The Perfect Garden - How to Keep it Beautiful and Fruitful - With Practical Hints on Economical Management and the Culture of all the Principal Flowers, Fruits and Vegetables
198 pages
English

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198 pages
English

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Description

This vintage book contains a comprehensive handbook on gardening, with instructions on every aspect from starting out to maintaining a picturesque flower garden. Written in simple language and profusely illustrated, this volume is perfect for budding gardeners and would make for a fantastic addition to collections of related literature. Contents include: "The Outlook", "The Soul of the Garden", "Design, and the Home-Made Garden", "The Cost of Gardening", "Specialism in Gardening", "How to Learn Gardening", "The conquest of the Wild", "The Flower Garden", "Colour for All Seasons", "Hardy Herbaceous Plants", "Rockeries", "Rose Beauty", "Picture Beds", et cetera. Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in an affordable, high-quality edition complete with the original artwork and text.

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Publié par
Date de parution 06 septembre 2017
Nombre de lectures 0
EAN13 9781473341227
Langue English

Informations légales : prix de location à la page 0,0500€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

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THE PERFECT GARDEN
Y UCCA GLORIOSA (A DAM S N EEDLE ).
THE PERFECT GARDEN
HOW TO KEEP IT BEAUTIFUL AND FRUITFUL
WITH PRACTICAL HINTS ON ECONOMICAL MANAGEMENT AND THE CULTURE OF ALL THE PRINCIPAL FLOWERS, FRUITS AND VEGETABLES
ILLUSTRATED WITH PLANS AND REPRODUCTIONS FROM PHOTOGRAPHS
BY
WALTER P. WRIGHT
HORTICULTURAL SUPERINTENDENT UNDER THE KENT COUNTY COUNCIL AUTHOR OF THE GARDEN WEEK BY WEEK AND EDITOR OF CASSEL S DICTIONARY OF PRACTICAL GARDENING
A Short History of Gardening
Gardening is the practice of growing and cultivating plants as part of horticulture more broadly. In most domestic gardens, there are two main sets of plants; ornamental plants , grown for their flowers, foliage or overall appearance - and useful plants such as root vegetables, leaf vegetables, fruits and herbs, grown for consumption or other uses. For many people, gardening is an incredibly relaxing and rewarding pastime, ranging from caring for large fruit orchards to residential yards including lawns, foundation plantings or flora in simple containers. Gardening is separated from farming or forestry more broadly in that it tends to be much more labour-intensive; involving active participation in the growing of plants.
Home-gardening has an incredibly long history, rooted in the forest gardening practices of prehistoric times. In the gradual process of families improving their immediate environment, useful tree and vine species were identified, protected and improved whilst undesirable species were eliminated. Eventually foreign species were also selected and incorporated into the gardens. It was only after the emergence of the first civilisations that wealthy individuals began to create gardens for aesthetic purposes. Egyptian tomb paintings from around 1500 BC provide some of the earliest physical evidence of ornamental horticulture and landscape design; depicting lotus ponds surrounded by symmetrical rows of acacias and palms. A notable example of an ancient ornamental garden was the Hanging Gardens of Babylon - one of the Seven Wonders of the Ancient World.
Ancient Rome had dozens of great gardens, and Roman estates tended to be laid out with hedges and vines and contained a wide variety of flowers - acanthus, cornflowers, crocus, cyclamen, hyacinth, iris, ivy, lavender, lilies, myrtle, narcissus, poppy, rosemary and violets as well as statues and sculptures. Flower beds were also popular in the courtyards of rich Romans. The Middle Ages represented a period of decline for gardens with aesthetic purposes however. After the fall of Rome gardening was done with the purpose of growing medicinal herbs and/or decorating church altars. It was mostly monasteries that carried on the tradition of garden design and horticultural techniques during the medieval period in Europe. By the late thirteenth century, rich Europeans began to grow gardens for leisure as well as for medicinal herbs and vegetables. They generally surrounded them with walls - hence, the walled garden.
These gardens advanced by the sixteenth and seventeenth centuries into symmetrical, proportioned and balanced designs with a more classical appearance. Gardens in the renaissance were adorned with sculptures (in a nod to Roman heritage), topiary and fountains. These fountains often contained water jokes - hidden cascades which suddenly soaked visitors. The most famous fountains of this kind were found in the Villa d Este (1550-1572) at Tivoli near Rome. By the late seventeenth century, European gardeners had started planting new flowers such as tulips, marigolds and sunflowers.
These highly complex designs, largely created by the aristocracy slowly gave way to the individual gardener however - and this is where this book comes in! Cottage Gardens first emerged during the Elizabethan times, originally created by poorer workers to provide themselves with food and herbs, with flowers planted amongst them for decoration. Farm workers were generally provided with cottages set in a small garden-about an acre-where they could grow food, keep pigs, chickens and often bees; the latter necessitating the planting of decorative pollen flora. By Elizabethan times there was more prosperity, and thus more room to grow flowers. Most of the early cottage garden flowers would have had practical uses though-violets were spread on the floor (for their pleasant scent and keeping out vermin); calendulas and primroses were both attractive and used in cooking. Others, such as sweet william and hollyhocks were grown entirely for their beauty.
Here lies the roots of today s home-gardener; further influenced by the new style in eighteenth century England which replaced the more formal, symmetrical Garden la fran aise . Such gardens, close to works of art, were often inspired by paintings in the classical style of landscapes by Claude Lorraine and Nicolas Poussin. The work of Lancelot Capability Brown, described as England s greatest gardener was particularly influential. We hope that the reader is inspired by this book, and the long and varied history of gardening itself, to experiment with some home-gardening of their own. Enjoy.
CONTENTS
PROLOGUE
D REAM G ARDENS
PART I
THE OUTLOOK
I. T HE S OUL OF THE G ARDEN
II. D ESIGN, AND THE H OME -M ADE G ARDEN
III. T HE C OST OF G ARDENING
IV. S PECIALISM IN G ARDENING
V. H OW TO L EARN G ARDENING
VI. T HE C ONQUEST OF THE W ILD
PART II
THE FLOWER GARDEN
I. C OLOUR FOR ALL S EASONS
II. H ARDY H ERBACEOUS P LANTS
III. R OCKERIES
IV. R OSE B EAUTY
V. P ICTURE B EDS
VI. T HE W ATER L ILY P OOL
VII. B EAUTY OF C LIMBERS AND C REEPERS
VIII. T REE AND S HRUB B EAUTY
IX. B ULB B EAUTY
X. S OME S PECIAL F LOWERS AND HOW TO U SE THEM
XI. G ARDEN A UXILIARIES
XII. G ARDEN E NEMIES
PART III
GLASS HOUSES
I. P LANT H OUSES
II. F RUIT H OUSES
PART IV
THE FRUIT GARDEN
I. W HY WE SHOULD G ROW F RUIT
II. A C OMPLETE F RUIT G ARDEN
III. W HEN AND HOW TO M AKE THE F RUIT G ARDEN
IV. W HAT V ARIETIES OF F RUIT TO C HOOSE
V. P RUNING F RUIT T REES
PART V
THE VEGETABLE GARDEN
I. W HY WE SHOULD G ROW V EGETABLES
II. A C OMPLETE K ITCHEN G ARDEN
III. H OW TO G ROW THE P RINCIPAL V EGETABLES
PLANS
INDEX
LIST OF ILLUSTRATIONS
Y UCCA G LORIOSA (A DAM S N EEDLE )
A G ROUP OF F LOWER B EDS ON THE O UTSKIRTS OF A L AWN, WITH T REES IN THE B ACKGROUND
D ELPHINIUM B EAUTY OF L ANGPORT , W HITE
D ELPHINIUM T RUE B LUE
L ILIUM G IGANTEUM
E REMURUS H IMALAICUS
C ERASTIUM B IEBERSTEINI, A S ILVERY - LEAVED , F REE-FLOWERING P LANT FOR THE R OCKERY
S AXIFRAGA W ALLACEI, A P OPULAR R OCKERY P LANT
C RIMSON R AMBLER R OSE GROWING OVER AN O LD T REE
S OMETHING LIKE A R HODODENDRON
W HITE I NDIAN A ZALEAS
M AGNOLIA C ONSPICUA AS A P OT P LANT
A C LUMP OF THE M EADOW S AFFRON , C OLCHICUM A UTUMNALE, IN A B ORDER
A G OOD D ARK F ORM OF L ILIUM A URATUM
A C LUMP OF M ADONNA L ILIES (L ILIUM C ANDIDUM )
D OUBLE C OLOURED P RIMROSES
T HE B EAUTIFUL W HITE L ILIUM S PECIOSUM K R ETZERI
PLANS
G ROUND P LAN OF C OMPLETE G ARDEN (A BOUT F OUR A CRES )
G ROUND P LAN OF C OMPLETE G ARDEN (A BOUT T WO A CRES )
G ROUND P LAN OF C OMPLETE G ARDEN (A BOUT O NE A CRE )
G ROUND P LAN OF Q UARTER A CRE S UBURBAN C OMPLETE G ARDEN
K ITCHEN G ARDEN WITH G LASS AND F RUIT (A BOUT T WO A CRES )
H ERBACEOUS B ORDER, ETC., ON O UTSKIRTS OF L AWN WITH B ACKGROUND OF F LOWERING T REES AND S HRUBS
H ERBACEOUS D OUBLE -B ORDERS ARRANGED AS TO C OLOUR
H ERBACEOUS B ORDER AT C ORNER ON O UTSKIRTS OF L AWN , S HOWING S YSTEM OF A RRANGEMENT OF P ATCHES OF T ALL AMONGST D WARF P LANTS
S IMPLE R OCKERY -G ROUND P LAN AND S ECTION
R OCK G ARDEN -G ROUND P LAN AND S ECTION
R OSE G ARDEN ON G RASS OR G RAVEL , P REFERABLY WITH S TONE E DGING TO THE B EDS
R OSE G ARDEN OF B EDS AND A RCHES ON G RASS
W ATER L ILY P OND (C EMENTED )
W ATER L ILY P OND (C LAYED )-G ROUND P LAN AND S ECTION
P LAIN P ERGOLA B OUNDING L AWN -T ENNIS G ROUND
R USTIC P ERGOLAS -G ROUND P LAN AND E LEVATIONS
S HRUBBERY AND P LANTING A RRANGEMENT
W ALL -E NCLOSED S EMI -U RBAN OR S UBURBAN F RUIT G ARDEN WITH G LASS H OUSES
F RUIT P LANTATION , M IXED (A BOUT T WO A CRES )
PROLOGUE
DREAM GARDENS
D REAM G ARDENS , and yet real gardens-the gardens which have been seen in past days, and the fragrant essence of which, expressed in the still of memory, comes back with tenfold sweetness, to give us the impulse for making beautiful gardens of our own.
Time deals very kindly with these gardens of our dreams. It winnows out all the little sharp husks of imperfection-the weedy corner, the ill-placed shrubbery, the incongruous bed-and preserves only the solid grains of general effect, of collective beauty. It invests them with a golden glamour.
My dream gardens are those which I see again by the winter fireside. The lawn outside may be deep in snow, but in fancy it is flooded with sunlight, and the heart of the countryside is palpitating with the passion of life. The dreary present is forgotten, and I live in a past that is green with the Spring garment of the forests, and glowing with the Summer livery of gardens.
I dream of a fair Kentish garden, within a mile or two of sleepy Hythe. I see it as I saw it first, at dawn on a June morning. I had come to it fresh from fierce, chill Highland dawns. I had gone from Stirling to Bannockburn, from Bannockburn to Aberfoyle, and then through the gleaming heather hills to the sides of Loch Vennachar. From Callander I had steered for Loch Lubnaig and Lochearnhead, then passed through Glen Dochart to Tyndrum and Dalmally, made the northern curve of mighty Loch Awe, and so gained the shores of Loch Etive and Oban. There, in the June morning, the grey mists cling late to the twin peaks of Ben Cruachan, separating themselves slowly and reluctantly from the departing shadows of night; and when dawn breaks at length over lake and mountain-over the lofty summit

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