inglis, Bullingham, had anecdotes to tell, particularly retired partner Hubbell Meyerson, who offered several humorous tales, and Gertrude Isbister, Beauchamp’s long-time secretary. Without the aid of Beauchamp’s daughter, Deborah, I might never have been able to bring alive his self-destructive decades with her mother, Annabelle, who, though she otherwise cooperated with this enterprise, recalled only happy memories, insisting that the rest was “history, best forgotten.” Legal beagles Augustina Sage, John Brovak, and Maximilian Macarthur III offered lively anecdotes. April Wu should not go unmentioned, nor should Ira Lavitch, Nick “the Owl” Faloon, or Tony “the Angle” d’Anglio.
A collective thank-you to the good folks of Garibaldi Island, where Beauchamp has entered into a relaxed, bucolic retirement. Reverend Al Noggins, our hero’s ally and spiritual adviser, shared confidences if not confessions. The island postmaster, Abraham Makepeace, and the editor of the Island Bleat , Nelson Forbish, were unsparing of their time.
It would be inappropriate not to extend my sincerest gratitude to the subject of this biography, and I do so unequivocally, despite an unaccountable chilling of friendship that followed his reading of the final draft. And finally, I acknowledge the unrelenting support of my publisher and its editors, publicity staff, and lawyers.

Garibaldi Island, Friday, August 27, 2011
My onions are shiny, my peaches plump, my bean pods crisp and fresh. All the entries are cuddled in foam in the back of my beloved 1969 Fargo, ready for the drive to the community hall tomorrow and the judging at the 2011 Garibaldi Island Fall Fair.
Pacing on the veranda, I try to pump myself up: this year the Mabel Orfmeister Trophy for Most Points in Fruits and Vegetables must be brought home to Blunder Bay, where it belongs. Doc Dooley has ruled too long; he must be overthrown.
I will wait half an hour before heading out. I don’t want to get there too early. I don’t want to appear anxious. I often felt this kind of tension as a lawyer, at the outset of a trial. I hope my beets and cukes will speak with the eloquence I displayed in court.
I go inside and flop into my club chair, reach for the poems of Catullus, recite aloud a favourite line: “No fickle lusts, no rooting between other sheets — your husband will lie only in the valley of your breasts.” Emphasis added, as if for Margaret’s ears. Has anyone else been lying there, in that valley? I have been playing with that worry lately. A stupid concern, obviously false, unworthy of me.
Now my hand reaches out to A Thirst for Justice: The Trials of Arthur Beauchamp . This opus has been sitting beside the chair since its pre-summer release — presumably it was considered to offer light reading for the beach or cottage.
I have tossed away the book’s cover jacket with its repellent illustration, my beaklike nose in profile, a frightening sight for those of tender years. I have marked up pages, written marginal notes of the kind that crazies scribble in library books. So many flagrancies, so many wounds exposed, so much grist for the Garibaldi gossip mill. Locals who snaffled early copies are having trouble making eye contact with the impotent cuckold.
From time to time I suffer a masochistic urge to tell the whole story, shout it to the world, bold and uncensored. But I have contented myself with vocalizing to my club chair, or to the goats, the sheep, and Bess, the milk cow. I can’t find the courage to do anything but ruminate (as Bess does her cud, chewing again what has already been chewed and swallowed).
Astonishingly, the biography has won plaudits for Wentworth Chance, my self-proclaimed official biographer and (I’d thought) champion. It was seen as “candid” and “brave.” The Toronto Star considered it “a remarkable story of self-redemption.” Who knew that shy Wentworth could speak so loudly on paper? Who could have guessed that A.R. Beauchamp, Q.C., so wise, so wary, would have posed so nakedly for those interminable taping sessions?
I leaf through it again, seeking to recognize myself, wondering who this fellow could be — so accomplished in the courthouse, so mired in insecurity outside its walls. My years as a tormented, self-doubting alcoholic. “The Wet Years” is my least favourite section, but one I’ve reread often, mainly because I have a mental blank about the drunken episodes that Wentworth makes seem almost heroic — hurling insults at a judge at a Law Society dinner, dousing a prosecutor with my gin-spiked water jug, my raucous barstool recitations from the Song of Solomon or the Rubáiyát . A flask of wine! A book of verse!
“Where the Squamish River Flows” is the poetic title of one of the early sections, complete with black-and-white photos of the cast: young Beauchamp himself, in the apparent guise of Ichabod Crane; Gabriel Swift, Professor Dermot Mulligan, Ophelia Moore. To kill time I return to it, though I’ve read it until its print smudged, looking for shadowy clues to what truly happened on the shores of that misty river on the Easter weekend of 1962. Evil, unforgivable evil . . .

Part One The Crime

From “Where the Squamish River Flows,” A Thirst for Justice , © W. Chance
It was just after th

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