Flowers - A Garden Note Book with Suggestions for Growing the Choicest Kinds
117 pages
English

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117 pages
English

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Description

First published in 1923, "Flowers" is a fantastic handbook on the various flowers commonly found in an English garden, with chapters on equipment, growing, maintaining, and much more. This timeless volume is highly recommended for all green-fingered gardeners, and it would make for a worthy addition to collections of related literature. Contents include: "Some Hardy Bulbs", "The Herbaceous Border", "Some Flowering Shrubs", "Some Rhododendrons", "Wild Gardening", "The Choice of Plants", "rockwork and Edgings", "Some Failures", "Some Weeds", "Some Plant Names", "L'Envoi", etc. Many vintage books such as this are becoming increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new introduction. Contains 12 full page colour illustrations and many more in black and white.

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Publié par
Date de parution 31 janvier 2018
Nombre de lectures 0
EAN13 9781528783705
Langue English

Informations légales : prix de location à la page 0,0500€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

FLOWERS: A GARDEN NOTE BOOK
Copyright 2017 Read Books Ltd.
This book is copyright and may not be
reproduced or copied in any way without
the express permission of the publisher in writing
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the
British Library
A Short History of Gardening
Gardening is the practice of growing and cultivating plants as part of horticulture more broadly. In most domestic gardens, there are two main sets of plants; ornamental plants , grown for their flowers, foliage or overall appearance - and useful plants such as root vegetables, leaf vegetables, fruits and herbs, grown for consumption or other uses. For many people, gardening is an incredibly relaxing and rewarding pastime, ranging from caring for large fruit orchards to residential yards including lawns, foundation plantings or flora in simple containers. Gardening is separated from farming or forestry more broadly in that it tends to be much more labour-intensive; involving active participation in the growing of plants.
Home-gardening has an incredibly long history, rooted in the forest gardening practices of prehistoric times. In the gradual process of families improving their immediate environment, useful tree and vine species were identified, protected and improved whilst undesirable species were eliminated. Eventually foreign species were also selected and incorporated into the gardens. It was only after the emergence of the first civilisations that wealthy individuals began to create gardens for aesthetic purposes. Egyptian tomb paintings from around 1500 BC provide some of the earliest physical evidence of ornamental horticulture and landscape design; depicting lotus ponds surrounded by symmetrical rows of acacias and palms. A notable example of an ancient ornamental garden was the Hanging Gardens of Babylon - one of the Seven Wonders of the Ancient World.
Ancient Rome had dozens of great gardens, and Roman estates tended to be laid out with hedges and vines and contained a wide variety of flowers - acanthus, cornflowers, crocus, cyclamen, hyacinth, iris, ivy, lavender, lilies, myrtle, narcissus, poppy, rosemary and violets as well as statues and sculptures. Flower beds were also popular in the courtyards of rich Romans. The Middle Ages represented a period of decline for gardens with aesthetic purposes however. After the fall of Rome gardening was done with the purpose of growing medicinal herbs and/or decorating church altars. It was mostly monasteries that carried on the tradition of garden design and horticultural techniques during the medieval period in Europe. By the late thirteenth century, rich Europeans began to grow gardens for leisure as well as for medicinal herbs and vegetables. They generally surrounded them with walls - hence, the walled garden.
These gardens advanced by the sixteenth and seventeenth centuries into symmetrical, proportioned and balanced designs with a more classical appearance. Gardens in the renaissance were adorned with sculptures (in a nod to Roman heritage), topiary and fountains. These fountains often contained water jokes - hidden cascades which suddenly soaked visitors. The most famous fountains of this kind were found in the Villa d Este (1550-1572) at Tivoli near Rome. By the late seventeenth century, European gardeners had started planting new flowers such as tulips, marigolds and sunflowers.
These highly complex designs, largely created by the aristocracy slowly gave way to the individual gardener however - and this is where this book comes in! Cottage Gardens first emerged during the Elizabethan times, originally created by poorer workers to provide themselves with food and herbs, with flowers planted amongst them for decoration. Farm workers were generally provided with cottages set in a small garden-about an acre-where they could grow food, keep pigs, chickens and often bees; the latter necessitating the planting of decorative pollen flora. By Elizabethan times there was more prosperity, and thus more room to grow flowers. Most of the early cottage garden flowers would have had practical uses though -violets were spread on the floor (for their pleasant scent and keeping out vermin); calendulas and primroses were both attractive and used in cooking. Others, such as sweet william and hollyhocks were grown entirely for their beauty.
Here lies the roots of today s home-gardener; further influenced by the new style in eighteenth century England which replaced the more formal, symmetrical Garden la fran aise . Such gardens, close to works of art, were often inspired by paintings in the classical style of landscapes by Claude Lorraine and Nicolas Poussin. The work of Lancelot Capability Brown, described as England s greatest gardener was particularly influential. We hope that the reader is inspired by this book, and the long and varied history of gardening itself, to experiment with some home-gardening of their own. Enjoy.
PLATE I
FLOWERS
A GARDEN NOTE BOOK
WITH SUGGESTIONS FOR GROWING THE
CHOICEST KINDS
BY THE
R IGHT H ON . SIR HERBERT MAXWELL
B T ., F.R.S., LL.D. (G LASGOW ), D.C.L. (D URHAM ), V.M.H.
WITH TWELVE COLOURED PLATES FROM DRAWINGS BY THE AUTHOR
Tantus amor florum!
THESE PAGES ARE INSCRIBED TO


IN REMEMBRANCE OF MANY HOURS PROFITABLY PASSED WITH HIM IN SUNSHINE AND SHOWER
Contents
T O THE R EADER
I. S OME H ARDY B ULBS
II. T HE H ERBACEOUS B ORDER
III. S OME F LOWERING S HRUBS
IV. S OME R HODODENDRONS
V. W ILD G ARDENING
VI. T HE C HOICE OF P LANTS
VII. S OME P LANTS FOR W ALLS
VIII. R OCKWORK AND E DGINGS
IX. S OME F AILURES
X. S OME W EEDS
XI. S OME P LANT N AMES
XII. L E NVOI
G ENERAL I NDEX
I NDEX OF P LANT N AMES
Illustrations in Colour
I. E UCRYPHIA P INNATIFOLIA
II. L ILIUM R EGALE
III. L ILIUM B ROWNI
IV. L ADY S S LIPPER (C YPRIPEDIUM C ALCEOLUS )
V. M ECONOPSIS S IMPLICIFOLIA (B AILEY S V ARIETY )
VI. D RAGON S M OUTH (H ELICODICEROS C RINITUS )
VII. D ESFONTAINEA S PINOSA
VIII. K OWHAI (C LIANTHUS P UNICEUS )
IX. B UDDLEIA C OLVILLEI
X. R HODODENDRON S OULEI
XI. A LSTROEMERIA H OOKERI
XII. P ONIA C AMBESSODESSI
To the Reader
IT used to be commonly said that an Englishman s first words of a morning were What shall we kill to-day? It would ill become one who, like the writer of the following pages, has in his time put an end to the lives of a considerable number of his furred, feathered and scaly fellow-creatures, to join in denouncing what the Humanitarian League term blood sports ; but whereas during the later part of a long life his more frequent morning thought has been- What shall we plant to-day? it is possible that among the notes that have accumulated in the lapse of seasons there may be something that may serve, not to instruct, but to encourage the enterprise of other amateurs.
When my departed friend Andrew Lang described gardening as a device of Providence for the pottering peace of virtuous eld, I, being then some thirty years younger than I must own to now, rebuked him for not writing with more respect for the most ancient of all industries 1 -the most enduring of all pastimes. Howbeit, I have now lived long enough to confirm the efficacy of Lang s prescription, without endorsing his limitation thereof to virtuous eld. He, at all events, was a kindlier critic than the cynic who penned the elegiac couplet-
To every man comes a time when his favourite sins all forsake him,
And he complacently thinks he has forsaken his sins.
It is told of the novelist, Alphonse Karr, that when he ceased writing fiction and took to discoursing about his garden, somebody asked him the reason why. When I was young, he replied, I lived romance and I wrote romance. I am now a gardener and I write about gardens. I am not conscious of having lived romance ; perhaps had I done so the few novels I wrote dans le temps might have proved more popular than they did, and as for gardening literature, its output has grown so prodigiously of late years that one may well hesitate before adding to it. I have so hesitated; but whereas in the matter of talking shop, the votaries of gardening have their equals only among those of golf and money-making, I have yielded to a temptation to record a chequered experience of failure and success with some of the less common shrubs and herbs that may be grown in our fickle British climate. The interest of out-of-door gardening has been so greatly enhanced within the last thirty years by the vast number of new species introduced to this country from the far east by such intrepid collectors as Wilson, Forrest, Henry, Farrer, Kingdon Ward, Purdom and others-the abundance at an amateur s disposal is now so varied-that the difficulty consists, not in acquiring material to furnish borders and adorn woodland withal, but in discriminating between what is good and not so good-in choosing the best species and rejecting all of inferior merit. My readers, therefore, will please not to expect to find in these desultory chapters a treatise on garden craft in general or on the mysteries of propagating, manuring, trenching, pruning, etc., in particular; they contain nothing of more importance than the incidental kind of talk that occurs in rambling round a garden with a friend interested in flowering things. Their aim is only serious in so far as it is an attempt to indicate certain points in the arrangement of shrubs and the treatment of flower-borders, which are not so commonly kept in view as they might be with advantage, and to furnish a general reply to some, at least, of the enquiries which the writer has had to answer so frequently in detail-what are the best things to plant? Both in the text and in the coloured plates I have endeavoured to draw attention to plants out of the ordinary run of nursery stock. Nurserymen, of course, have to be prepared to meet whatever may be the prevailing demand, and nobody has a right to c

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