Ideal
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19 pages
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Description

After making science-fiction history with his beloved and broadly influential tale "A Martian Odyssey," Stanley G. Weinbaum turned his creative powers to a series of stories starring a mismatched pair of protagonists: legend-in-his-own-mind Professor Haskel van Manderpootz and dashing aristocrat Dixon Wells. In the engaging short story "The Ideal," the two develop a device that allows the user to catch a fleeting glimpse of his or her ideal in any category -- person, place or thing.

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Publié par
Date de parution 01 juin 2012
Nombre de lectures 0
EAN13 9781775459798
Langue English

Informations légales : prix de location à la page 0,0100€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

THE IDEAL
* * *
STANLEY G. WEINBAUM
 
*
The Ideal From a 1949 edition ISBN 978-1-77545-979-8 © 2012 The Floating Press and its licensors. All rights reserved. While every effort has been used to ensure the accuracy and reliability of the information contained in The Floating Press edition of this book, The Floating Press does not assume liability or responsibility for any errors or omissions in this book. The Floating Press does not accept responsibility for loss suffered as a result of reliance upon the accuracy or currency of information contained in this book. Do not use while operating a motor vehicle or heavy equipment. Many suitcases look alike. Visit www.thefloatingpress.com
The Ideal
*
"This," said the Franciscan, "is my Automaton, who at the proper timewill speak, answer whatsoever question I may ask, and reveal all secretknowledge to me." He smiled as he laid his hand affectionately on theiron skull that topped the pedestal.
The youth gazed open-mouthed, first at the head and then at the Friar."But it's iron!" he whispered. "The head is iron, good father."
"Iron without, skill within, my son," said Roger Bacon. "It will speak,at the proper time and in its own manner, for so have I made it. Aclever man can twist the devil's arts to God's ends, thereby cheatingthe fiend—Sst! There sounds vespers! Plena gratia, ave Virgo—"
But it did not speak. Long hours, long weeks, the doctor mirabilis watched his creation, but iron lips were silent and the iron eyes dull,and no voice but the great man's own sounded in his monkish cell, norwas there ever an answer to all the questions that he asked—until oneday when he sat surveying his work, composing a letter to Duns Scotus indistant Cologne—one day—
"Time is!" said the image, and smiled benignly.
The Friar looked up. "Time is, indeed," he echoed. "Time it is that yougive utterance, and to some assertion less obvious than that time is.For of course time is, else there were nothing at all. Without time—"
"Time was!" rumbled the image, still smiling, but sternly at the statueof Draco.
"Indeed time was," said the Monk. "Time was, is, and will be, for timeis that medium in which events occur. Matter exists in space, butevents—"
The image smiled no longer. "Time is past!" it roared in tones deep asthe cathedral bell outside, and burst into ten thousand pieces .
*
"There," said old Haskel van Manderpootz, shutting the book, "is myclassical authority in this experiment. This story, overlaid as it iswith mediæval myth and legend, proves that Roger Bacon himself attemptedthe experiment—and failed." He shook a long finger at me. "Yet do notget the impression, Dixon, that Friar Bacon was not a great man. Hewas—extremely great, in fact; he lighted the torch that his namesakeFrancis Bacon took up four centuries later, and that now van Manderpootzrekindles."
I stared in silence.
"Indeed," resumed the Professor, "Roger Bacon might almost be called athirteenth century van Manderpootz, or van Manderpootz a twenty-firstcentury Roger Bacon. His Opus Majus , Opus Minus , and OpusTertium —"
"What," I interrupted impatiently, "has all this to do with—that?" Iindicated the clumsy metal robot standing in the corner of thelaboratory.
"Don't interrupt!" snapped van Manderpootz. "I'll—"
At this point I fell out of my chair. The mass of metal had ejaculatedsomething like " A-a-gh-rasp " and had lunged a single pace toward thewindow, arms upraised. "What the devil!" I sputtered as the thingdropped its arms and returned stolidly to its place.
"A car must have passed in the alley," said van Manderpootzindifferently. "Now as I was saying, Roger Bacon—"
I ceased to listen. When van Manderpootz is determined to finish astatement, interruptions are worse than futile. As an ex-student of his,I know. So I permitted my thoughts to drift to certain personal problemsof my own, particularly Tips Alva, who was the most pressing problem ofthe moment. Yes, I mean Tips Alva the 'vision dancer, the little blondeimp who entertains on the Yerba Mate hour for that Brazilian company.Chorus girls, dancers, and television stars are a weakness of mine;maybe it indicates that there's a latent artistic soul in me. Maybe.
I'm Dixon Wells, you know, scion of the N. J. Wells Corporation,Engineers Extraordinary. I'm supposed to be an engineer myself; I saysupposed, because in the seven years since my graduation, my fatherhasn't given me much opportunity to prove it. He has a strong sense ofvalue of time, and I'm cursed with the unenviable quality of being lateto anything and for everything.

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