Interrogating Postfeminism
355 pages
English

Découvre YouScribe en t'inscrivant gratuitement

Je m'inscris

Interrogating Postfeminism , livre ebook

Découvre YouScribe en t'inscrivant gratuitement

Je m'inscris
Obtenez un accès à la bibliothèque pour le consulter en ligne
En savoir plus
355 pages
English
Obtenez un accès à la bibliothèque pour le consulter en ligne
En savoir plus

Description

This timely collection brings feminist critique to bear on contemporary postfeminist mass media culture, analyzing phenomena ranging from action films featuring violent heroines to the "girling" of aging women in productions such as the movie Something's Gotta Give and the British television series 10 Years Younger. Broadly defined, "postfeminism" encompasses a set of assumptions that feminism has accomplished its goals and is now a thing of the past. It presumes that women are unsatisfied with their (taken for granted) legal and social equality and can find fulfillment only through practices of transformation and empowerment. Postfeminism is defined by class, age, and racial exclusions; it is youth-obsessed and white and middle-class by default. Anchored in consumption as a strategy and leisure as a site for the production of the self, postfeminist mass media assumes that the pleasures and lifestyles with which it is associated are somehow universally shared and, perhaps more significantly, universally accessible.Essays by feminist film, media, and literature scholars based in the United States and United Kingdom provide an array of perspectives on the social and political implications of postfeminism. Examining magazines, mainstream and independent cinema, popular music, and broadcast genres from primetime drama to reality television, contributors consider how postfeminism informs self-fashioning through makeovers and cosmetic surgery, the "metrosexual" male, the "black chick flick," and more. Interrogating Postfeminism demonstrates not only the viability of, but also the necessity for, a powerful feminist critique of contemporary popular culture.Contributors. Sarah Banet-Weiser, Steven Cohan, Lisa Coulthard, Anna Feigenbaum, Suzanne Leonard, Angela McRobbie, Diane Negra, Sarah Projansky, Martin Roberts, Hannah E. Sanders, Kimberly Springer, Yvonne Tasker, Sadie Wearing

Informations

Publié par
Date de parution 02 novembre 2007
Nombre de lectures 0
EAN13 9780822390411
Langue English
Poids de l'ouvrage 17 Mo

Informations légales : prix de location à la page 0,1498€. Cette information est donnée uniquement à titre indicatif conformément à la législation en vigueur.

Extrait

I N T E R R O G A T I N G
P O S T F E M I N I S M
Consoleing Passions
Television and Cultural Power
Edited by Lynn Spigel
I N T E R R O G A T I N G
P O S T F E M I N I S M
Gender and the Politics of Popular Culture
Edited by Yvonne Tasker and Diane Negra
Duke University Press
Durham and London 2007
© 007 dûé uéŝ péŝŝ
a ŝ éŝéé
pé  é ué sàéŝ ô aéçà ô àç-éé àé ♾
déŝé  héàé héŝé
téŝé  môôé gààô  tŝé ïôàô sŝéŝ, ïç.
à ô côéŝŝ cààô--pûçàô dàà àéà ô é àŝ é àé ô ŝ ôô.
C O N T E N T S
 açôééŝ
 ïôûçô: éŝ pôçŝ à pôŝéŝ cûûé YVONNE TASKER AND DIANE NEGRA
. pôŝéŝ à pôûà cûûé: bé Jôéŝ à é né géé réé ANGELA MCROBBIE
. màŝŝ mààzé côé gŝ: sôé réLéçôŝ ô pôŝéŝ gŝ à pôŝéŝ’ŝ dàûéŝ SARAH PROJANSKY
.  àchàédé: té màç ô pôŝéŝ sŝéôô HANNAH E. SANDERS
4. “ï hàé m Jô, ï hàé eéô héé”: aûé, bôéô, à é “wô g”  té-ŝ-céû aéçà céà SUZANNE LEONARD
5. réà é réŝôàçéŝ ô rô g: éŝŝ, pôŝéŝŝ, à “pôçéŝŝéŝ” ô pû ANNA FEIGENBAUM
6. k b: ré éŝ à  vôéçé LISA COULTHARD

7
40
7
00

5
 Contents
7. qûéé eé ô é sà gûŝé: cà, pôŝéŝ, à é à é’ŝ màéôéŝ ô màŝçû STEVEN COHAN
8. wà’ŝ yôû àà? ràçé à pôŝéŝ  méà cûûé SARAH BANETWEISER
9. té àŝô pôçé: gôé é sé  Whà nô ô WéàMARTIN ROBERTS
0. dàŝ, e bàç bçéŝ, à bé bàç wôé: açà aéçà wôé  pôŝéŝ à pôŝ-c-rŝ pôûà cûûé KIMBERLY SPRINGER
. sûjéçŝ ô réjûéàô: a  pôŝéŝ cûûé SADIE WEARING
 bôà
 côûôŝ
 ïé
76
0
7
49
77


5
A C K N O W L E D G M E N T S
é éôŝ ôû é ô ééŝŝ é àéçàô ô é T çôûôŝ ô é ô  ééô éŝé éŝŝàŝ, ô hàà hàà ô é çôŝéàé é ŝé ôé àŝ ôjéç àŝŝŝà, ô déŝ và t à sàà cûçé ô àŝ-ŝŝàçé  ôà ûŝàôŝ, ô ràçé hà ô é àŝŝŝ-àçé  éà é ôà, ô ŝà sééé ô çô é é, à ô é sçôô ô  à tééŝô sûéŝ à é uéŝ ô eàŝ aà à é déàé ô môé cûûé à méà à é côû céé ô é hûàéŝ à bô uéŝ, ô ô ç ééôûŝ ôé àéà àŝŝŝàçé û é çôéô ô ŝ ôô.  wé àŝô ŝ ô àçôéé é ûéôûŝ çôéàûéŝ à àûàé ŝûéŝ ô éé ô àçàé é a 004 çô-ééçé ïéôà pôŝéŝ: géé à é pôçŝ ô pôûà cûûé à é uéŝ ô eàŝ aà ô ç ŝ ôûé é. aŝ é çôééçé àŝàô, héàé à àé à çôŝéàé çôûô ô é ééàô ô ŝ ôjéç.  à, é à ké wŝŝôé (é éîô ô à , ôûû, à ŝûôé éô) à é ŝàf à dûé u-éŝ péŝŝ, àŝ é àŝ é éŝŝ’ŝ éàéŝ, ô ûŝé é éŝ  ô éôŝ, ôŝé à é çàéé à éçôû-àéé  éûà éàŝûé.  aéà mçrôé’ŝ éŝŝà àéàŝ  é éŝŝô ô é àûô àFéîîs médîà Sudîés.
Yvonne Tasker and Diane Negra
Introductîon F E M I N I S T P O L I T I C S A N D P O S T F E M I N I S T C U LT U R E
ôŝéŝ ôà éçôàŝŝéŝ à ŝé ô àŝŝûôŝ, P é ŝŝéàé  ôûà éà ôŝ, à ô ô  é “àŝéŝŝ” ô éŝ, éé à ŝûôŝé àŝéŝŝ ŝ éé ôé, ôûé, ô çééàé. cûçà ô ûŝ, ôŝéŝ ŝûéŝŝ à ôé çôé éàôŝ é-éé çûûé, ôçŝ, à éŝ à é ôé àà à çôçé ô “àçàŝ” àôŝ. éŝ àçŝ àŝ ô é  ŝàééŝ ô éŝŝàçé, éôàô, à çô-àé, ôçéŝŝéŝ à à ôé ô àçàŝ ŝ çà-ô ô àçéééŝ ô à é ŝûŝéûé ôŝçàô éféçé çôôàé  é éà çôôô ô ŝôçà çàé ô ç  ŝééŝ ô é éŝé. wà àéàŝ ŝ-çé àôû çôéôà ôŝéŝ çûûé ŝ éçŝé é éé ô ç à ŝééçé éîé éŝ àŝ éé ŝô ôé “àé ô àççôû,” àŝ aéà mçrôé àŝ ôé, àé  ôé “ô éàŝzé à  ŝ ô ôé ééé.” 1  té ŝ ô é  ô éé éûà éàçé  çôéôà ôûà éà çûûé àé ôôû: é àé àé  é àôzàô ô éàé àçééé  à-ôà àé ô éôéŝ à é çééàô ô ŝûçà à ôé ŝçà éçûéŝ à “éàé” (.é.,
  • Univers Univers
  • Ebooks Ebooks
  • Livres audio Livres audio
  • Presse Presse
  • Podcasts Podcasts
  • BD BD
  • Documents Documents