“If only words were salt—soluble, savory, vital, electric,” Eric Pankey writes in “Variations on Hadrian’s Animula,” one of many virtuosic works in Vestiges: Notes, Responses, and Essays 1988 – 2018. In this diverse collection of lyrical prose, Pankey assays his personal-poetic history with passion, brilliance, and grace. He considers the works of many great poets—Dickinson, Stevens, Donne, Hopkins, Merwin, Justice, Levis, and Lorca, to name just a few—invoking them as teachers and guides. As much about language as the unutterable, sight as the unseen, Vestiges is a gorgeous, vital collection. —Danielle Cadena Deulen, author of The Riots Vestiges: Notes, Responses, and Essays 1988 – 2018 maps the mind of one of our best lyrical poets and thinkers. In these concise and nuanced works of prose, Eric Pankey meditates on such subjects as spiritual faith, the poetic image, memory, language, duende, and silence in poetry. Pankey is a quester, a searcher for truth, so it’s no surprise that in Vestiges he eschews nailed-down arguments and grand arrivals, prioritizing the question and the journey towards “the unsayable, the untouchable . . . the unknowable.” He reminds us that mystery and uncertainty are not weaknesses, but essential aspects of a life lived richly in both art and faith. —Brian Barker, author of Vanishing Acts Eric Pankey muses, “What is the divine? How is it made manifest? Where does it reside?” Revisiting the lyric impulse in a post-religious generation, Vestiges ponders the Romantic lyric subject in light of postmodern skepticism with allusions to Biblical contexts, illuminating the phenomenon of wonder in a material yet epistemologically unstable world: “In the lyric, language is both the ritual and the sacrifice at the moment’s altar.” Guided by an inner compass of memory and desire, psalms and lamentations, restoration and revival, we unearth in ourselves “not a spark, but a splinter of God in each of us, inflamed, working its way to the surface.” This book, a revitalizing act of faith and inspiration, is a marvelous gift to us. —Karen An-hwei Lee, author of Phyla of Joy
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Extrait
Eric Pankey
VESTIGES NOTES, RESPONSES, & ESSAYS 1988 – 2018
VESTIGES
Illuminations: A Series on American Poetics Seies Edio, Jon Thompson
Illuminaionsfocuses on he poeics and poeic pacices of he con-empoay momen in he USA. The seies is paiculaly keen o pomoe a se of eflecive woks ha include, bu go beyond, a-diional academic pose, so we ake Wale Benjamin’s ich, poeic essays published unde he ile ofIlluminaionsas an example of he kind of appoach we mos value. Collecively, he iles published in his seies aim o engage vaious audiences in a dialogue ha will eimagine he field of conempoay Ameican poeics. Fo moe abou he seies, please visi is websie a palopess.com/ illuminaions.
Books in the Series Vesiges: Noes, Responses, and Essays 1988–2018by Eic Pankey (2019) Sudden Edenby Donald Revell (2019) Pose Poey and he Ciyby Donna Soneciphe (2017)
VESTIGES
NOTES, RESPONSES, AND ESSAYS, 1988–2018
Eric Pankey
Parlor Press Anderson, South Carolina www.parlorpress.com
Libay of Congess Caaloging-in-Publicaion Daa on File
Illuminaions Seies Edio: Jon Thompson
Cove a: “ Chalk Lines,” mixed media on Aches pape, Lisa Weiss. By kind and geneous pemission of he ais. hp://www.lisaweiss.ne Ineio and cove design: David Blakesley Copyedio: Jaed Jameson
Palo Pess, LLC is an independen publishe of scholaly and ade iles in pin and mulimedia fomas. This book is available in pape, cloh and eBook fomas rom Palo Pess on he Wold Wide Web a hp://www.palopess.com o hough online and bick-and-moa booksoes. Fo submission infomaion o o find ou abou Palo Pess publicaions, wie o Palo Pess, 3015 Backenbey Dive, Andeson, Souh Caolina, 29621, o email edio@palopess.com.
Contents
Acknowledgmentsvii 1 To Repair the Material of Experience3 2 Silences and Forgeries10 3 The Word17 4 A Forgotten Language18 5 The Image24 6 Variations on the Meditative Mode28 7 Variations on Hadrian’sAnimula30 8 An Amnesiac’s Meditation on Memory31 9 The Work of Poetry or an Imaginary Plane of Glass Parallel to Sea Level34 10 Vestiges35 11 Psalm and Lament37 12 Object Permanence47 13 Four Short Essays48 14 Ars Poetica49 15 Duendeand Gravity50 16 On the Occasion of the Release of the Senate Torture Report54 17 The Form of a Walk55
18 Ideal Proportions60 19 viAmong Thorns: Drafts and Fragments 20 A Concordance of Silence85 Works Cited91 About the Author95 CONTENTS
61
Acknowledgments
Much of he wok hee appeaed, oten in ealie dats, in he following online and pin publicaions:
Ameican Jounal of Poey Boulevad Chaahoochee Review The Chisian Cenuy The Chisian Science Monio Coloado Review Delma Fee Vese The Geogia Review How a Poem Happens Image Inedisciplinay Sudies The Iowa Review Manoa The Mid-Ameican Review The Paisan Review Pleiades Poey Daily The Souhen Review UCiy Review The Wie’s Chonicle
And in he following edied books:
Dak Hoses: Poes on Ovelooked Poems Evensong: Conempoay Ameican Poes on Spiiualiy Fis Loves: Poes Inoduce Essenial Poems ha Capivaed and Inspied Them
v ii
The Radian Lye: Essays on Lyic Poey Sepembe 11, 2001: Ameican Wies Respond Unil Eveyhing is Coninuous Again: Ameican Poes on he Recen Wok of W. S. Mewin
I am gaeful o he geneous aenion of he edios of hese publicaions fo hei inviaion, insigh, encouagemen, and paience. The essay “The Fom of a Walk” was pesened as pa of a lecue seies celebaing poes’ bihdays a he Libay of Congess. Thanks o Rob Caspe fo he inviaion o dis-cuss Robe Fos. “The Wok of PoeyoAn Imaginay Plane of Glass Paallel o Sea Level,” was wien upon an inviaion rom Jon Thompson aFee Vese. Many woks hee had hei beginnings as panel pesen-aions a he annual Associaion of Wies and Wiing Po-gams’ confeence and I hank he many membes of he AWP saff, in paicula David Fenza, Alycia Tessean, and Chisian Teesi, who ove he yeas have made he confeence a lively and engaging gaheing.