More Card Manipulations - Series No. 3
53 pages
English

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53 pages
English

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Description

Card manipulation is an element of magical illusion concerning the creation of effects through sleight of hand techniques that involve playing cards. It is commonly employed in magical performances, particularly in street magic. This book contains the third in the series of handbooks on card manipulation by master magician Jean Hugard. Jean Hugard's fantastic series “More Card Manipulations” includes simple instructions for a variety of fantastic card tricks, making it ideal for novice illusionists or related collections of literature. Contents include: The Faced Deck”, “The Gambler's Table Change”, “The Spread Pass”, “The Thumb Side”, “New Method of Picking up an Arranged Pack”, “An Easy Force”, “Reversing the Bottom Card”, etc. Jean Hugard was an Australian professional magician. By the end of his life he had gone blind, having lost sight in both eyes as a result of cataract-removal operations. Despite his handicap he continued his work with work at his home in Brooklyn, New York. Contents include: “The Faced Deck”, “The Gambler's Table Change”, “The Spread Pass”, “The Thumb Side”, “New Method of Picking up an Arranged Pack”, “An Easy Force”, “Reversing the Bottom Card”, etc. Other notable works by this author include: “Show Stoppers with Cards” (1948), “Royal Road to Card Magic” (1948), and “Houdini's 'Unmasking': Fact Vs. Fiction” (1957). Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this classic volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new introduction on card manipulation.

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Publié par
Date de parution 22 mars 2021
Nombre de lectures 0
EAN13 9781528768184
Langue English

Informations légales : prix de location à la page 0,0350€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

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More Card Manipulations
No. 3.
by
JEAN HUGARD


ILLUSTRATIONS BY NELSON HAHNE
Copyright 2018 Read Books Ltd. This book is copyright and may not be reproduced or copied in any way without the express permission of the publisher in writing
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
Card Manipulation
Card manipulation is the branch of magical illusion that deals with creating effects using sleight of hand techniques involving playing cards. Card manipulation is often used in magical performances, to great effect, especially in close-up, parlour and street magic. Some of the most recognised names in this field include Dai Vernon, a Canadian magician with considerable influence, specialising in sleight of hand, Ed Marlo, an American born magician who referred to himself as a cardician , and Alex Elmsley, a Scot who was notable for his invention of the Ghost Count or Elmsley Count , creating various mathematical card tricks, and for publishing the mathematics of card shuffling. Before becoming world famous for his escapology act, Houdini billed himself as The King of Cards .
Cards have a long and illustrious history, they were first invented in Imperial China, and specimens have been found dating back as early the ninth century, during the Tang Dynasty (618-907). Female players were some of the most frequent participants, and the first known book on cards, called Yezi Gexi (presumably written in the 860s) was originally written by a Tang era woman, subsequently undergoing additions by other Chinese scholars. By the eleventh century, playing cards could be found throughout the Asian continent. During the Ming Dynasty (1368-1644), characters from novels such as the Water Margin were widely featured on the faces of playing cards. Playing cards first entered Europe in the early fourteenth century, probably from Egypt, with suits (sets of cards with matching designs) very similar to the tarot suits of Swords, Staves, Cups and Coins (also known as disks or pentacles). These latter markings are still used in traditional Italian, Spanish and Portuguese decks. Playing cards were first formalised into something closely resembling our modern deck in the seventeenth century, but the joker was only introduced by the USA in the 1870s.
As props, playing cards have only become popular with magicians in the last century or so, largely due to their inexpensive nature, versatility and easy availability. Although magicians have created and presented myriad of illusions with cards (sometimes referred to as tricks ), most of these illusions are generally considered to be built upon one hundred or so basic principles and techniques. Presentation and context (including patter , the conjurer s misleading account of what he is doing) account for many of the variations. Card magic, in one form or another, likely dates from the time playing cards became commonly known, towards the second half of the fourteenth century, but its history in this period is largely undocumented. Compared to sleight of hand magic in general and to cups and balls, it is a relatively new form of magic. Common manipulation techniques include lifts , where one or more cards (normally known to the audience) are selected and identified as part of the illusion, false deals , which appear to deliver cards fairly, when actually the cards are predetermined or known to the performer, and side slips , a technique generally used to bring a predetermined card to the top of a deck. Passes, Palming, False Shuffles, False Cuts, Changes, Crimps, Jogs and Reverses are also commonly utilised manipulations.
More Card Manipulations No. 3


CONTENTS
SLEIGHTS
The Faced Deck
The Gambler s Table Change
The Spread Pass
The Thumb Slide
New Method of Picking up an Arranged Pack
An Easy Force
Reversing the Bottom Card
The Carlyle False Count
The Miller Card Case
The Cottone Spider-Grip False Cut
Tricks therewith-A Stubborn Card
Gambler s Sense of Touch
Penetrating Eye
Four Aces are Tops
Poker Heaps
Digging for Diamonds
TRICKS
Picking A Pocket
Married Couples and Bachelors
Springing the Trap
The Two Pile Mystery
Mene, Tekel, Upharsin (The Thirty Cards)
a. Multiplication of Cards
b. Robert-Houdin s Method
c. Infiltration
The Multiplication of Cards while in Someone s Hands
Reverse Transfer
Optical Illusion
Think-A-Card
Ziska Improved
Three Cards and a Bank Note
The Score Card Scores
The Curry Turn Over Change
A Cur(r)i-ous Prediction
The Question is --
Psycho-Carditis
More Card Manipulations No. 3


THE FACED DECK-THE SECRET TURN OVER
The principle of the faced deck and the secret turn over is one of the oldest in card conjuring. The first mention of it that I have found is in Decremps, Testament de Jerome Sharpe (1793), and his explanation reads as follows:- Hold the cards at the end of the left hand, Fig. 1 , so that by closing the hand, they can be turned over, top to bottom, and they will be found, after the hand is opened, anew, as in Fig. 2 . (They will not appear to have been turned over, because they show a white side above and below.) French playing cards of the period had plain white backs, the patterned backs being a later development.
THE ORIGINAL ILLUSTRATIONS


FIG. 1


FIG. 2
In Modern Magic (1876) Professor Hoffman described a later method. He says: Take the pack flat in the left hand, the fingers clipping it rather tightly, but without the aid of the thumb. Press the thumb underneath, and with the ball of the thumb press the pack smartly upwards (see Fig. 3 ), when it will describe a semi-revolution on its longer axis, the lower face of the pack being thereby brought uppermost.


FIG. 3
A still later method, and the one in popular use at the present time is to hold the pack in the left hand as for dealing, drop the hand to the side and, at the same time, turn it over bringing its back uppermost. When the hand is then raised, the pack has been turned over, the original lower half being uppermost. Figs. 4 and 5 .
The drawback to all three methods is that the necessary movement of the pack has to be covered by a quick and unnatural movement of the hand and arm, or by very strong misdirection, such as the accidental dropping of a card to the floor, the sleight being executed under cover of the action of picking up the card. In the following method these drawbacks are eliminated and the sleight becomes a simple and natural move.
The halves of the deck having been brought face, to face secretly, when it becomes necessary to turn the deck over to bring the cards of the lower portion uppermost, proceed as follows:-Hold the deck in the right hand between the thumb, at the lower left corner, and the top joint of the third finger, at the upper right corner. Fig. 6 . Press all four fingers close together, so that the pack is practically hidden by the back of the hand.


FIG. 4


FIG. 5


FIG. 6
Bring the hands together in the act of placing the pack in the left hand and, in doing so, press the tip of the right first finger on the upper left corner. This downward pressure will cause the pack to pivot on the two diagonally opposite corners which are held by the thumb and forefinger and the required half turn is made imperceptibly as the pack is placed quite naturally in the left hand. The right hand then moves away, or continues the deal, according to the requirements of the trick in hand.
The principle of the faced deck has been neglected by modern magicians. One of the few tricks in which it is used is the Four Ace Trick. Every now and then someone bobs up in print with this new method of working the trick by means of the faced deck, unconscious of the fact that this was the original method which is fully explained in Neuvelle Magic Blanche Devoilee, published in Paris in 1853. (See page 172, Encyclopedia of Card Tricks). It may well be noted here that the trick of the red and black aces changing places from the top and bottom of the pack to the middle and vice versa, is claimed by the author of this book, J. N. Ponsin, as his original invention.
THE GAMBLER S TABLE CHANGE
By means of this ingenious sleight a card, which has been shown and openly dropped face down on the table, is imperceptibly changed to another card. At first sight the sleight may appear to be difficult one, but a little practice will show it to be comparatively easy. That is it practicable is proved by the fact that gamblers use it to change their hole card in stud poker under the eyes of their opponents.
To execute the sleight proceed as follows:
1. Show a card, face outwards, holding it by the sides between the right thumb and middle finger, the forefinger resting on the middle of the back. By pulling upwards with the thumb and finger and pressing downwards with the forefinger, crimp the card slightly lengthwise in laying it on the table, face down, to your right. Fig. 1 .
2. Pick up the pack with your right hand and put it in your left hand, at the same time palming the top card in the right hand by the one hand top palm-(Card Manipulations No. 1, page 2).
3. Remark casually: By the way, what was the card I showed you? Move the right hand to the left side of the table card, slide the outer side of the palmed card under it,-the crimp making this insertion easy,-keep the hand flat and push the palmed card under the table card, at the same time resting the little finger side of the hand on the table. Turn the thumb side of

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