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Publié par | Self-Counsel Press |
Date de parution | 15 mars 2017 |
Nombre de lectures | 2 |
EAN13 | 9781770407442 |
Langue | English |
Poids de l'ouvrage | 2 Mo |
Informations légales : prix de location à la page 0,0025€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.
Extrait
Getting Grants
The Complete Manual of Proposal Development and Administration
Alexis Carter-Black, BA, MA
Self-Counsel Press (a division of) International Self-Counsel Press Ltd. USA Canada
Copyright © 2010
International Self-Counsel Press All rights reserved.
Contents
COVER
TITLE PAGE
INTRODUCTION
CHAPTER 1: THEY JUST DON’T GET IT, DO THEY?
1. SOME QUESTIONS AND DEFINITIONS
2. DETERMINING ORGANIZATIONAL CAPACITY
WORKSHEET 1: ORGANIZATIONAL CAPACITY QUESTIONNAIRE
CHAPTER 2: WHAT IS A GRANT AND WHERE CAN WE GET ONE?
1. WHERE DO YOU GO TO LEARN ABOUT GRANT PROGRAMS?
TABLE 1: CFDA — TYPES OF ASSISTANCE
SAMPLE 1: CFDA PROGRAM NOTICE
2. RESEARCHING YOUR FUNDING SOURCE
SAMPLE 2: LETTER REQUESTING GRANT INFORMATION
WORKSHEET 2: FUNDER DATA SHEET
3. DECIDING TO APPLY FOR GRANT FUNDING
WORKSHEET 3: GRANT PROPOSAL EFFICACY ASSESSMENT
CHAPTER 3: IF YOU’RE IN THE GRANTS OFFICE, WHY AREN’T YOU WRITING THE GRANT?
1. WHAT IS THE ROLE OF THE GRANTS OFFICE?
SAMPLE 3: GRANTS OFFICE JOB DESCRIPTIONS
2. ESTABLISHING PROCEDURES FOR PROPOSAL DEVELOPMENT AT YOUR ORGANIZATION
FIGURE 1: PROCESS FOR PROPOSAL COMPLETION
SAMPLE 4: GRANTS MANAGEMENT PROCEDURES
WORKSHEET 4: GRANT REGISTRATION AND APPROVAL FORM
SAMPLE 5: TIMELINE FOR XYZ GRANT APPLICATION
3. GRANTS DEVELOPMENT IN A SMALL NONPROFIT ORGANIZATION
4. GRANTS DEVELOPMENT AT FAITH-BASED ORGANIZATIONS
5. WHAT IS THE ROLE OF THE GRANT WRITER?
SAMPLE 6: GRANT WRITER JOB DESCRIPTION
6. WHEN GRANTS OFFICE PERSONNEL BECOME PROJECT DIRECTORS
CHAPTER 4: YOU EXPECT ME TO WRITE IT?
1. LETTER OF INQUIRY/INTENT
SAMPLE 7: LETTER OF INQUIRY
2. ABSTRACT/EXECUTIVE SUMMARY
3. ORGANIZATIONAL DESCRIPTION
4. NEEDS STATEMENT
5. PROGRAM DESCRIPTION
WORKSHEET 5: ESTABLISHING ACTIVITIES
SAMPLE 8: PROGRAM TIMELINE
6. EVALUATION PLAN
7. OTHER COMMON GRANT PROPOSAL SECTIONS
SAMPLE 9: COVER LETTER
SAMPLE 10: COVER PAGE — FEDERAL GOVERNMENT FORM SF-424
SAMPLE 11: LETTER OF SUPPORT
CHAPTER 5: JUSTIFY THOSE FUNDS!
1. GRANT BUDGET
SAMPLE 12: PRELIMINARY LIST OF BUDGET ITEMS
SAMPLE 13: FEDERAL BUDGET FORM (SF-424A)
SAMPLE 14: PERSONNEL COSTS FOR PROPOSAL BUDGET
2. MATCHING BUDGET
3. BUDGET JUSTIFICATION/NARRATIVE
SAMPLE 15: BUDGET AND JUSTIFICATION FOR GRANT PROPOSAL
4. OFFICE OF MANAGEMENT AND BUDGET (OMB) CIRCULARS
5. OTHER BUDGET CONSIDERATIONS
CHAPTER 6: YOU’RE IN THE HOMESTRETCH!
1. THE SUBMISSION PROCESS
2. THE REVIEW PROCESS
SAMPLE 16: SELECTION CRITERIA
CHAPTER 7: SO … WHAT NOW?
1. FUNDED PROPOSALS — GRANT ADMINISTRATION AND REPORTING
CHECKLIST 1: BASIC ADMINISTRATIVE ISSUES
CHECKLIST 2: PROJECT IMPLEMENTATION
CHECKLIST 3: ONGOING PROGRAM ADMINISTRATION AND REPORTING RESPONSIBILITIES
CHECKLIST 4: GRANT CLOSEOUT
2. REJECTED PROPOSALS — WHAT YOU SHOULD KNOW AND DO NOW
CHAPTER 8: NOW LET ME TELL YOU WHAT NOT TO DO!
1. “OH, THEY WON’T MIND IF I …” Ignoring the Rules of the Funder
2. “OH, IT’S OKAY. JUST LET THE JANITOR SIGN IT.” And Other Attempts to Circumvent the Internal Grants Process
3. “ YOU’RE MY PARTNER IN THIS; YOU JUST DON’T KNOW IT YET.” Building Healthy Relationships with Grant Partners
4. “THAT SOUNDS LIKE A GREAT IDEA … LET’S APPLY!” Making Promises You Can’t or Don’t Keep
5. “WHEN IS THAT DEADLINE? OH, GREAT, WE HAVE PLENTY OF TIME.” The 11th-Hour Grant Proposal
6. “LET’S JUST APPLY FOR ALL OF THEM AND SEE WHAT HAPPENS.” Ignoring Strategy When Submitting Grant Proposals
7. “DO THEY REALLY NEED THAT INFORMATION?” Failing to Fulfill Your Obligations
8. “THIS WOULD BE A GREAT OPPORTUNITY FOR YOUR ORGANIZATION.” Letting an Outside Organization Talk You into Submitting a Grant Proposal
CHAPTER 9: THE REAL SKINNY ON FREE GOVERNMENT GRANTS!
GLOSSARY
DOWNLOAD KIT
ACKNOWLEDGMENTS
ABOUT THE AUTHOR
NOTICE TO READERS
SELF-COUNSEL PRESS THANKS YOU FOR PURCHASING THIS EBOOK.
Introduction
I first became aware of grant writing in 1987 while watching my mother write a grant proposal for the nonprofit social service agency in which she worked. In my education and career interests, I have always gravitated toward the social sciences, and government and social service agencies. In later years, these interests expanded to include educational institutions and nonprofit organizations in general. I wanted a career in public service and was strangely attracted to grant writing.
My formal education has allowed me to study political science, sociology, history, public administration, and even regional and city planning. Prior to writing the first edition of this book, my professional experience included providing technical assistance on behalf of an economic development agency; managing donor databases for a university development office; and conducting research and coordinating projects for the state legislature.
At the time that I was writing the first edition of this book, I was working as the Coordinator of Grants and Contracts at Oklahoma City Community College (OCCC), a two-year college without a history of grant writing among its faculty and staff. In this capacity, I was given the opportunity to build a Grants Office where none previously exist.ed. I was later “promoted” to Director of Grants and Contracts. Upon leaving that organization, I spent a brief period of time as Director of Programs at a state government agency, where the primary mission is to grant funds to promote technology-based economic development. I then returned to higher edu.cation and currently serve as the Director of Sponsored Programs at a four-year university.
I wrote my first grant proposal in 1996 as a graduate student at the University of Oklahoma. The application was successful, funding a $400,000 renovation of a local nonprofit organization. It is, therefore, not surprising that nine years of my thirteen-year post-college career has been spent directly working in the grants field — writing proposals, running higher education Grants Offices, managing grant-funded projects, and administering funding competitions in the role of grantor. Another nine years during college and early in my professional career, working with grants may not have been the primary function of any positions that I held, but grants were ever-present as a secondary or tertiary responsibility.
I decided to write this book in large part due to my professional experiences at OCCC those first five years. I was the sole employee of the college’s Office of Grants and Contracts, responsible for both pre- and post-award activities. I began to notice that colleagues, some within my college and others outside the institution, seemed to think that all they had to do when they were writing and submitting a grant proposal was write and submit the grant proposal. I found that many people who had written grants and been awarded funding in the past had little consideration for the process — in other words, what was required of responsible parties before they wrote and submitted a grant proposal, and what responsibilities they had if funding was awarded.
I ran into misunderstanding after misunderstanding about my role in the grants process at the college. Initially I suspected it was just an organizational problem. After all, I was coming to a position that had been vacant for at least a year and a half at an institution that did not view grants as a priority. However, when I spoke with colleagues in similar positions about their experiences at their own organizations, I began to realize a combination of issues contributed to the problem. Not only was there confusion surrounding my role at the college, but I also found that if there were no clear rules about the development and administration of an organization’s grant programs, chaos would ensue. If existing rules were not properly communicated to program managers and staff engaged in grant activities, a divide would surely develop between those in administration and those carrying out the daily activities of the organization, many of which were funded by grants.
Obviously, the severity of this disconnect depended on the size of the organization.
Because of the generally larger size and complex organizational structure of most K-12 school districts, colleges, and universities, a carefully crafted grants process is crucial. Such an institution must have a cohesive working process in place to identify need, create programs, develop proposals, and administer grant funds. This is what my college lacked, and a large part of my work at OCCC involved creating rules of grantsmanship, developing the campus’s centralized grants office, building a culture of openness in which fa