Wild Life in a Southern Country

Richard Jefferies

Description

This volume contains Richard Jefferies 1879 wildlife book, "Wild Life in a Southern County". A comprehensive examination of the birds and animals where he lived, these fascinating essays display Jefferies' deep admiration and understanding of the countryside. This volume is highly recommended for lovers of nature writing, and constitutes a must-read for fans of Jefferies beautiful work. The essays of this collection include: "The Downs", "The Entrenchment", "Ways of Larks", "Hares", "A Combat", "Happiness of Animals", "Ants", "A Long Journey", "A Drought", "Ancient Garrison of the Entrenchment", "Traditions of Forest", "Curious Ponds", "A Mirage", etcetera. John Richard Jefferies (1848 - 1887) was an English writer famous for depicting English rural life in essays, books and novels. Many vintage texts such as this are increasingly scarce and expensive, and it is with this in mind that we are republishing this book now, in an affordable, high-quality, modern edition. It comes complete with a specially commissioned biography of the author.

Sujets

• Walks
• Hikes
• Special Interest
• Interest group (disambiguation)
• Environmentalism
• Sustainable living
• Rural area
• Natural history
• Travel
• General officer
• Walking
• General
• Conservation

Informations

• Publié par: Read Books Ltd.
• Date de parution: 08 juin 2015
• Nombre de lectures: 0
• EAN13: 9781473375291
• Langue: English

Extrait

“Wild Life in a Southern County”
by
Richard Jefferies


Copyright © 2013 Read Books Ltd.
This book is copyright and may not be
reproduced or copied in any way without
the express permission of the publisher in writing
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library


Contents
Richard Jefferies
Preface.
Chapter One.
Chapter Two.
Chapter Three.
Chapter Four.
Chapter Five.
Chapter Six.
Chapter Seven.
Chapter Eight.
Chapter Nine.
Chapter Ten.
Chapter Eleven.
Chapter Twelve.
Chapter Thirteen.
Chapter Fourteen.
Chapter Fifteen.
Chapter Sixteen.
Chapter Seventeen.
Chapter Eighteen.
Chapter Nineteen.
Chapter Twenty.


Richard Jefferies
John Richard Jefferies was born on 6 November, 1818, in the small town of Coate, Wiltshire, England. He is best known as a nature writer, depicting English rural life in a sympathetic and poetic manner. The son of a struggling farmer and one of four children, he had great reverence for the natural world from an early age. By the age of nine, Jefferies went shooting and fishing with his father and with a taste for adventure he fashioned his own canoe to paddle out into the local reservoir. These escapades could go too far however; at the age of sixteen, Jefferies and his cousin, James Cox, travelled to France, with the aim of walking to Russia. On discovering their French to be insufficient, they attempted to sail to America, but were forced to return as their tickets did not include the cost of food. Having settled down as a young man, Jefferies worked for several local newspapers, contributing frequent articles on local history. It was around this time that he contracted tuberculosis though, the disease that would eventually kill him. Jefferies pursued a career as a writer with relish and had his first novel The Scarlet Shawl , published in 1874. The same year he married Jessie Baden, the daughter of a local farmer, with whom he had two children. With his new family, Jefferies moved to the outskirts of London and established himself firmly as a great English nature writer. His first success was The Gamekeeper at Home (1878), as well as a series of distinguished articles for the Pall Mall Gazette . During this time in London Jefferies honed his literary skills, producing his most famous works; The Bevis Books (1881-2) which depicted a small boy’s interaction with a host of anthropomorphic characters, and his adventures in the countryside. When Jefferies was forced to move to Brighton, convalescing from a spell of illness caused by the undiagnosed tuberculosis, he wrote the extraordinary autobiography, The Story of My Heart (1883) . An outpouring of thoughts and feelings, he described the work as ‘absolutely and unflinchingly true.’ Jefferies went on to publish After London (1885), a post-apocalyptic fictional account of an abandoned England, reverted back to nature with a few survivors leading a quasi-medieval existence. In his final years, due to declining health, Jefferies was unable to write any significant publications and consequently struggled with poverty. He was helped by the Royal Literary Fund , which bequeathed a grant of one hundred pounds, enabling the author to move to Goring, Sussex - a small town by the sea. Jefferies died there, of tuberculosis and fatigue, on 14 August 1887. He is buried in Broadwater and Worthing Cemetery.


Preface.
There is a frontier line to civilisation in this country yet, and not far outside its great centres we come quickly even now on the borderland of nature. Modern progress, except where it has exterminated them, has scarcely touched the habits of bird or animal; so almost up to the very houses of the metropolis the nightingale yearly returns to her former haunts. If we go a few hours’ journey only, and then step just beyond the highway—where the steam ploughing engine has left the mark of its wide wheels on the dust—and glance into the hedgerow, the copse, or stream, there are nature’s children as unrestrained in their wild, free life as they were in the veritable backwoods of primitive England. So, too, in some degree with the tillers of the soil: old manners and customs linger, and there seems an echo of the past in the breadth of their pronunciation.
But a difficulty confronts the explorer who would carry away a note of what he has seen, because nature is not cut and dried to hand, nor easily classified, each subject shading gradually into another. In studying the ways, for instance, of so common a bird as the starling it cannot be separated from the farmhouse in the thatch of which it often breeds, the rooks with whom it associates, or the friendly sheep upon whose backs it sometimes rides. Since the subjects are so closely connected, it is best, perhaps, to take the places they prefer for the convenience of division, and group them as far as possible in the districts they usually frequent.
The following chapters have, therefore, been so arranged as to correspond in some degree with the contour of the country. Commencing at the highest spot, an ancient entrenchment on the Downs has been chosen as the starting-place from whence to explore the uplands. Beneath the hill a spring breaks forth, and, tracing its course downwards, there next come the village and the hamlet. Still farther the streamlet becomes a broad brook, flowing through meadows in the midst of which stands a solitary farmhouse. The house itself, the garden and orchard, are visited by various birds and animals. In the fields immediately around—in the great hedges and the copse—are numerous others, and an expedition is made to the forest. Returning to the farm again as a centre, the rookery remains to be examined, and the ways and habits of the inhabitants of the hedges. Finally come the fish and wild-fowl of the brook and lake;—finishing in the Vale.
R.J.


Chapter One.
The Downs—The Entrenchment—Ways of Larks—Hares—A Combat—Happiness of Animals—Ants—A Long Journey.
The most commanding down is crowned with the grassy mound and trenches of an ancient earthwork, from whence there is a noble view of hill and plain. The inner slope of the green fosse is inclined at an angle pleasant to recline on, with the head just below the edge, in the summer sunshine. A faint sound as of a sea heard in a dream—a sibilant ‘sish, sish,’—passes along outside, dying away and coming again as a fresh wave of the wind rushes through the bennets and the dry grass. There is the happy hum of bees—who love the hills—as they speed by laden with their golden harvest, a drowsy warmth, and the delicious odour of wild thyme. Behind the fosse sinks, and the rampart rises high and steep—two butterflies are wheeling in uncertain flight over the summit. It is only necessary to raise the head a little way, and the cool breeze refreshes the cheek—cool at this height while the plains beneath glow under the heat.
Presently a small swift shadow passes across—it is that of a hawk flying low over the hill. He skirts it for some distance, and then shoots out into the air, comes back half-way, and hangs over the fallow below, where there is a small rick. His wings vibrate, striking the air downwards, and only slightly backwards, the tail depressed counteracting the inclination to glide forwards for awhile. In a few moments he slips, as it were, from his balance, but brings, himself up again in a few yards, turning a curve so as to still hover above the rick. If he espies a tempting morsel he drops like a stone, and alights on a spot almost exactly below him—a power which few birds seem to possess. Most of them approach the ground gradually, the plane of their flight sloping slowly to the earth, and the angle decreasing every moment till it becomes parallel, when they have only to drop their legs, shut their wings, and, as it were, stand upright in the air to find themselves safe on the sward. By that time their original impetus has diminished, and they feel no shock from the cessation of motion. The hawk, on the contrary, seems to descend nearly in a perpendicular line.
The lark does the same, and often from a still greater height descending so swiftly that by comparison with other birds it looks as if she must be dashed to pieces; but when within a few yards of the ground, the wings are outstretched, and she glides along some distance before alighting. This latter motion makes it difficult to tell where a lark actually does alight. So, too, with snipe: they appear to drop in a corner of the brook, and you feel positive that a certain bunch of rushes is the precise place; but before you get there the snipe is up again under your feet, ten or fifteen yards closer than you supposed, having shot along hidden by the banks, just above the water, out of sight.
Sometimes, after soaring to an unusual elevation, the lark comes down, as it were, in one or two stages: after dropping say fifty feet, the wings are employed, and she shoots forward horizontally some way, which checks the velocity. Repeating this twice or more, she reaches the ground safely. In rising up to sing she often traces a sweeping spiral in the air at first, going round once or twice; after which, seeming to settle on the line she means to ascend, she goes up almost perpendicularly in a series of leaps, as it were—pausing a moment to gather impetus, and then shooting upwards till a mere speck in the sky. When ten or twelve larks are singing at once, all within a narrow radius—a thing that may be often witnessed from these downs in the spring—the charm of their vivacious notes is greater than when one solitary bird alone discourses sweet music which is lost in the blue dome overhead.
At that time they seem to feed only a few minutes consecutively, and then,