Brilliant, evocative, poetic, savage, this Pulitzer Prize-winning first novel (1934) depicts a white, middle-class urban family that is turned into dirt-poor farmers by the Depression and the great drought of the thirties. The novel moves through a single year and, at the same time, a decade of years, from the spring arrival of the family at their mortgaged farm to the winter 10 years later, when the ravages of drought, fire, and personal anguish have led to the deaths of two of the five. Like Ethan Frome, the relatively brief, intense story evokes the torment possible among people isolated and driven by strong feelings of love and hate that, unexpressed, lead inevitably to doom. Reviewers in the thirties praised the novel, calling its prose "profoundly moving music," expressing incredulity "that this mature style and this mature point of view are those of a young women in her twenties," comparing the book to "the luminous work of Willa Cather," and, with prescience, suggesting that it "has that rare quality of timelessness which is the mark of first-rate fiction."
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Extrait
NOW IN NOVEMBER
Josephine Johnson Afterword by Nancy Hoffman
Published in 1991 by the Feminist Press at the City University of New York The Graduate Center, 365 Fifth Avenue, Suite 5406 New York, NY 10016
No part of this book may be reproduced or used, stored in any information retrieval sys-tem or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise without prior written permission of the Feminist Press at the City University of New York except in case of brief quotations embodied in critical articles and reviews.
Library of Congress Cataloging-in-Publication Data Johnson, Josephine Winslow, 1910–1990 Now in November / by Josephine Winslow Johnson ; afterword by Nancy Hoffman p. cm. Previously published: New York, Simon & Schuster, 1934. I. Title PS3519.02633N6 1991 813'.52—dc20 90-26975
eISBN 978-155861-730-8
his publication is made possible, in part, by public funds from tHe New York State Coun-cil on tHe Arts and tHe National Endowment for tHe Arts.